Sentences with phrase «white art photography»

/ © The artist, Photo by Todd ‑ White Art Photography, Courtesy of Museum of Fine Arts, Boston

Ellen Altfest, Torso, 2011, oil on canvas, 10 1/4 x 13 13/16 inches (© the artist, Photo: Todd - White Art Photography, Courtesy White Cube)

Raqib Shaw Absence of God IV... The Blind Butterfly Catcher 2008 © the artist Photo: Todd - White Art Photography Courtesy White Cube 20 May — 4 July 2009 White Cube Hoxton Square is pleased to present «Absence of God», the first exhibition at the gallery by Raqib Shaw.

Photo Todd White Art Photography © Chris Ofili)

Photo: Todd - White Art Photography, Courtesy White Cube, © Ellen Altfest / White Cube.

Photographs by Todd - White Art Photography

Not exact matches

Classic Kids Photography specializes in black & white and hand tinted fine art portraits of children & their families.

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White Chrysanthemum and Bird Cage Photography - Spring - Flower Print - Soft Pastel Tones - Blue and White - Fine art for your home

New York City About Blog BWGallerist is dedicated to promoting fine art photography with special emphasis on Black and White photography.

Spielberg's passionate direction always hits the right note, from the gorgeous black & white photography to the impressive art direction, cinematography and what might be John Williams» most moving score.

Deakins uses the overtly stylish surroundings to sheer perfection using every possible smoke - filmed frame to recall the good old days when black and white photography in Hollywood films was an art in itself.

Henry Louis Gates Jr.'s essay on Frederick Douglass is very empowering, and at the end he says, «Even a lecture about something as seemingly apolitical as photography or art in the end must by definition be engaged within and through Douglass's state of being as a black man in a white society in which one's blackness signifies negation.»

Creating an appreciation for the art of silver gelatin black - and - white photography is a bonus.

Representatives from the following organisations will be in attendance Aesthetica Magazine / According to McGee / Anise Art Gallery / ArtAngel / Artnet / Arts Council England / BALTIC / Bright White Ltd / Central St Martins / CHARLIE SMITH LONDON / THE FUTURE CAN WAIT / DACS / DASH Arts / FACT Liverpool / Flowers Gallery / Frieze / Glasgow School of Art / Holden Gallery / i - D / Impressions Gallery / It's Nice That / Lazenby Brown / Leeds Art Gallery / London College of Communication / Lumen Art Prize / Manchester Metropolitan University / National Media Museum / New Art Exchange / Open Eye Gallery / PHOTOFAIRS / Royal College of Art / Serpentine / Spectator / Spectrum / Sony World Photography Awards / TAFETA / Tate / Thames & Hudson / V&A / VICE / York St John University

Co-curators Julia Dolan, The Minor White Curator of Photography, and Sara Krajewski, The Robert and Mercedes Eichholz Curator of Modern and Contemporary Art will focus on how Thomas reframes popular, commercial and media images and creates participatory opportunities to foster knowledge and embrace new viewpoints.

The Jackson Fine Art Private Collection features secondary market color, Black and White, vintage, modern and contemporary Photography.

Filed Under: ART, Collage, Drawing, Group Feature, Mixed Media, Photography, Sculpture Tagged With: Antony Gormley, Blaine Fontana, C J. Pyle, Hilary White, Leslie Ditto, Samantha Meglioli, Sarcoptiform, Vangel Naumovski, Yong Ho Ji

Tagged With: airport, athens, Atlanta, Atlanta Hartsfield - Jackson International Airport, black and white, Don't Miss, Fine Art Photography, High Museum, Mark Steinmetz, photography, Picturing the SoPhotography, High Museum, Mark Steinmetz, photography, Picturing the Sophotography, Picturing the South, travel

In 2014 the gallery is also proud to represent Katharine Cooper, a South African photographer who received the Photography prize of the Academie des beaux - arts» for her documentary on the white minority in South Africa «White Afriwhite minority in South Africa «White AfriWhite Africans.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

Around 1830 the newborn art and science of photography rebirthed it in glorious black and white (and shades of gray).

Prior to his first exhibition at the Museum of Modern Art (New York) in 1976, fine art photography was typically black and white, while color photography was used commercialArt (New York) in 1976, fine art photography was typically black and white, while color photography was used commercialart photography was typically black and white, while color photography was used commercially.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

How did he or, in photography and video, «Black Cowboy» find community, in black and white America and in art?

With its first acquisition of work by Margaret Bourke - White in 1934, the Addison recognized photography as both art and cultural documentation.

A graduate of Cooper Union, he disavowed painting as a white man's medium and picked up the camera, being one of the first artists to spearhead photography as a legitimate art form and thereby making it his own.

For this project, Art League instructor Allison Duvall gave the 11 SOHO girls a basic photography workshop, and then each girl was given a point and shoot camera, a roll of black and white film, and tasked with taking photos of the people, places, and things most significant to them.

