Sentences with phrase «white cube space in»

The gallery recently located from a small white cube space in the trendy The Pijp area to a piano nobile just by one of Amsterdam's iconic grand canal houses.

Founder Olivier Babin came to Brussels just a year after the opening in Brooklyn and created a townhouse, opposed to the white cube space in the United States.

Installed within gallery's white cube space in chic neighborhood of Châtelain, the works show her wide sources of influences, but also, her meticulous paintings skills.

Spread across both of the White Cube spaces in London, Jake & -LSB-.....]

Not exact matches

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spCube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spcube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

But the works also pressure the standard white cube gallery, since Sánchez presented them in a dentist's office, a sanitary space which, as he points out, is another kind of white cube.

Within that tradition, the space was conceived not as a typical white cube gallery, but as a new public space for the entire community — and this is reflected in a new approach to programming.

White Cube's exhibition programme extends across its four gallery spaces, two of which are in London; Mason's Yard in St. James's and Bermondsey Street in South London, and two further galleries recently opened in Hong Kong and São Paulo.

A shanty made of dark pieces of plywood is installed diagonally in the exhibition space, recalling, yet also denying, the notion of a pristine «white cube,» as a video tracing a journey caused by hallucinogenic mushrooms alternately illuminates and goes dark in the space.

According to them, the work was too directly political and social in its content, and too ephemeral in its composition — leaving no room for the privileged space of neutral aesthetic contemplation that the modernist white cube had always provided critics in the past.

White Cube's exhibition program now extends across its four gallery spaces: Mason's Yard in St. James», Bermondsey Street in South London, Hong Kong and the recently opened gallery in São Paulo, the second location outside of the UK.

The cubic gallery space in White Cube's Bermondsey gallery measures 9 x 9 x 9 metres.

This series of Special Projects brings together an international roster of artists reflecting on the «white cube» exhibition space in different ways.

Highlights include: Gavin Brown's Enterprise, Marian Goodman, Hauser & Wirth, Anton Kern, Massimo de Carlo, Gagosian, Karma International, kurimanzutto, Matthew Marks, kamel mennour, Regen Projects, Esther Schipper, Sprüth Magers, Luisa Strina, The Box, White Cube and David Zwirner; and in Focus: VI, VII, 47 Canal, Antenna Space, Galeria Jacqueline Martins and Carlos / Ishikawa; among many others.

In its Bermondsey space in London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the UIn its Bermondsey space in London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the Uin London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the Uin the UK.

Similarly, The Underground Museum, a non-profit space in South Central Los Angeles launched by sculptor Karon Davis and her late husband, the painter Noah Davis, was launched as a place to encourage black artists «to experiment and make the kinds of work they have always wanted to, but never had the chance in «white cubes,»» Davis said.

White Cube, which has an outpost in Hong Kong, sold one of Damien Hirst's Black Scalpel Blade cityscapes of Shanghai for about $ 1.2 million, while White Space of Beijing reported that 70 percent of its works sold within the first two days, including several works by the young Chinese conceptual artist He Xiangyu.

Usually what project spaces share in common is what they are not — not a white cube, not institutional, usually not commercial.

Close to Lambeth Bridge, Newport Street's sleek, White Cube style space stands midway between the galleries founded by Hirst's dealer Jay Jopling in Bermondset in 2011 and his former patron Charles Saatchi in Chelsea in 2008.

25) David Hammons: The artist's first major London gallery show (at White Cube) will certainly help the artist open his own planned art space in Yonkers, New York.

Tuttle also manipulates the space in which his objects exist, placing them unnaturally high or oddly low on a wall — forcing viewers to reconsider and renegotiate the white - cube gallery space in relation to their own bodies.

The abruptly intimate accounts of subjective experience in a museum found on Yelp defy the white cube's bloodlessness — even if all they do is address mundane concerns about a body's movement in space.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallIn the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallin New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallin order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw from broad influences, from classical Palladian or a White Cube gallery space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as in the 18 Fortis Green series.

For Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - proper.

A study of place, space and time executed primarily in a spectrum of grays, «Julie Mehretu: Liminal Squared» accompanied her exhibition at White Cube in London last summer.

