Sentences with phrase «while the fight scenes»

While the fight scene at the end looked too much like a video game, I still found his gluttony for power to be the nice makings for a good villain.

Tony Leung is really good, in that effortless way he always is, while his fight scenes show that he clearly knows his wing chun now.

While the fight scenes may not have the visceral impact that Coogler gave us in Creed, the more intimate scenes hit their marks deftly.

Haofeng's contemporary wuxia, The Hidden Sword, recalls those of cinema past, King Hu's Touch of Zen in particular, but while its fight scenes and cinematography are similarly dazzling, Haofeng's feature lacks the weight of its predecessors.

While the fight scene is a highlight of the movie, The Last Jedi's home release has also revealed several deleted scenes, Easter eggs and behind - the - scenes looks at the somewhat divisive film.

While the fight scenes were well - staged, I couldn't help but think of beer commercials every time the camera provided an exterior shot of the train.

Not exact matches

Scenes of Joe fighting with contractors or negotiating rectory politics are pure comedy of manners, while scenes that take place at «the Great Badger, the Discount House with a heart,» veer more toward social sScenes of Joe fighting with contractors or negotiating rectory politics are pure comedy of manners, while scenes that take place at «the Great Badger, the Discount House with a heart,» veer more toward social sscenes that take place at «the Great Badger, the Discount House with a heart,» veer more toward social satire.

Mostly it's a film to watch and go agog at the timeless special effects and fight scenes, and even for a chuckle once in a while.

The new V - Triggers are sure to shake up the competitive scene, while the nostalgic new modes breathe new life into the single - player fighting.

► Several scenes feature loud arguments: In one argument between a woman and a man, the man changes into another person 4 times in a restaurant setting while people yell and a baby cries at him; in another scene, a fish turns into another person twice, and in another, a fish and an alien fight over car keys and knock each other down.

While not an elite action film, and overall disappointing, its stars compliment a witty script, a couple of cool fight scenes, and exotic locales.

Yes, the final act does have some cool fight sequences, but I'm more just commending the filmmakers on a few cool action scenes rather than saying that I actually enjoyed them while watching.

Max and Annie, normally a great team, start to unravel under the pressure, culminating in a hilarious scene where they must tend to a wound while bickering and fighting back nausea.

They feed and milk the cows, grind the wheat, and are unable to take advantage of much in the way of modern harvesting machinery — though in one scene an older man demonstrates a coffee - making machine to a group of Americans assigned to the farm while awaiting orders to fight.

It's literally half the episode is a story progress while the second half is a long fight scene.

While some elements, like the story and the boss fights, will definitely appeal to fans of the franchise, major step backs, like the low difficulty, the poor pacing due to the overload of cut - scenes and the uninteresting side quests keep Ultimate Ninja Storm 3 from being the next big hit by CyberConnect2.

The one battle I was really hoping would be better was the Battle with Smaug, and yes while his size does get in the way sometimes, that's not the reason I think it's only an alright fight scene.

While he expresses a certain pride that the aforementioned fight scene presaged not only first - person shooters but the Men in Black neuralizer as well, he hasn't deluded himself into thinking he's made a masterpiece — although he treads lightly in his criticisms, perhaps out of deference to Looker's cult following.

The story goes where it has to go and ends how it has to end, hinting at more than it reveals and going over the top with gratuitous fight scenes while still leaving you wanting more.

In gruelling scenes, she fights her own battles against the disease; between bouts, she seeks out reasons why the affliction impacts her bloodline while tending to her free - spirited, man - child husband (Aaron Paul) and the life they have created.

In the next scene, you're taken to a parking lot outside of a mall where you build the DeLorean time machine while fighting off bad guys that keep throwing destructive bananas at you.

Headlining the second disc of the set is «Monster Squad Forever,» a five - part retrospective on the origins, casting and production of the movie that should quell diehard fans, while the addition of deleted / alternate scenes, an animated storyboard of The Squad's fight with The Mummy, and a hilarious interview with Tom Noonan in character as Frankenstein all serve as great supplemental material.

While younger viewers might find some scenes of the future a bit frightening, most of the cartoon violence — exploding inventions, biting ants, a family food fight and an attacking dinosaur — is no scarier than regular Saturday morning fare.

Bob Dylan's frog - voiced «Not Dark Yet» gives voice to Poole's downcast state, while Blur's «Song 2,» played over a montage of Poole finding happiness during a water fight, helps to create a canned, cliched scene.

While the movie suffers from a few tired narrative turns (much of Ali's life may be storybook - perfect, but we expect more grit), the fight scenes are terrific: brutal, kinetic and purely expressive.

