The circular red ribs that make up the urn - like form of Cherubini's «Morning
Star» reflect the looping vase handles and linear flowers in Nichols's still lifes; the figure / field spatial disparity in Bischof's «Omi im Bregenzer Wald» is also found in Trudy Benson's «Yes, and...» from 2014 (evidently a play on Yes, but..., Dore Ashton's classic study of Philip Guston's late work, published in 1976), where
beads of yellow paint resembling wads of chewed - up chewing gum seem to drift above a receding gray and green field, which is bordered in peach - and - gray shards intersecting with black - and -
white stripes.
Here's a close up of some of the ornaments — gold
beaded garland,
white snowflakes, gold glass ball ornaments, and this cute little sparkly gold paper
star garland.