Sentences with phrase «white cube gallery spaces»

White cube gallery spaces are built like this on purpose.

It's an interesting way to deal with the defined parameters of a white cube gallery space.

These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw from broad influences, from classical Palladian or a White Cube gallery space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as in the 18 Fortis Green series.

The new walls radically alter the experience of the pristine white cube gallery space, in which Esra Ersen, originally from Istanbul, is showing an engaging documentary video with street children in her hometown.

The gallery is constantly looking for ways to reinvent itself and to breathe life into the Montreal art scene, exhibiting works of art that challenge the traditional white cube gallery space.

It's a really interesting approach to see Land art entering the white cube gallery space in such a way.

juxtaposes predator and prey by placing a wolf and a deer in a typical white cube gallery space.

I would imagine that any of the individual panels might take on a different character if viewed individually in a typical white cube gallery space — or in a domestic setting, such as Hartgrove.

At the same time, Winkler's contextualization of pastoral materials within the white cube gallery space foregrounds moral issues of subsistence amid our urban and cosmopolitan surroundings.

[ii] Located within the centre, CAMP is a nonprofit and self - governing white cube gallery space, exhibiting a rolling two - year programme exploring issues surrounding migration politics.

Kurtz's subjects range across the bottom rung of our economic caste system, and to encounter their distressed flesh and workaday clothing in a white cube gallery space would seem an open invitation for ridicule (see Duane Hanson).

Not exact matches

The crown moldings and wood floors and banisters that make the space familiar have become part of his narrative here, yet each gallery is made distinct, and the intimate effect of his works would result even working within a white - cube gallery space.

They seem to bar entrance, to disturb a gallery's proverbial white cube, and yet also to define the space more clearly.

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spCube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spcube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

The artist creates works as signifiers of the destruction of the natural world by «colonial powers», via a series of tabletops containing mineral fragments and photographs of equatorial scrublands.The minerals are representative of the original environment now re-contextualized within the white cube of the gallery space becoming «art», and forming a dialectic concerning «value».

But the works also pressure the standard white cube gallery, since Sánchez presented them in a dentist's office, a sanitary space which, as he points out, is another kind of white cube.

Sous la Lune at Institute of Contemporary Arts Singapore, Lasalle College of the Arts, by Adeline Chia Vandy Rattana at Sa Sa Bassac, Phnom Penh, by Vera Mey aaajiao at Gallery Yang, Beijing, by Edward Sanderson Peepshow at Long March Space, Beijing, by Li Bowen Yeh Wei - Li at Hanart TZ Gallery, Hong Kong, by Stephanie Bailey Thinking Tantra at Jhaveri Contemporary, Mumbai, by Niru Ratnam Discordant Harmony at Hiroshima City Museum of Contemporary Art, by Dean Kissick Ken Kagami at Misako & Rosen, Tokyo, by Dean Kissick Seoul Babel at Seoul Museum of Art, by Tiffany Chae Heri Dono at Mizuma Gallery, Singapore, by Sherman Sam A Fact Has No Appearance: Art Beyond the Object at National Gallery Singapore, by Mark Rappolt Ni Youyu at Museum of Contemporary Art, Taipei, by Aimee Lin White Cube... Literally at Gallery Isabelle van den Eynde, Dubai, by Kevin Jones Corruption: Everybody Knows... at e-flux, New York, by Ming Lin Tadanori Yokoo at Albertz Benda, New York, by Joshua Mack Song Yige at Marlborough Fine Art, London, by Matthew McLean Maria Taniguchi at Ibid, London, by Ming Lin

Within that tradition, the space was conceived not as a typical white cube gallery, but as a new public space for the entire community — and this is reflected in a new approach to programming.

White Cube's exhibition programme extends across its four gallery spaces, two of which are in London; Mason's Yard in St. James's and Bermondsey Street in South London, and two further galleries recently opened in Hong Kong and São Paulo.

