Sentences with phrase «while women artists»

While women artists have been involved in making art throughout history, their work has been dismissed or not as often acknowledged in comparison to men.

ARTnews examines 2015 auction prices and finds that «while women artists are very slowly beginning to gain a fairer share of the art market, their male counterparts continue to outperform them dramatically at the highest end.»

While women artists of the 60s and 70s struggled with dismissive attitudes toward their work, and with a lack of support and recognition, their work has been increasingly recognized and come into the spotlight in recent years.

Not exact matches

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An artist falls for a young married woman while he's commissioned to paint her portrait during the Tulip mania of the 17th century Amsterdam.

An arthritic Nova Scotia woman works as a housekeeper while she hones her skills as an artist and eventually becomes a beloved figure in the community.

Set in the Netherlands in early the 17th - century, during the period of the Tulip mania, an artist (Dane DeHaan) falls for a married young woman (Alicia Vikander) while he's commissioned to paint her portrait by her husband (Christoph Waltz).

The actor accepted the award for his role in The Disaster Artist while wearing a «Time's Up» pin, something which later saw several women shine a light on his alleged past behaviour including one actress who accused him of sexual misconduct.

The movie tells the story of an artist who falls for a young married woman (Alicia) while he's commissioned to paint her portrait during the tulip mania of 17th century Amsterdam.

Sonny Liew took home three awards for his graphic novel history of Singapore The Art of Charlie Chan Hoc Chye (Best U.S. Edition of International Material — Asia, Writer / Artist, and Publication Design), while Jill Thompson collected three trophies (Best Single Issue for Dark Horse's Beasts of Burden: What the Cat Dragged In, Best Painter for that issue and the DC graphic novel Wonder Woman: The True Amazon, and Best Graphic Album — New for the Wonder Woman book).

While it may be easy for some to start hollering about representation of women, it should be noted that for artists and creative teams, a document like this one uncovered from the SoulCalibur devs is incredibly valuable.

It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).

The unconscious aura of titillation that arises from a visual representation of an aspiring woman artist in the mid-19th century, Emily Mary Osborne's heartfelt painting, Nameless and Friendless, 1857, a canvas representing a poor but lovely and respectable young girl at a London art dealer, nervously awaiting the verdict of the pompous proprietor about the worth of her canvases while two ogling «art lovers» look on, is really not too different in its underlying assumptions from an overtly salacious work like Bompard's Debut of the Model.

While we can not go into such an investigation in depth in this article, we can point to a few striking characteristics of women artists generally: they all, almost without exception, were either the daughters of artist fathers, or, generally later, in the 19th and 20th centuries, had a close personal connection with a stronger or more dominant male artistic personality.

While the «woman problem» as such may be a pseudo-issue, the misconceptions involved in the question «Why have there been no great women artists?»

In most cases the women artists had accompanied their significant others, while like the generation before them, the Afro - American artists, sought to escape the racism that was endemic in the States.»

While remaining cool to offers of marriage, she joined in a seemingly cloudless, lifelong and apparently Platonic union with a fellow woman artist, Nathalie Micas, who evidently provided her with the companionship and emotional warmth which she needed.

Every man or woman painted by Alice Neel comes across as an intriguing person with an interesting story to tell, and it shouldn't come as a surprise that, unlike other artists, she loved chatting with her models while they posed for her.

Jennifer Sullivan, a New York based interdisciplinary artist, looks at what it is like to be a woman both critically and lovingly while occasionally skewering the machismo and overconfidence of early»80s male painters.

«While we do not operate positive discrimination in relation to women artists Tate is keen to address areas where, historically, women artists may have been unduly neglected,» explains Ann Gallagher, Head of Collections (British Art).

While it can feel disjointed, this approach is more inclusive in its attempts to move beyond prescribed art - historical labels, revealing the extent to which women or black artists, for example, contributed to a cutting - edge downtown scene.

But while queer art became a cause for museums and galleries — Mapplethorpe and Wojnarowicz were anointed figureheads in a battle between progressive and conservative values, which ultimately exposed their work to wider audiences — these women artists remained obscure.

Unsurprisingly, this image caused less of a stir than Benglis» explicit nude shot, further illustrating how open sexuality and displays of fetishism was chastised in women while being blindly accepted with male artists.

While some of his recent comments about female artists struck many as upside - down in a different way («women don't paint very well»), this show is still required viewing.

The Guerrilla Girls» famous poster protesting that while only 5 % of the artists in the modern section of New York's Metropolitan Museum are women, 85 % of its nudes are female is definitive in that way (the figure was still at 4 % and 76 % when they updated the work in 2011).

On 24th Street, All the Boys (2016) is a powerful response to recent police brutality and the deaths of black men and women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes & Take (2016), a series of photographs picturing the artist before the sets of TV shows like Scandal and Empire — both shows feature black leads — shedding light on the current state of the entertainment industry.