That means, however, that some characters, like Steve Rodgers and Black Widow, receive little screentime between fight scenes, while others, like Thor, the Stark - Parker - Strange trio, and, of course, Thanos, seem to spend more time onscreen than off.

A scene where Abe fights a gang of vampires while jumping back and forth off of moving horses during a stampede is mind blowing, aided in a great way by the brilliant use of 3D.

While it shares the hyper - realized, lens flare - filled sheen of the Transformers franchise, DeKnight deserves credit for making the large - scale fight scenes feel remarkably coherent, something Michael Bay struggled to do well.

It is simply a cool action movie and while the movie is not without its faults (I particularly missed the architectural fetishism of the Tim Burton movies and some fight scenes are shot up real close so that you can't always see just what the heck is happening) it is like seeing your favourite comic book title being written and drawn by some guys with an understanding of the character involved for a change after seeing it being ruined by some talentless hacks.

While The Bourne Identity has fewer fights than you remember, the main punch - up it does have is one of the best fight scenes to come out of that decade.

Oldboy reinvented the fight scene and while it the boundaries have been pushed to extreme lengths since then (see the Raid or Atomic Blonde), the origins of this style of cinema can easily return to Park Chan - wook's masterpiece.

The final fight scene is over way too soon while the story takes a while to get off the ground.

While fighting in the many battle scenes she wears only a leather bra - type top and leather shorts while her male cohorts are covered in leather aWhile fighting in the many battle scenes she wears only a leather bra - type top and leather shorts while her male cohorts are covered in leather awhile her male cohorts are covered in leather armor.

Kick - Ass manages to play its over-the top - violence for laughs while at the same time orchestrating some finely choreographed fight scenes.

While she holds her own in fighting skills, the film misses some opportunities to explore ideas or even comedic scenes that deal with the shifting gender roles in the big action movies these old dogs invented.

While many of the fight scenes take place in close quarters which best enables Feeney to square up against multiple adversaries (and also demonstrates his strategic cunning), larger shoot - outs demonstrate impressive directorial ability.

While setting up the scene in the opening sequence, Whedon also gives us one of the biggest, most explosive fights in the whole movie.

While the performances are mostly great and there are some very funny scenes in the movie, most of the run time consists of Paul Rudd and Leslie Mann fighting.

Tucker gets plenty of screen - time and moments of irreverent hamming, while Chan dishes out some high - flying action during the fight scenes, even if they are far from his best.

A thirteen - and - a-half minute documentary called «Jet Li is «The One»» is a fawning thing detailing how Jet is indeed the coolest cat in the alley (and probably deserving of a better vehicle), while another docu called «Multiverses Create «The One»» (also 13 + minutes) imparts some intriguing fight choreography information whilst presenting behind - the - scenes footage and an interview with fight master Corey Yuen.

The fighting isn't that bad in Nights of Azure 2, but the moves and available combos aren't anywhere near as fanciful in Fire Emblem Warriors and as for graphics, while the cut - scenes and backgrounds and main characters look great, everything else, like the enemies, look like they could have done with a bit more time to flash them out.

And still, Daniel Blake fights the power (in scenes that will make your audience stand up and roar) while reaching out to others in an awakening - of - the - soul film suffused with the virtue of helping those less fortunate.

Granted, the balancing act doesn't always go as planned, and there are certainly some tonal issues in a number of scenes — ahem, the love story that's soldered in; the ridiculous gun fight — but it's a sour character study that's always held at arm's length, all while you're duck - taped to a chair wondering what's going on.

The Avenging Fist is an excellent movie if you like watching special effects reminiscent of vintage arcade games mixed together crazy - cool fight scenes while feeling like you are on literally all of the drugs available to mankind.

Quote: «We had to film the fight scenes several times, it was fantastic, but after a while I suffered wand arm.

The great irony in pushing Wolverine to the forefront in this version is that he doesn't have a lot of big fight scenes, which, while possibly disappointing to fans of his trademark berserker rages, effectively reinforces that this is an older, wiser, and (slightly) more mature version of Logan than we've seen before.

The capper is a hellacious car chase / fight scene that has Deadpool fighting Cable while Domino takes the wheel.

While nearly every scene features a fighting sequence, the action effortlessly flows through the film like delicate leaves, and director Yimou produces a beautiful backdrop for his violence with the use of bold greens, reds, yellows and blues to distinguish the different sections of the story.

The action sequences are insanely fun: Watch as Gurira, in a fight scene, effortlessly wrangles a floaty red evening gown while kicking butt, and dispatches a bad guy by throwing her wig at him.

Each of the actors has been outfitted with specialized protective gear that has been made especially for this film, to prevent injury while upping the realism of the fight scenes.