Sentences with phrase «white cube sold»

[29] At Art Basel in 2014, White Cube sold Mehretu's Mumbo Jumbo (2008) for $ 5 million.

White Cube sold 10 works totalling more than $ 15 million, among them Damien Hirst's Nothing Is a Problem For Me (1992), one of only four large - scale medicine cabinets made by the artist, for $ 6 million.

Among the notable transactions: White Cube sold a gargantuan Mark Bradford canvas for $ 725,000, David Zwirner parted with a»90s - era Luc Tuymans painting for $ 1.4 million and two more for $ 900,000 apiece, Pace sold an Adam Pendleton mirror painting for $ 65,000, Paula Cooper took in $ 200,000 for a Claes Oldenburg watercolor of scissors, Lehmann Maupin sold a Mickalene Thomas painting for $ 55,000, 303 Gallery parted with two signature Jacob Kassay mirrored canvases for $ 150,000 each, and Sadie Coles sold a Rudolf Stingel self - portrait (a version of one included in his Venice show) for $ 2 million, and Blum & Poe found $ 250,000 for a Yoshitomo Nara painting.

Not exact matches

According to artnet, Mehretu's «Mumbo Jumbo,» a large 2008 abstract painting sold last month at Art Basel through her gallery White Cube for $ 4.85 million, a record for the artist.

It looks like a major exhibition in a massive commercial gallery with nothing to sell, as if he has tricked White Cube into doing something for the love of art alone.

White Cube, which has an outpost in Hong Kong, sold one of Damien Hirst's Black Scalpel Blade cityscapes of Shanghai for about $ 1.2 million, while White Space of Beijing reported that 70 percent of its works sold within the first two days, including several works by the young Chinese conceptual artist He Xiangyu.

After the high of the now - infamous 2008 Sotheby's auction where # 111 million of Hirst's work sold, the artist's prices nosedived as the global economy tanked, and a 2012 show at London's White Cube was savaged by critics.

Phillips also achieved a landmark price for the American artist Mark Bradford, when his very large mixed - media canvas Biting the Book (2013), bought from a show at London's White Cube that closed only a year ago, attracted multiple telephone bids before selling to a client speaking to Philips's New York — based president Michael McGinnis, for a record # 2.5 million ($ 3.9 million), double the estimate and four times the gallery retail price for such a work.

They have demonstrated a healthy appetite for the art and antiques of their own country but their demand for the conceptual Western contemporary art sold by the likes of White Cube is less proven, and could dry up if China's economy slows.

It's been awhile since the traditional white cube has been the predominant means of selling art.

Other sales included Joan Mitchell's Abstract Expressionist work Syrtis (1961), which sold for $ 6.75 m at White Cube; Self - Eater (2003) by Dana Schutz, which found a new owner at $ 400,000 from Petzel Gallery; and two pieces by Alberto Burri, which were bought by international collectors for $ 1.3 m and $ 450,000 from Mazzoleni, experts in post-war Italian art.

Lehmann Maupin sold Teresita Fernández's ceramic wall work Fire (America) 2 (2016) for between $ 400,000 — 500,0000, Tracey Emin's Feeling Sexy and Beautiful (2015) embroidery for # 150,000 — 200,000 (and the artist's installation in Unlimited, co-presented with White Cube and Xavier Hufkens, for an undisclosed price), and Nicholas Hlobo's Idabi (2016) for $ 80,000 — 120,000, among others.

You find everything here from white cube galleries to gritty cellar like spaces with bare brick walls; cliche hipster bars, small boutiques, a shop that only sells chocolate, a weekly flower market, juice places, parks, the bike shed, design hotels such as the Ace Hotel and Shoreditch House, fantastic restaurants, tiny cafes, record stores, even the canal is just a quick walk away.

Shortly after the White Cube exhibition opened last week, Oi Pieter..., the crucifixion painting with the mannequin thrown in, sold for # 750,000.

The customary gallery giants were, as expected, selling multi-million dollar works, like the multinational White Cube, which moved Damien Hirst's Nothing is a problem for me (1992) for just under $ 6 million, and David Zwirner (New York and London), which sold a Jeff Koons sculpture for $ 5 million.

