Sentences with phrase «whitechapel gallery photo»

Emma - Hart - Installation - View -1-Photo-Thierry-Bal Emma Hart, «Mamma Mia», installation view, Whitechapel Gallery Photo: Thierry Bal

Not exact matches

The Whitechapel Gallery's versatile spaces are available for commercial filming and photo - shoots before 11 am and after 6 pm, Tuesday — Sunday.

Installation view, Whitechapel Gallery, London 2012 Photo © Archivio Penone

Christopher Williams, The Production Line of Happiness, Installation view: Whitechapel Gallery, Photo: Stephen White

Installation view at Whitechapel Gallery, London, Photo Credit: Stephen White, Courtesy Whitechapel Gallery

Representatives from the following organisations will be in attendance Art Fund / Artangel / Arts Council England / East Street Arts / Edinburgh Art Festival / Elephant Magazine / FACT Liverpool / Glasgow School of Art / Hiscox / Holden Gallery / Ikon Gallery / Iniva / Jupiter Artland / Leeds Beckett University / Leeds College of Art / London College of Communication / Magnum Photos / Max Mara Art Prize for Women / Nesta / Nottingham Contemporary / Open Eye Gallery / PHOTOFAIRS / Photomonitor / Royal British Society of Sculptors / Tate Liverpool / University of York / Visual Arts South West / Wellcome Trust / Whitechapel Gallery / World Photography Organisation / York St John University / Zabludowicz Collection

This year those represented will include Artangel, Arts Council England, Edinburgh Art Festival, Glasgow School of Art, Hiscox, Leeds College of Art, London College of Communication, Magnum Photos, Max Mara Art Prize for Women, Tate Liverpool, University of York, Wellcome Trust, Whitechapel Gallery, World Photography Organisation and Zabludowicz Collection.

These included Tate Liverpool, Whitechapel Gallery, Holden Gallery, Photo Monitor, Elephant Magazine, Sony World Photo Organisation, Open Eye Gallery, Zabludowicz Collection amongst others.

1, no. 8, November 1970; (introduction) John Hoyland (catalogue), Beaux Arts, London, 2003 Maloon, Terence, «Hoyland Retrospectively» in John Hoyland, Paintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, London, 1990

[1] Howard Halle, «Photo - unrealism,» in Terry R. Myers, ed., Painting: Documents of Contemporary Art (London and Cambridge, MA: Whitechapel Gallery and The MIT Press, 2011), 132.

Photo: Thierry Bal; © Whitechapel Gallery

As a trustee of the Whitechapel Gallery in London, she sits on the advisory board of Photo London and is a nominator for the Prix Pictet photography prize.

Installation shot, Assemble with Granby Workshop, 18 Jan — 16 Apr 2017, Whitechapel Gallery, Photo: Stephen White

Her international exhibitions include Home and Away: Seven Jamaican Artists, October Gallery (London 1994): New World Imagery: Contemporary Jamaican Art (South Bank Centre - National Touring Exhibitions, 1995), Photos and Phantasms: Harry Johnston's Photographs of the Caribbean (Royal Geographical Society, London and touring, The British Council, 1998) and Back to Black, (Whitechapel Gallery, London 2005).

My international exhibitions include Home and Away: Seven Jamaican Artists, October Gallery (London 1994): New World Imagery: Contemporary Jamaican Art (South Bank Centre - National Touring Exhibitions, 1995), Photos and Phantasms: Harry Johnston's Photographs of the Caribbean (Royal Geographical Society, London and touring, The British Council, 1998) and Back to Black, (Whitechapel Gallery, London 2005).

Photo: David Parry / PA Wire, courtesy of Whitechapel Gallery.

Photos and Film are the focus for 2012 Wearing exhibition The Whitechapel Gallery has just announced the first international survey of Turner Prize - winning British artist Gillian Wearing's photographs and films, which explore the public and private lives of ordinary people.

Kader Attia: Continuum of Repair: The Light of Jacob's Ladder Installation view, Whitechapel Gallery, London November 26, 2013 — November 23, 2014 Photo: Steve White