To foster an ambience akin to the artist's own bedroom in Detroit, the normal white cube aesthetic of the gallery space has been transformed: its walls have been painted a pink similar to that of Soda's bedroom and its space decorated with pink - hued furniture pieces which have the dual function of both providing gallery visitors with a physically comfortable environment in which to view the work, while also replicating the «girly - pink - warm» atmosphere associated with the artist's work.

That boom was driven by a commercial gallery scene and auction - houses less interested in practices drawn from the neo-avant-garde, but instead in the type of works that grace white cube spaces — in particular, large paintings that were shifted profitably at auction.

Two of the plates here representing the origins of the Earth could be mistaken for pop art if you plonked them in a white cube space.

The new walls radically alter the experience of the pristine white cube gallery space, in which Esra Ersen, originally from Istanbul, is showing an engaging documentary video with street children in her hometown.

«14 Rooms» takes place in Basel's oldest trade fair hall, one transformed by Swiss architectural heroes Herzog & de Meuron into a wide corridor space with 14 small, white cubes leading off it, each behind closed doors with wooden handles.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

In this case, Consuegra reproduces a space within another space, expanding the limits of the pictorial plane and making the white cube the work itself.

White Cube's new space breaks the records for the largest commercial gallery in the UK, even Europe

He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».

In 2016 expect to see Ferg's art gracing sleeves, sneakers, and white - cube spaces alike.

One of the world's leading contemporary art galleries, White Cube has spaces in London (Mason's Yard and Bermondsey Street) and Hong Kong.

You can see some of Haim Steinbach's shelf works upstairs in his exhibition jaws at White Cube in Masons yard and downstairs you can see Display # 15 — Design for a Yogurt Bar on until 20 January 2018 whitecube.com & Opening on the same day his London show closes is Haim Steinbach's first solo exhibition in Israel in Jaffa at Magasin III Museum & Foundation for Contemporary Art's new satellite space.

Not yet a widely acknowledged post-digital subgenre, but seemingly the organizing principle behind Frances Stark's disappointing greengrassi solo show: a neatly ordered exhibition of seven paintings, a collage, and four videos (Sony cubes placed on white plinths in a white cube) that offer a glimpse into culture clashes that take place in the eclectic world of Stark's cloud - space.

This evening seeks not only to draw out parallels and overlaps between the spaces of performance in the visual and performing arts — the somewhat outdated concepts of the white cube and the black box — but also to question the increasing role of performance art in museums today and how architecture frames and determines it.

Berlin - based Austrian artist Gerwald Rockenschaub's unique take on minimalism has resulted in a complex sculptural oeuvre that challenges the so - called white cube and calls the relationship between the artwork, viewer, and exhibition space into question.

In 2008, kurimanzutto opened a permanent gallery space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original visioIn 2008, kurimanzutto opened a permanent gallery space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original visioin Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original vision.

Does it have a special appeal for you to present your work not in the White Cube but in contextually different spaces?

Made in Commmons at Stedelijk Museum Bureau Amsterdam; Liu Wei at White Cube Mason's Yard, London; Subodh Gupta: Everything Is Inside at National Gallery of Modern Art, New Dehli; Naiza Khan: The Weight of Things at Koel Gallery, Karachi; Liang Yue: The Quiet Rooms at Shanghart H - Space, Shanghai; Liu Ding: Lake Washington at Antenna Space, Shanghai; Marrakech Biennale 5; Florian Pumhösl at Miguel Abreu Gallery, Eldrige and Orchard streets, New York; 3rd Colombo Art Biennale: Making History; Bienal Internacional de Arte Contemporáneo de Cartagena de Indias \ n

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegaIn gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

Rhode's upcoming exhibition at North Carolina Museum of Art opens September 26, 2015, adding to an impressive list of solo shows in the last decade that includes Artists Space in New York, Haus der Kunst in Munich, Hayward Gallery in London, Kulturhuset in Stockholm, Los Angeles County Museum of Art, Museum of Art Lucerne, National Gallery of Victoria in Melbourne, Neuberger Museum of Art at SUNY - Purchase, Rose Art Museum at Brandeis University, and White Cube in London.

His solo show at White Cube this summer, Breathing Room III, will consist of a «self - illuminating nest of 15 space frames» each identical in volume and together occupying one fifteenth of the total volume of the gallery.

It's a really interesting approach to see Land art entering the white cube gallery space in such a way.