While acknowledging that women artists continue to face obstacles in an uneven playing field, in this book Heartney showcases a rare... Read More

Data gathered from the Met's public collections in 1989 showed that women artists had produced less than 5 % of the works in the Modern Art Department, while 85 % of the nudes were female.

«In many ways, this ballet is a self - portrait,» Gleich explains, «The way I see myself as a woman, as an artist, as a person finding my own way and all the while bucking that male hierarchy that continues to dominate the ballet world.

It's no secret that women artists are underrepresented in the art world, while their image, painted by the brushes of men, is one of the oldest artistic tropes.

A star of New York's art scene in the 1980s, the artist Eric Fischl earned the healthy reputation of being a «bad boy,» both the title of his most famous work — a painting of a young boy openly watching a nude woman picking at her toes while he surreptitiously slides his hand into her Freudian purse — and of his recent tell - all autobiography of the period.

While Brianchon's work was well acknowledged in France early on, that of his wife Marguerite Louppe, an accomplished painter of inquisitive and daring imagination, remained under - recognized and undervalued throughout her career — very much the fate, of course, of European women artists mid-century.

Harris's fascination with Pollock matched his physical similarity, and his devotion assured a work of singular integrity, honoring the artist's achievement in abstract expressionism while acknowledging that Pollock was a tormented, manic - depressive alcoholic whose death at 44 (in a possibly suicidal car crash) also claimed the life of an innocent woman.

Not every woman artist would wish to stake her claim to fame on Marie Antoinette, but Elisabeth Vigée Le Brun managed quite a career, even while fleeing to what a show calls «City of the Soul: Rome and the Romantics.»

While we can all agree that Georg Baselitz is an asshole (or maybe just senile) maybe we should actually pay more attention to women artists we love and less attention to sexist assholes we hate?

In Paris, Nicholas Ghesquière showed silk - embroidered frock coats comparable to those seen in 18th - century portraiture for his women's Spring 2018 Louis Vuitton collection; in New York, the Metropolitan Museum's recent Michelangelo show was the tenth most visited exhibition in its history, outstripping even the Alexander McQueen blockbuster in 2011; in London, renowned contemporary British artist Glenn Brown is presenting his reinterpretation of the Old Masters at the Gagosian Gallery (until 17 March), while at Victoria Miro (until 7 April), Mark Wallinger's Italian Lessons exhibition takes inspiration from the Italian masters and masterpieces in Italian collections.

Ernest, in return, cheated on her relentlessly, fell into jealous fits over things like fur coats she'd would buy for herself, and left her for the Surrealist artist Dorothea Tanning, whom he met while preparing the Exhibition by 31 Women show for Art of This Century.

Often depicting African - American women in colorful interiors, they take inspiration from the past - the sensuous odalisques of Matisse and Ingres - while also pushing portraiture forward alongside artists like Chris Ofili, Marilyn Minter, and Kehinde Wiley.

Athi - Patra Ruga gained international attention through his performance series The Future White Women of Azania (2010 - present) which features fantastical characters — usually played by the artist — whose upper bodies are engulfed by colorful, liquid - filled balloons, while their lower bodies are revealed in stockings and heels.

While abstraction became popular in postwar society due to its ability to transcend national and regional narratives, including views on gender, women artists were still dismissed in the male - dominated world.

While this year's standout museum shows are admittedly concentrated in the Western world (and many in major cities), they reveal a positive trend in the recognition of underrepresented facets of the art world — women and artists of color, in particular.

While the artist gestures toward lingering social commentaries relating to what has been traditionally associated with women's work versus men's work, the exhibition becomes a site for contemplation about a post-human reality and the future of labor in the face of automation.

While the exhibit itself only includes 12 of these woman artists, an accompanying catalog will feature work by 41 artists.

While some Pop artists use photography to react to consumer culture, Robert Heineken repurposes found magazine imagery to talk about the media's role in objectifying women, Richard Prince and Sarah Charlesworth of the Pictures Generation push the boundaries of image appropriation, Christopher Williams talks about means of image production and contemporary artist Lucas Blalock confuses subject and backdrop through Photoshop.

LATOYA RUBY FRAZIER: What attracted me to the mediums of photography and video as an artist were my influences while studying at Edinboro University of Pennsylvania and Syracuse University with mentors like Kathe Kowalski, a photographer and writer committed to photographing women in prison, families living below the poverty line in Erie, Pennsylvania, and her own mother's illness and death.

NMWA Associate Curator Virginia Treanor guided 18 photographers through the exhibition and highlighted show - stopping works by midcentury and contemporary women designers while illuminating the artists» processes — photographers enjoyed hearing about Polly Apfelbaum, who used a punch card as a stencil for her Handweaver's Pattern Book installation (2014).

While Abstract Expressionism brings to mind artists such as Jackson Pollock, Willem de Kooning, and Robert De Niro, Sr., only a few women painting at the same time garnered any name recognition, and even so, for many, this recognition came far later in their careers.

American art has been part of the international art scene for quite a while, a newer aspect is that now women artists are shown more widely.