White Cube's exhibition program now extends across its four gallery spaces: Mason's Yard in St. James», Bermondsey Street in South London, Hong Kong and the recently opened gallery in São Paulo, the second location outside of the UK.

The cubic gallery space in White Cube's Bermondsey gallery measures 9 x 9 x 9 metres.

Bulgarian artist Nedko Solakov presents A (not so) White Cube (2001), a site - specific installation of tiny wall drawings only visible when the viewer moves close to the white walls of the gallery sWhite Cube (2001), a site - specific installation of tiny wall drawings only visible when the viewer moves close to the white walls of the gallery swhite walls of the gallery space.

Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk: Painted Images After Abstraction, White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.

The gallery shares the same address with another newly opened gallery space (White Cube), and it features one main room, one salon and three private vieweing rooms.

Baselitz's first solo exhibition at White Cube Bermondsey will span the entire gallery space, and will include the large - scale paintings, but also a bronze sculpture and a wide number of works on paper.

In its Bermondsey space in London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the UK.

By moving exhibits into diverse communities, we hope to broaden the reach of contemporary art and show it differently than most «white cube» museums and gallery spaces do.

A sense of urban chaos is implicit within the construction of the surrounding gallery environment; this is not an isolated white cube space, but one which remains connected to the studio and the streets — to the source of these artworks.

Close to Lambeth Bridge, Newport Street's sleek, White Cube style space stands midway between the galleries founded by Hirst's dealer Jay Jopling in Bermondset in 2011 and his former patron Charles Saatchi in Chelsea in 2008.

25) David Hammons: The artist's first major London gallery show (at White Cube) will certainly help the artist open his own planned art space in Yonkers, New York.

Tuttle also manipulates the space in which his objects exist, placing them unnaturally high or oddly low on a wall — forcing viewers to reconsider and renegotiate the white - cube gallery space in relation to their own bodies.

Like a white cube safari, perhaps the gallery space is the real oddity.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

The South Gallery II of White Cube Bermondsey is turned into a magical, wondrous and captivating space filled with new works by Cerith Wyn Evans.

For Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - proper.

To foster an ambience akin to the artist's own bedroom in Detroit, the normal white cube aesthetic of the gallery space has been transformed: its walls have been painted a pink similar to that of Soda's bedroom and its space decorated with pink - hued furniture pieces which have the dual function of both providing gallery visitors with a physically comfortable environment in which to view the work, while also replicating the «girly - pink - warm» atmosphere associated with the artist's work.

That boom was driven by a commercial gallery scene and auction - houses less interested in practices drawn from the neo-avant-garde, but instead in the type of works that grace white cube spaces — in particular, large paintings that were shifted profitably at auction.

With this ambitious installation, Beecher positions the exhibition space as a place somewhere between pristine white - cube gallery and dark comedy club basement.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

Alper Turan is co-founder and curator of Das Art Project, a curatorial collective that aims to work outside «white cube» gallery spaces.

White Cube's new space breaks the records for the largest commercial gallery in the UK, even Europe

He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».

One of the world's leading contemporary art galleries, White Cube has spaces in London (Mason's Yard and Bermondsey Street) and Hong Kong.

Despite White Cube moving south earlier this year, the area is now home to many artist - run spaces, galleries and art foundations.

Unlike artists including Robert Smithson and Mark Dion, who brought live or dead trees into white - cube gallery spaces, Mr. Oliveira has constructed a tree from scratch, using plywood and other materials, as well as wood brought from Brazil.

Installed within gallery's white cube space in chic neighborhood of Châtelain, the works show her wide sources of influences, but also, her meticulous paintings skills.

Gallery interpretation had it that he sought to «challenge the identity of White Cube as an organization, as physical space and as concept».

These included artistic spaces such as award - winning art gallery New School House Gallery and white cube space According togallery New School House Gallery and white cube space According toGallery and white cube space According to McGee.