White taught photography at the School of Visual Arts, NY; The Cooper Union for the Advancement of Science and Art, NY; the International Center for Photography, NY; Rochester Institute of Technology; and is currently Distinguished Professor of Art at The Richard Stockton College of photography at the School of Visual Arts, NY; The Cooper Union for the Advancement of Science and Art, NY; the International Center for Photography, NY; Rochester Institute of Technology; and is currently Distinguished Professor of Art at The Richard Stockton College of Photography, NY; Rochester Institute of Technology; and is currently Distinguished Professor of Art at The Richard Stockton College of New Jersey.

2013 Circus Days, Higher Pictures, New York City 2012 Street Cops, The John Jay College President's Gallery, New York City 2011 Street Cops, Higher Pictures, New York City 2008 Resurrection City, Higher Pictures, New York City 2008 Homme et Bete, Parc de Villette, Paris 2007 A.M. Richard Fine Art, Brooklyn, New York 2006 Ireland, DeRicci Gallery, Edgewood College, Madison, Wisconsin 2006 Jill Freedman Photographs, Wild Wood Gallery, Beacon, New York 2006 New York New York City, Photographic Gallery, New York City 2006 Ireland Ever, M.J. Ellenbogen Photography, White Plains, New York 2002 Selected Work, Hardcastle Gallery, New York 2001 Giant Garden, Show Walls, Durst Organization, New York 2000 Selected Work, Gallery 49, New York 1999 New York City: A Look Back, Main Library, Miami, Florida 1999 Alla Vita!

Organized by the Portland Art Museum and curated by Julia Dolan, Ph.D., the Minor White Curator of Photography.

Dilyara Allakhverdova and Elchin Safarov, Maryam and Edward Eisler, Candida and Zak Gertler, Jack Kirkland, Ringier Collection Zurich, Maria and Malek Sukkar, Galeria Graça Brandão, Embassy of Israel to the UK, Multimedia Art Museum / Collection of Moscow House of Photography Museum, Outset Israel, Pace Gallery, taubert Contemporary, Vilma Gold, London, White Cube, With support from the Government of Mexico as part of the Year of Mexico in the UK 2015.

Recent exhibitions this past year include A Promise Is A Cloud, Public Art Fund, New York; Structure & Absence, White Cube, London; The Anxiety of Photography, Aspen Art Museum, Aspen, Colorado; To What Earth Does This Sweet Cold Belong, The Power Plant, Toronto, Ontario; and in 2010, Still, Flat and Far, Institute of Contemporary Art, Philadelphia.

Joy Episalla has had solo exhibitions and projects at Participant, Inc, New York (2015), International Center of Photography, New York (2016), Mercer Union, Toronto (2000), and her work has recently been included in group exhibition s Greater New York, MoMA PS1 (2015), Bronx Museum of the Arts (2016), Oakville Galleries, Toronto (2013), White Columns (2010), Harvard Carpenter Center for the Visual Arts (2009), and Wexner Center for the Arts (2005)..

Selected Public Collections Guangdong Art Museum, Guangzhou, China Multimedia Art Museum, Moscow, Russia UNIDEE Art Foundation, Biella, Italy CAFA (China Central Academy of Fine Arts), Beijing, China White Rabbit Gallery, Sydney, Australia Museum Folkwang, Essen, Germany Taikang Space, Beijing, China Three Shadows Photography Art Center, Beijing, China

Artworks Courtesy of: Nick Cave; Theaster Gates; Barbara Kasten; Chris Ware; BAM Hamm Archives; Bortolami Gallery; Cranbrook Art Museum; Margaret Jenkins Dance Company; The New Yorker magazine and Condé Nast; James Prinz Photography; Jack Shainman Gallery; Sara Linnie Slocum; Chris Strong Photography; & White Cube.

2010 Black and White, The Center for Fine Art Photography, Fort Collins, CO..

The White Room Gallery exhibits an eclectic blend of contemporary art including painting, photography, sculpture and ceramics.

Tyler Photo adjunct faculty Tamsen Wojtanowski and Jennah White have an exhibition of their work hanging in the Lower Atrium Gallery, Tyler School of Art - just outside the Photography Area.

He studied photography at the Art Center in Los Angeles, and at the end of the nineteen - forties he began documenting the American society through a series of black and white pictures.

A New Reality: Black and White Photography in Contemporary Art, The Zimmerli Art Museum, Rutgers University, NJ

Under Minor White, this became the first fine art photography department in the US.

Edward Steichen included twenty - three of Leiter's black and white photographs in the seminal 1953 exhibition «Always the Young Stranger» at the Museum of Modern Art; he also included twenty of Leiter's color images in the 1957 MoMA conference «Experimental Photography in Color.»

In the fall of 1976, Kruger abandoned art making and moved to Berkeley, where she taught at the University of California for four years and steeped herself in the writings of Walter Benjamin and Roland Barthes.She took up photography in 1977, producing a series of black - and - white details of architectural exteriors paired with her own textual ruminations on the lives of those living inside.

