Sentences with phrase «white darkroom»

Her love of photography began at a young age and she has over 20 years of black - and - white darkroom experience.
• Digital lab with Epson Stylus Pro 4900s, 7800, 9600, 9800, and 9900 digital inkjet printers, profiling systems and large print viewer • Hasselblad Imacon high resolution negative scanner, scans up to 4 × 5 sheet film • 18 27 ″ iMacs with a full suite of Adobe Creative Cloud software • Black and white darkroom with 18 enlargers (4 × 5, medium and 35 mm formats) • 16 mm Elmo slimline projector with 800 ′ looper, Full HD Cinema Projectors in all studios and classrooms w / Blu - ray player • Photographic and filmmaking peripherals, such as lenses, microphones, tripods and light kits available for checkout
A black - and - white darkroom was fairly easy to assemble and maintain in a semi-domestic setting.
Forrest's photography is rooted in traditional Black and White darkroom processes, exploring the unique visual and spatial possibilities of images created solely in the lens.
Classically trained in the black and white darkroom and the Zone System, Dave presently works digitally from capture to print and experiments with different technologies and approaches.
Classically trained in the black and white darkroom, Burns presently works digitally from capture to print and also experiments with different technologies and approaches including infrared photography which he is exhibiting here.
Their works reflect the intimate world that they have created together, while pushing the boundaries of traditional black - and - white darkroom techniques.

Not exact matches

I still use film too but I have rolls of undeveloped film because I can't afford to get them developed at the moment or find time to go into the darkroom (I have got mostly black & white).
Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience working in the traditional black & white wet darkroom helps him produce digital prints today with a similar look and quality to the photographic papers of old.
Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.
The crescent forms are limned in a white edge that reminds me of the way photographers «solarize» their solid forms with a flick of the darkroom light switch.
I soon got started in the darkroom and loved how the image emerged from the white of the exposed paper.
In 1937, after traveling to Portland from Minnesota and taking up residence at the downtown YMCA, White joined the Oregon Camera Club, using its darkroom and library to hone his photography skills.
She began taking pictures the traditional way: shooting in black and white, developing her work in the darkroom / bathroom, and then submitting her photos to print publications.
Alison Rossiter Rossiter explains her darkroom experimentations with expired photographic papers, and the black and white abstractions that result.
It comprised a darkroom on split levels filled with black and white photographic images of the courtyards and dome structures of the exterior of the caravanserai in addition to the immediate surrounding area of the building.
Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.
If you've ever taken a darkroom course, you likely began by learning silver gelatin printing, a process that's associated with the black - and - white work of early - 20th century photographers of all movements — Bauhaus, street, photojournalism, you name it.
Designed for digital content creation, the PD3200U has a 20 million: 1 dynamic contrast ratio, to give you the blackest blacks and the whitest whites and specialized display modes with tools like Darkroom mode or Low - Blue light mode to make sure the screen looks exactly how you want it.
Maintained and troubleshot problems using photo equipment, cameras, enlargers, and color processor - all black and white equipment and all darkroom facilities
Highly skilled in the black and white film process, and darkroom maintenance.
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