While prison visits are an important way of maintaining contact, they can also be traumatic for children, particularly in jails where the security is tight.
Not exact matches
While it could indeed be «a potentially epoch - making moment it could be for Gaddafi to stand trial at the International Criminal Court,» Bali and Abu Rish argue that: «The prospect of retirement in a
prison cell in the Hague may factor into al - Qaddafi's incentives to make good on his threats to fight to the last of his capacities,
visiting untold atrocities on Libyan civilians in the process.
(Barr says she wrote to Balagoon occasionally
while he was in
prison — «it would have been reprehensible for me to drop my correspondence with a dying person,» she explains — and
visited him once.)
Your idea of a good time
while traveling is probably not
visiting a
prison.
While it's not cheap to
visit Alcatraz Island, it provides gorgeous views of San Francisco from the water and provides an opportunity to explore this notorious
prison first hand.
Jaramillo's recent photographs were taken
while visiting communities living around
prisons in Peru,
while Santibañez makes works inspired by discussions about tattoos she has conducted at Riker's Island.
Among the main female protagonists that inspired this research are Balkis Sharara, Rifat Chadirji's wife who in 1979 carried copies of his works into and out of Abu Ghraib allowing him to author three of his seminal books
while in the
prison; artist Nuha al - Radi whose diaries of 1990/91 describe the dynamics in the lives of Baghdad's people beyond the news coverage; an unknown young woman who stands out in the festivities of the gymnasium's 1990 new year concert; Fahrelnissa Zeid who was herself an artist (most recently the subject of a major exhibition at Tate Modern) and the wife of the Iraqi Ambassador in London when Le Corbusier received a telegram confirming the approval of his first design proposal for Baghdad; poet Iman Mersal who paid a solidarity
visit to Baghdad under siege in 1993; Zaha Hadid whose architectural drawings influenced the imagination of architectural students in the 1990s; and others.
Exploring the first - person politics of being in New Orleans with a camera and microphone in the months following the storm, it recounts Hunt's engagement with community activists
while researching the city's refusal to evacuate the Orleans Parish
Prison... Between meditations on his own experience he cues testimonies — videos of a citizen, a neighbor, an organizer and others — each one drawn from the archive of material compiled during his
visits.