303 Gallery, New York Air de Paris, Paris Alexander Gray Associates, New York Alison Jacques Gallery, London Almine Rech Gallery, Brussels Andrea Rosen Gallery, New York Andrew Kreps Gallery 535 W. 22nd St, New York Andrew Kreps Gallery 537 W. 22nd St, New York Anton Kern Gallery, New York Arratia Beer, Berlin Art: Concept, Paris Bortolami, New York Broadway 1602, New York Carl Freedman Gallery, London carlier gebauer, Berlin Casey Kaplan, New York Cheim & Read, New York CRG Gallery, New York David Zwirner 19th Street, New York David Zwirner 20th Street, New York Elizabeth Dee, New York Esther Schipper, Berlin Frith Street Gallery, London Gagosian Madison Avenue, New York Gagosian West 21st St, New York Gagosian West 24th St, New York Galeria Plan B, Berlin Galerie Barbara Weiss, Berlin Galerie Chantal Crousel, Paris La Douane — Galerie Chantal Crousel, Paris Galerie Eigen + Art, Berlin Galerie Frank Elbaz, Paris Galerie Jocelyn Wolff, Paris kamel mennour, r. du Pont de Lodi, Paris kamel mennour, r. Saint - André des arts, Paris Galerie Lelong, New York Galerie Perrotin Madison Av., New York Praz - Delavallade, Paris Galerie Thaddaeus Ropac Marais, Paris Galerie Thaddaeus Ropac Pantin, Paris Galerie Thomas Schulte, Berlin Galerija Gregor Podnar, Berlin Gavin Brown's enterprise, New York gb agency, Paris Gladstone Gallery 21st St, New York Gladstone Gallery 24th St, New York Goodman Gallery, Johannesburg Goodman Gallery, Cape Town Greene Naftali, New York greengrassi, London Hauser & Wirth 18th St, New York Hauser & Wirth 69th St, New York Herald St, London Jack Hanley Gallery, New York Jack Shainman Gallery West 20th St, New York Jack Shainman Gallery West 24th St, New York James Cohan Gallery, New York Johann König, Berlin Laura Bartlett Gallery, London Lehmann Maupin 26th St, New York Lehmann Maupin Chrystie St, New York Lisson Gallery, London Luhring Augustine, New York Marian Goodman Gallery, New York Marianne Boesky Gallery 24th St, New York Marianne Boesky Gallery 64th St, New York Massimo De Carlo, London Maureen Paley, London McCaffrey Fine Art Upper East Side, New York Mendes Wood DM, São Paulo Miguel Abreu Gallery, New York Mitchell - Innes & Nash 26th St, New York Mitchell - Innes & Nash Madison Av, New York Paul Kasmin Gallery 10th Av, New York Paul Kasmin Gallery 27th St, New York Peter Blum Gallery, New York Pilar Corrias, London Sadie Coles HQ Kingly Street, London Sadie Coles HQ South Audley Street, London Salon 94, New York Salon 94 Bowery, New York Salon 94 Freemans, New York Sean Kelly Gallery, New York Sikkema Jenkins & Co., New York Sprüth Magers Grafton St, London Sprüth Magers Oranienburger St, Berlin Stephen Friedman Gallery, London Stuart Shave / Modern Art, London Taka Ishii Gallery, Tokyo Taka Ishii Gallery Photography / Film, Tokyo Tanya Bonakdar Gallery, New York team (gallery, inc.) Grand St, New York team (gallery, inc.) Wooster St, New York The Approach, London Timothy Taylor Gallery, London Tina Kim Gallery, New York Victoria Miro, London Victoria Miro Mayfair, London Wallspace, New York White Cube Bermondsey, London White Cube Mason's Yard, London Wien Lukatsch, Berlin Wilkinson, London Yvon Lambert, Paris Kukje Gallery K2, Seoul Kukje Gallery K3, Seoul

A MacArthur genius grant winner and professor of photography at the School of the Art Institute of Chicago, LaToya Ruby Frazier is known for her incisive black - and - white photo and film work that documents structural inequalities of small towns across the U.S., including Braddock, Pennsylvania, an industrial steel town ravaged by industrial decline.

Her romantic, surreal, often disturbing black and white photographs reference the history of modernist photography as well as presciently gesture towards more recent art about objectification and the female gaze.

From 1995 to 2016 he was a Professor in the Art Department at UCLA where he changed the photography curriculum from black and white to color.

christopher williams one of 406 ceiling panels (23 3/4 × 23 3/4 inches each) covered on the back with striped paper (green and white) each stripe is 8,7 cm from» frost and defrost: a work in situ by daniel buren «otis art institute gallery, 2401 wilshire blvd., los angeles, california january 28 - march 4, 1979 hal glicksman, gallery director; christopher d'arcangelo, assistant to daniel buren photography by the douglas m. parker studio, glendale, california, may 4, 2006, 2006

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.