Sentences with phrase «white bird gallery»

For Kathy Gerdon Archer, artist and owner of White Bird Gallery in Gloucester, involvement with the Rocky Neck Art Colony gave her the exposure and community she needed to succeed as a photographer.

Opening Reception: August 20th, 4:00 — 6:00 White Bird Gallery Cannon Beach, Oregon Contact: [email protected]

Across the street, White Bird Gallery is housed in a one time boarding house dating from 1915.

His work can be seen at a variety of Pacific Northwest galleries, including Gallery 903 in Portland, Gallery Mack in Seattle and White Bird Gallery in Cannon Beach.

You will find a wide variety of local artists at White Bird Gallery.

The White Bird Gallery was one of the first galleries to fully incorporate fine art with fine craft.

Cannon Beach Café and Olio Cupcake Bar is serving a «Prosciutto Goat Cheese Salad» inspired by the ceramic sculptures by Eric Boos at White Bird Gallery.

White Bird Gallery, 251 N. Hemlock, Cannon Beach [phone]

White Bird Gallery 251 N. Hemlock / Box 502 Cannon Beach, Oregon 97110 503.436.2681 www.whitebirdgallery.com Contact: [email protected]

So be sure to mark August 6th for both the anniversary celebrations at White Bird Gallery and the Cannon Beach Arts Association.

White Bird Gallery in Cannon Beach, Oregon is now representing artist Brian Blackham and his new collection of still life paintings.

Not exact matches

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

1982 A Bird in Hand: Works of Morris Graves from the Permanent Collection, University of Oregon Museum of Art, Eugene, OR Morris Graves, Foster - White Gallery, Seattle, WA

Robert Havell Jr. after John James Audubon, American White Pelican, 1836, from The Birds of America, hand - colored etching and aquatint, National Gallery of Art, Washington, Gift of Mrs. Walter B. James, 1945

Mia Perlman's or Eva Mantel's white swirl resembles a cloud, Thomas Weaver speaks of the Birdhouse Blues, Casey Ruble's birds skid through paper branches, and Jin Lee imagines a gallery wall as a White Landswhite swirl resembles a cloud, Thomas Weaver speaks of the Birdhouse Blues, Casey Ruble's birds skid through paper branches, and Jin Lee imagines a gallery wall as a White LandsWhite Landscape.

A lone figure walking beside an indigo swimming pool; a boat passing before the entrance of a cave as a great black bird swoops by; a girl dressed in white, clambering high in the branches of a vast tree on a starlit night: these are some of the strange and poetic recent subjects of the painter Peter Doig, the subject of a major exhibition at the Scottish National Gallery this summer.

Those interested in art by the show's curators can consult the website of Soho's Renwick Gallery, which hosted Mr. Dobson's most recent exhibition, a collaboration with Megan Marrin that just closed and involved tiny birds» nests, white paintings and lots of splattered eggs.

«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.

During the multimedia performance, images of flying birds were projected onto the white - clothed bodies of the performers while they moved from the museum out into the courtyard space, each holding slats of venetian blind, which, as art historian Kellie Jones notes in South of Pico: African American Artists in Los Angeles in the 1960s and 1970s was the same material found in a sculpture that Nengudi was exhibiting within the gallery.

White Curve (1974) creates an amazing lift and lightness, its white, bird - like shape ready to soar up into the heights of the galWhite Curve (1974) creates an amazing lift and lightness, its white, bird - like shape ready to soar up into the heights of the galwhite, bird - like shape ready to soar up into the heights of the gallery.

Ten years after their debut at Giò Marconi, Nathalie Djurberg and Hans Berg have returned to the gallery space and have transformed it into a mysterious landscape inhabited by colourful bird sculptures on tables and enigmatic black and white waterfall animations.

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