While the painting medium used by early century and modern masters is largely predictable, contemporary artists experiment with a wide range of mixed media.
Not exact matches
Artists discuss the different
mediums for art
while children get to
paint and draw like a pro.
While paints would be an acceptable
medium for this project, chalk was perfect, easy to apply, and really gave my 3 - year old a lesson in coloring on textured surfaces.
We showcase two - dimensional and three - dimensional works of a variety of different
mediums,
while some of our highlights include expressionist lifestyle, seascape and landscape
paintings.
While most traditional artists use the tried and true
mediums of acrylic or oil
paint, Lauterbach's
paint is fabric and her brush is thread.
Corwin writes: «In the tradition of Klein and Dubuffet, Strobert chooses to site her artistic practice within the confines of
painting,
while literally doing everything she can to reconfigure that discipline through a re-orientation of
mediums and with an expressionistic yet pragmatic eye... Strobert's
painting isn't abstract
painting but the abstraction of
painting.
While this is a more advanced oil
painting course, you could also follow along with acrylics and plenty of slow drying
medium.
The Hamptons» own Lee Krasner demonstrates the expressive possibilities of the first
medium in «The Umber
Paintings, 1959 — 1962,»
while «David Hockney: Works on Paper, 1961 — 2009» provides a close - up view of the world of the beloved British painter, who is currently the subject of a major exhibition at The Met.
Challenging the heritage of his
medium through an innovative approach to materiality, technique, and content, Colen pushes the boundaries of
painting while imbuing his work with formal rigor and art historical richness.
By foregrounding the impossibility of adequate representation, the disconnection and fragmentation of memory and experience, doubting the relevance of contemporary
painting while looking back at the traumatic perfection of the work of the Flemish primitives, Tuymans indexes a simultaneously rich and clouded present for the
medium.
In dialogue with changing artistic practices over the past decade, Lerma explores various uses of materials for his
paintings while considering the
medium's relationship to history.
The 13 featured artists were each asked to contribute new
paintings and drawings; for some artists, the pieces they've contributed are interrelated (works on paper are predecessors to
paintings on canvas),
while for others the two
mediums represent distinct practices.
While Borremans's technical command of his
medium recalls classical
painting — the rich tactility and special glow of his
painted surfaces evoke the Old Master tradition and artists such as Francisco Goya — his compositions elude traditional interpretative strategies.
The results often look like simple abstract
painting,
while calling to mind the plastic possibilities of photography, a
medium that is perpetually evolving.
Rachel Feinstein's idiosyncratic oeuvre is diverse in
mediums and influences;
while she works primarily in sculpture, the artist's
paintings, drawings, and installations are equally important vehicles through which themes of femininity, beauty, and literature are explored.
Mike Calvert, ever independent in his attitude to group excursions, takes an almost contrarian approach, choosing
painting as his
medium for representing a «new style of computer aesthetic» at #ETINTERBRO,
while — during an obliviously dangerous first night swim in the buoyant salt water of a pitch black Dead Sea — he describes a Milan gallery's outrage over an exhibition with fellow brotherhood member Miltos Manetas in 2001.
The photographic image, it's digital reproduction, and the acrylic abstract
painting sit as separate
medium - specific layers,
while also compressing into a single composition.
While Butler's article focuses on abstract
painting, many of her ideas and the ideas she cites can be applied to other
mediums.
He writes his own software for drawings,
while exploring relationships between various
mediums, including drawings, video games,
paintings and code.
For All Inside of Itself, Close, Baras continues to work intuitively in her
medium while taking an expansive step forward in both the scale and structure of her
paintings.
While he begins each work by creating of a small clay model, his
paintings are anything but «still - lifes»; rather, they are extraordinary mediations on the
medium of
paint and the activity of
painting.
Did oil
painting signal a new
medium in Marshall McLuhan's sense as well,
while acrylics did not, and how can I know?
Each work is representative of a unique, formal language, rooted in
paintings» extensive history
while also looking towards new possibilities and interpretations for the
medium in the twenty - first century.
While Minimalist artists such as Carl Andre, Donald Judd, and Dan Flavin were gaining ground with their work in New York, McCracken was experimenting in Los Angeles with a
medium somewhere between sculpture and
painting, in a parallel fashion.
In her latest, largely terrific exhibition, Arlene Shechet continues to expand upon the ceramic vessel as a one - stop art
medium that combines
painting and sculpture
while pushing her work in increasingly diverse directions... Read More
His accompanying video documents his
painting process
while also activating it through a different
medium.
