Sentences with phrase «white cube gallery on»

Artist Tracey Emin poses in front of her work as part of her «The Last Great Adventure is You» Exhibition at the White Cube Gallery on October 6, 2014 in London, England.

One of Emin's earliest exhibitions took place in 1993 — 94 at the influential White Cube gallery on Duke Street (1993 — 2002).

Similarly, with Pipe, it's as if one of Nancy Holt's Sun Tunnels (1976) was transported from the desert to this small, white cube gallery on the Lower East Side.

Not exact matches

To be honest, she said, her London dealer Jay Jopling, founder of the White Cube gallery, didn't even know she was an artist when he first took her on in 1993.

At the same time, they planted the spare forms of a gallery's white cube in the earth, on a scale that art had not seen even in Baroque churches.

In a booklet, costing just a dollar on the honor system, she also insists how much better oil looked in galleries under incandescent light, before fluorescent lighting in white cubes and demands for energy efficiency.

Pensato has remarked on numerous occasions, most recently in the New York Times, how she has «always wanted to make art that trashed up a good white - cube gallery».

Gilbert & George have a new exhibition opening on Friday 18th at the White Cube Bermondsey gallery which will hold a generous offering of over sixty new works by the partners in crime.

Anyone unwilling to wait that long can get a taste of Balka's art at the White Cube Mason's Yard gallery in London, where an exhibition of his work entitled Nothere is currently on display.

Baselitz's first solo exhibition at White Cube Bermondsey will span the entire gallery space, and will include the large - scale paintings, but also a bronze sculpture and a wide number of works on paper.

In 2011 Goodman Gallery curators Tony East and Claire van Blerck produced The Night Show, a 3 - part exhibition staged at Goodman Gallery Cape Town, which sought to destabilise the notion of the white cube and to engage with contemporary art practice on its own terms, courting the spontaneous and embracing the ephemeral.

The works will be exhibited on the site of the festival in a pop - up exhibition organized by the contemporary art gallery White Cube.

2017 On Bodies: GMF x UNT, The Goss - Michael Foundation, Dallas, Texas «The Critic as Artist» curated by Michael Bracewell and Andrew Hunt, Reading Museum, London, UK ISelf Collection, Self - Portrait as the Billy Goat, Whitechapel Gallery, London Dreamers Awake, curated by Susanna Greeves, White Cube, London, UK As Above, So Below: Portals, Vision, Spirits & Mystics, Irish Museum of Modern Art, Dublin, Ireland The Ends of Collage: New York, Luxembourg & Dayan, New York, NY The Ends of Collage: London, Luxembourg & Dayan, London, UK La Movida, HOME, Manchester, UK Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK Daughters of Penelope, Dovecot Studios, Edinburgh, Scotland

Dealers Larry Gagosian, who has 14 galleries around the world with an estimated $ 925m in revenue; David Zwirner, whose estimated revenues are around $ 225m; Marian Goodman and the White Cube gallerist Jay Jopling all rank high on the list.

With a newfound focus on collaboration and developing interesting partnerships, Jonathan LeVine Projects aims to go beyond the white cube gallery model and become a thriving creative center within Mana Contemporary, as well as the community at large.

The increasing global nature of the art world means there were fewer British entries generally on the Power 100 and there is not a single Young British Artist this year — neither Damien Hirst nor Tracey Emin make the list, although Jay Jopling, who owns the gallery White Cube and represents both artists, is present at number 32.

Leo had earlier walked around the convention center with his posse looking at art in numerous booths for galleries including Luhring Augustine, Metro Pictures — which had a big Cindy Sherman artwork on display — White Cube, Max Hetzler, Hauser & Wirth and Acquavella.

Tuttle also manipulates the space in which his objects exist, placing them unnaturally high or oddly low on a wall — forcing viewers to reconsider and renegotiate the white - cube gallery space in relation to their own bodies.

Published by White Cube, London and James Cohan Gallery, New York / Shanghai, on the occasion of Fred Tomaselli, March 27 - May 16, 2009, White Cube, London.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

1996 «Lari Pittman: New Paintings,» White Cube, London, UK, September 13 — October 26, 1996 «Lari Pittman,» Los Angeles County Museum of Art, Los Angeles, CA, June 23 — September 8, 1996; Contemporary Arts Museum, Houston, TX, November 1, 1996 — January 5, 1997; Corcoran Museum, Washington D.C., February 8 — April 7, 1997; catalogue «Lari Pittman: Works on paper, 1982 to 1995,» curated by Elizabeth Brown, Hammer Museum, Los Angeles, CA, January 30 — March 10, 1996; University Art Museum, University of California, Santa Barbara, Santa Barbara, CA, March 16 — April 21; catalogue 1995 «Lari Pittman: Like You,» Regen Projects, Los Angeles, CA, November 11 — December 9, 1995 «Lari Pittman,» Studio Guenzani, Milan, Italy, January 19 — February 28, 1995 1994 Jay Gorney Modern Art, New York, NY, 1994 Texas Gallery, Houston, TX, 1994 1993 Rosamund Felsen Gallery, Los Angeles, CA, 1993 «Lari Pittman: Paintings & Works on Paper, 1989 — 1993,» Mandeville Gallery, University of California, San Diego, La Jolla, CA, 1993 Jablonka Galerie, Cologne, Germany, November 6 — December 12, 1993 1992 Jay Gorney Modern Art, New York, NY, 1992 1991 Rosamund Felsen Gallery, Los Angeles, CA, 1991 1990 Rosamund Felsen Gallery, Los Angeles, CA, 1990 1989 Rosamund Felsen Gallery, Los Angeles, CA, 1990 1988 Rosamund Felsen Gallery, Los Angeles, CA, 1988 1987 Rosamund Felsen Gallery, Los Angeles, CA, 1987 1986 Patty Aande Gallery, San Diego, CA, 1986 1985 Rosamund Felsen Gallery, Los Angeles, CA, 1985 1984 Rosamund Felsen Gallery, Los Angeles, CA, 1984 1983 Rosamund Felsen Gallery, Los Angeles, CA, 1983 1982 «Lari Pittman: Code of Honor,» curated by Paul Schimmel, Newport Harbor Art Museum, Newport Beach, CA, December 17, 1982 — January 23, 1983 «Lari Pittman: Sunday Painting,» Los Angeles Contemporary Exhibitions, Los Angeles, CA, June 9 — July 9, 1982 Selected Group Exhibitions:

