Sentences with phrase «while women in the audience»

While women in the audience may find resonance in the comical prickliness, this film remains more of a stage play than an actual movie.

Not exact matches

He said his phone was «blowing up» with messages but he didn't want to be rude and answer the messages while sitting in the audience, so he ignored them until a woman from Disney poked him on the shoulder.

While many viewers complain about NBC's tape - delay tradition, the network maintains that the practice is better for ratings as NBC claims female viewers (who actually make up the bulk of the Olympics» audience) watch sports differently than men do, with women investing more in coverage showing athletes» journeys to the games than in the actual results.

Says the Widow, who won't reveal her real name, «For the women in the audience, I'm the gringa who's going to steal their husbands while they're sitting home pregnant.»

Killian, 54, explained to the audience that women deserve access to safe and reasonable health care, while Latimer took the opportunity to flex his knowledge on finer points in the agenda.

David Cameron «lectured a business audience in India» on the need to have 50 % of company directors as women while «just four of Cameron's 22 - strong Cabinet are women» while «as for the educational background of Cabinet ministers, God help any university which showed such a bias towards public school types.»

As compared to what Russian women find attractive in men, the importance of integrity was lower for the male audience: Loyalty and decency, along with honesty, scored 28 % in total (while for ladies the combined result was 60 %).

While apps like Tinder may be associated with younger audiences, there are plenty of options for those in search of mature... think both men and women make...

Now with «Beast,» a well - developed thriller with some horror undertones, Pearce emerges as a fellow to watch, since he keeps the audience with an uneasy feeling throughout while trying to guess the identity of a serial killer and wondering whether the woman on whom he focuses so much attention is in danger of being murdered.

On some level, Peggy is a bit of an odd character, a fiercely independent woman in an era when misogyny ran amok, and Atwell pulls off the difficult trick of keeping her anchored in the time period while still playing as a strong character to modern audiences.

While standing in line for Una, the film adaptation of David Harrower's play Blackbird, earlier this week, one of the PR reps for the film told me she had already noticed an audience divide forming around it — men almost uniformly hated it, but women were moved by it.

And while there have been setbacks (the highly touted all - women remake of Ghostbusters made headlines this week after being declared the most - disliked trailer in YouTube history) it seems clear that this fresh force in mainstream comedy will continue to grow on audiences and critics alike.

While this doesn't mean you should target all of your efforts to 70 - year - old women living in the outskirts of Atlanta, there is a point: know where to find your audience.

As we all know, the people who write on the Internet about comics are a tiny, tiny, tiny portion of the audience, and while they often clamor for diversity and Marvel responds to them, is there a large influx of young women, minorities, queer, and trans people going into comics shops and buying those diverse titles or at least getting them digitally or in trade?

What's weird is how the game depicts the way in which members of the audience are drawn toward the film; adult males correspond to the dark blue stars on an actor's card that represent his or her dramatic acting skills, while women are drawn in by the red stars that correspond to character acting, and children are lured by comedic acting displayed as green stars.

Brenda Romero raised a standing ovation and reduced some members of the audience to tears as she spoke of her daughter's ambition to make a game with her mother, while lamenting booth babes at E3 for giving the wrong impression of women in the game industry.

While the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

But while queer art became a cause for museums and galleries — Mapplethorpe and Wojnarowicz were anointed figureheads in a battle between progressive and conservative values, which ultimately exposed their work to wider audiences — these women artists remained obscure.

The works include reenactments of Vito Acconci's Seedbed (1972), in which the artist occupied the space under a false floor, masturbating and speaking through a microphone to visitors above; Valie Export's Action Pants: Genital Panic (1969) in which Export walked through a movie theater in crotchless pants, challenging the audience to turn from the images of women on the screen to a real female body; and Abramovic's own Lips of Thomas (1975), in which she ate a kilogram of honey and drank a liter of red wine before breaking her glass with her hand, incising a star in her stomach with a razor blade, whipping herself until she «no longer felt pain,» then lying down on an ice cross while a space heater suspended above her caused her to bleed even more profusely.

Essaydi explains: «My photographs are about the women subjects» participation in contributing to the greater emancipation of Arab women, while at the same time conveying to an outside audience a very rich tradition of practice, relationships, and ideas that are so often misunderstood and misrepresented in the West.»

Hershman Leeson allows the visitors not only a glimpse into the life of the enigmatic women who is staying at the hotel but also the traces left behind by the visiting audience will undergo forensic analysis while its results will be presented in a conversation between Lynn Hershman Leeson and the forensic scientist Lutz Roewer on the last day of the installation (June 17, 2018).

Speaking to a standing room only audience of more than 100 pre-registered participants from six continents, Howell stated that while many see women as integral to creating peace, yet «women can and do fail miserably in this role as agents of peace, and the results of this can be and often are, devastating