In the New York Times, Roberta Smith has described Mira Schor's «small, sharp, quirky
paintings» as «thorns in the side of the
medium,»
while artist Robert Berlind, writing in Art in America, described Schor as «An intimist whose candor is akin to Emily Dickinson's, Schor uses the sparest of means to signal, as the poet put it, «The loneliness / One dare not sound.»
Throughout the twentieth century and accelerating with the rise of conceptualism and Michael Fried's prediction of the end of art, or at least the death of
painting, critics, curators, and historians have questioned the validity of the
medium while artists have continued to
paint.
While considerable attention has been given to the decade through artists» use of appropriated imagery and photographic sources, the exhibition examines this moment specifically through the lens of
painting, considering the ways in which the
medium was reinvigorated throughout the decade at a time when its relevance was fundamentally challenged...
Working across such diverse
mediums as
painting, sculpting, and assemblage, the works shown are definitive of the 21st Century
while incorporating traditional techniques and processes.
Her works push the boundaries of a two - dimensional
medium; the irregular triangles in the «Giant Maiden» series (1972) strain against the edges of canvases
painted in high relief,
while the explosive colors on an intricate collage - like canvas in Do the Dance (2005) lend the
painting a kinetic, almost optical quality.
While she indulges a variety of artistic ventures, her main
medium of choice is
paint.
While this aversion to naming and categorization positions her vast and diverse body of sculptures, drawings,
paintings and mixed media works into a relational practice that defies the specificities of
medium or periodization, it also takes form in the artist's blatant refusal to identify herself or her work as feminist.
Both Hoyland and Noland shared an interest in the possibilities offered by the new
medium of acrylic
paint,
while Caro continued his exploration of metal, solid abstract shapes and abandoned the malleable clay of his past.
But for years it has disdained actually saying anything about the state of the
medium in exhibition form, and all the
while painting has developed actively on numerous fronts.
The vitality and prescience of the best
paintings here make you wonder what would have happened had Savinio devoted more time to
painting,
while making it clear that his interests remained peripatetic and polymorphous, even within one
medium.
While applicants apply to be considered in a specific discipline like
painting, the program itself isn't
medium - specific.
While we know that these qualities make for a durable
paint medium, what may be a surprise is that they also give acrylics the ability to be used as sculptural tools.
Now, as the latest in our series of interviews around Phaidon's new Vitamin P3 compendium of contemporary
painting, Artspace's Loney Abrams spoke with the ambitious curator — and P3 nominator — about the political and economic dimensions of abstract
painting, the pre-digital canvases of Thomas Bayrle, and what he's discovering about the
medium's direction
while assembling the 2018 Triennial with fellow curator Gary Carrion - Murayari.
Thus «terre verte» is both
medium «and» subject for Marden as he explores its chromatic nuances
while reflecting on the material exigencies of
painting itself.
While I got my formal training at Beverley Street Studio School, I have found the practice of
painting frequently, often with the fellowship of like - minded artists, has enabled me to become more comfortable with the
medium and approach.»
With the resurgence of figurative contemporary
painting, painters of the 1980s — who experimented with appropriated imagery and photographic resources
while critics challenged the relevance of their
medium — offer a fruitful comparison.
While there is a tendency to more easily dismiss it, I don't really view
painting as any different than any other
medium in terms of validity in contemporary art.
We will investigate the formal elements of
painting such as composition, space, form, color temperature and intensity,
while maintaining an appreciation for the immediacy of the
medium.
His use of colour, form and material as elements in a compositional lexicon, as well as the stained or dyed fabrics which are his principal
medium, declare the origin of his practice in the investigation of
painting in an expanded field,
while the way his compositions occupy and transform space are evidence of their sculptural nature.
For her presentation in the museum's lobby gallery, she will produce a new series that extends her broader thematic concerns,
while maintaining her experimental approach to the material and the communicative possibilities of
painting as a critical
medium.
Using an alla prima («at first attempt») technique, Yossifor works within the durational limitations and liveliness of the oil
medium,
while simultaneously using a set of self - imposed restrictions related to the action of
painting.
While everyone involved in this exhibition is queer, I'm more interested in «queer» as a verb than a noun or identity category, and the possibilities that «queering» as an action present to
painting as a
medium and abstraction as a genre.»
While the tradition of
painting will set the backdrop for this class, when it comes to take - home assignments, students will be encouraged to work in whatever
mediums best reveal the truths they want to tell.
Taking the forms of videos, a colored fabric installation, a rope and rock assemblage, charred and dyed fur, and alchemical experiments on canvas and the gallery floor, these artists luxuriate in materiality
while challenging the
medium specificity of
painting.