White Cube (London, Hong Kong) sold one of Damien Hirst's «Black Scalpel Cityscape» paintings (2014), a Shanghai view, for $ 1.2 million.

The fair's first day saw sales including Damien Hirst's sculptural diptych Because I Can't Have You I Want You (1993), sold for $ 7 million by White Cube (with six locations worldwide) and a 42 - piece set of Francis Alÿs drawings at David Zwirner (New York and London) which went for $ 1 million.

In the months following the news that White Cube would show his work, one of Park's sought after, Twombly-esque Ecriture paintings from the 1970s smashed the artist's auction record selling at Christie's in Hong Kong for a multiple - estimate $ 1.2 million.

White Cube (London, Hong Kong, São Paulo) sold a piece by Christian Marclay, «Smak Splsh Squish (No. 6)» (2013), with an asking price of US$ 375,000.

A human skull recreated in platinum and studded with 8,061 diamonds, it sold to a consortium which included the artist and The White Cube Gallery for a reputed # 50 million.

White Cube's Jay Jopling lost the bidding of Afrosheen the coveted oil on canvas which was estimated at $ 510.900 - $ 681.200 and finally sold for a record - breaking $ 2.246.481 to a telephone bidder.The piece was part of a small group of works from Charles Saatchi sold to benefit the Saatchi Gallery's Foundation.

In 2007, For the Love of God, Hirst's human skull recreated in platinum and adorned with 8,061 diamonds sold to a consortium which included the artist and The White Cube Gallery for # 50,000,000.

London's White Cube, exhibiting at the fair for the first time since 2011, sold a number of pieces from a solo booth of Cerith Wyn Evans's work on opening day.

Damien Hirst, whose career retrospective at London's Tate is much anticipated next year and whose «Spot» paintings will soon be the subject of a worldwide exhibition at Gagosian Gallery, sold out briskly at White Cube's booth.

Over the past few years, as her work has gradually transitioned more and more into the three - dimensional, real space of the white cube with group and solo exhibitions of her video along with other works like a series of flags and «paintings» on aluminum, Cortright has also continued to become more and more infamous within Internet communities of artists and other visually - minded, new media thinkers who are utilizing the unique terrain of the Internet to modify how art can be made, disseminated and even bought and sold.

Another controversial piece, Jake and Dinos Chapman's Great Deeds Against the Dead, 1999 was sold to White Cube's Jay Jopling for a record - breaking price of $ 662 903.

Auction records were also set for a number of other artists, including Joseph Cornell ($ 4.8 million), Hans Hofmann ($ 4.8 million), Piero Manzoni ($ 14.1 million), Philip Guston ($ 25.8 million), Richard Serra ($ 4.2 million), Luc Tuymans ($ 2.7 million) and Julie Mehretu, whose $ 4.6 million sale of Retopistics indicates her entry into the small circle high - selling female artists, and bodes well for her current shows at both White Cube in London and Marian Goodman in New York.

Also from Saatchi's collection was another painting by Mark Bradford which sold for a record # 361,250 to a bid from White Cube.

The platinum and diamond skull, For the Love of God, became the most expensive modern work sold — albeit to a consortium that included the artist and his White Cube gallery.

It will provide a chance for visitors to reflect on an event in which art and commerce were intermingled in an unprecedented way — with Hirst «curating» the event as if it were an artwork in itself, and bypassing his gallery, White Cube, to sell direct to the public.

Elsewhere, White Cube, which also priced its work in pounds, had sold most of its booth, with a Damien Hirst sheep - in - formaldehyde work, Black Sheep (2007), on hold for # 3.5 million ($ 4.46 million).

At White Cube, the canvas was selling for $ 300,000 and at Paula Cooper, the painting had already been sold for $ 325,000.

Though filled with impressive accomplishments (he founded T - Cube, a software company that grew to $ 25 million within eight years; then in 2011 he sold T - Cube and founded a consulting company, which grew to $ 8 million and 10 employees) his professionally written, «standard» black - and - white resume didn't fully capture his potential.

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