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

It was originally installed in the park outside White Cube Hoxton Square, as part of Hirst's solo exhibition at the gallery, «Romance in the Age of Uncertainty» in 2003 and has since been installed on the balcony of the Royal West of England Academy, Bristol.

On the back of this annual overseas art galleries eye opener, sales representatives from White Cube and Sadie Coles — both major London art galleries from — were in Sydney just last month talking to collectors and possible Australian art market collaborators about future «projects».

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

In May 2010, Quinn revealed a series of new sculptures at London's White Cube gallery including The Ecstatic Autogenesis of Pamela based on film actress Pamela Anderson and Chelsea Charms based on pornography model Chelsea Charms.

Celebrated German artist reflects on his work before opening of his biggest UK show, at White Cube gallery in London

World - class galleries such as White Cube and Galerie Perrotin have moved in and last year Art HK morphed into Art Basel, putting Hong Kong on the world art map.

On 18 January the White Cube gallery will present work he completed over the last two years, in its galleries in central and east London.

According to the Art Newspaper, other arms of the Hirst empire, including his company, Other Criteria, and London gallery, White Cube, are gathering intel on the Spots.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzviGallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

Featured high up on the external wall of White Cube Gallery's booth at this year's Frieze Art Fair in London, it seemed to function as a clever and subconscious reflection on the key question for collectors at Frieze and the world's many other art fairs.

Hirst was represented by both the White Cube and the Gagosian gallery, the latter also putting a painting by Jean - Michel Basquiat on sale for $ 5m.

White Cube will open a Brazilian outpost in São Paulo on December 1st, 2012, the blue chip gallery has just announced.

And on the same day Kiefer, one of Germany's most celebrated postwar artists, will attend the opening night of his biggest show ever in Britain, spread over 11,000 sq ft of the newly opened White Cube gallery in south London.

She's known for making wooden cubes with laser - cut mashrabiya - like patterns that cast lacy shadows on the wall — instantly transforming a white cube gallery into a dreamscape that wouldn't look out of place in the Alhambra.

The focus on the dissolution of the white cube is a MacGuffin; while the smaller galleries are forced to close, the space for viewing art is concentrating into the larger galleries and foundations, spaces that now seem to be posing as public museum spaces.

A detailed body of literature is on hand — alluding to Wagner, Dürer, the measurements of the concentration camps, the geographical height of the White Cube gallery above sea level — to help you construct additional meanings.

He has an exhibition opening on March 21 at White Cube in Hong Kong and recently joined Regen Projects, a contemporary - art gallery in Los Angeles, where his show, which ended last month, had pieces with prices up to $ 750,000.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.

Sarah was the visual arts editor art of Time Out, the ICA's Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark - Infested Waters: The Saatchi Collection of British Art in the 90s.

On Thursday night, there had just been an enormous party thrown in his honor by his two galleries, White Cube and Gagosian, at the loggia of the Rialto Market; the night before, Pinault had his annual dinner at the Cini Foundation, and that, too, was a night to fete Damien Hirst.

An adjacent building houses nine stories of white - cube galleries, «very crisp clinical white box spaces that don't impose the character of the historic building on you.»

Marlborough Chelsea, New York, NY, US (2016); On the Immense and the Numberless, David Risley Gallery, Copenhagen, DK (2016); Bench, TinType Gallery, London, UK (2016); Reinventing Representation, White Cube, London, (2015); The Painting Show, The British Council (touring exhibition)(2015); Absence (Looking for Hammershøi), David Risley Gallery, Copenhagen (2015); Serge Stauffer - Kunst Als Forschung, Helmhaus Zürich (2013).

Presented as a raised floor built from the original 24 - packs, the installation evokes at once a stage, an archaeological dig, and an interior mall plaza — completely subsuming the gallery floor and casting a phosphorescent blue light on the white - cube space.

For Emin in particular, it's been an especially illuminating time: Since arriving at Art Basel Hong Kong, the British artist has revealed that, as of last summer, she's been married to a rock — a metaphorical message that puts her trademark love - themed texts on the walls of the White Cube and Lehmann Maupin galleries in a whole new light.

They have put up half of the collages at London's White Cube gallery until Sept. 28, while a second installment opens on Sunday at Paris's Galerie Thaddaeus Ropac.

I think the next few years will see many fresh takes on the traditional white cube gallery architecture and traditional gallery operational structure.