Works in
the Whitechapel Gallery display Terrains of the Body, drawn from the National Museum of Women in the Arts, Washington, D.C., show that images of the body by contemporary artists are increasingly performative, filmic and incisive in their ability to tell compelling stories.
This Whitechapel Gallery display presents video recordings from 20 of more than 64 commissions produced for the biennial since it was founded in 2005.
Not exact matches
This edition was produced to accompany Ramsden's paintings on
display in The London Open 2015, the
Whitechapel Gallery's triennial open submission exhibition, from 15 July — 6 September 2015.
The work was on show at the
Whitechapel Gallery, London, United Kingdom, from 12 July — 3 September 2017 and is on
display at Collezione Maramotti, Reggio Emilia, Italy, from 15 October 2017 — 18 February 2018.
The
Whitechapel Gallery has commissioned the Guerrilla Girls to create a new artwork as part of an archive
display at the
Gallery.
The
Whitechapel Gallery has presented 64 artists and 100 works of Arab art in an ambitious series of four
displays which launched in September 2015 and ends in January 2017.
In addition, a related artwork showing how the visitors have been interacting with the online work will also be on
display at both the
Whitechapel Gallery and Phillips» London from 7 April until 12 June 2016.
A new
display opening at the
Whitechapel Gallery this September presents significant documentary recordings from the archives of New York based art organisation Performa.
The
Whitechapel Gallery Archive
Displays are generously supported by Catherine and Franck Petitgas.
Photography and video works drawn from the collection of the National Museum of Women in the Arts, Washington, D.C. go on
display at the
Whitechapel Gallery 18 January -16 April.
2017 Like (curated by Richard Kern), Galerie Sebastien Bertrand, Geneva ISelf Collection
Displays,
Whitechapel Gallery, London Selected works from the Murderme collection, Newport Street
Gallery, London
- ISelf Collection
displays: The exhibition continues the
Whitechapel Gallery's dedicated collections programme in
Gallery 7, which reveal rarely - seen works from around the world.
To coincide with Adventures of the Black Square: Abstract Art and Society 1915 — 2015, abstract art takes over the
Whitechapel Gallery with
displays, commissions and special events including:
Exhibiting the full collection of Imprint 93 editions for the first time the
Whitechapel Gallery's archive
display offers a unique insight into a period significant to the development of the British art scene of the 1990s, and beyond.
2002 Howl, Canberra Contemporary Art Space, Australia Dragon Doll, Glasgow Print Studio, Glasgow, Scotland Any Where, Centre for Curatorial Studies, Bard College, USA EU2, Stephen Friedman
Gallery, London, England Early One Morning,
Whitechapel Art
Gallery, London Tra - La - La: British Sculpture in the Sixties (Early One Morning
display), Tate Britain, London, England
Taking the
display of the Collection at the
Whitechapel Gallery >> more
Whitechapel Gallery ISBN 9780854882571 US $ 40.00 CAN $ 54.00 TRADE Flexi, 8.25 x 10.75 in.
Past
displays have revisited the
Whitechapel Gallery's legendary 1956 exhibition This is Tomorrow, the first UK exhibition of Mark Rothko and Stephen Willats» pioneering work in community engagement.
Five installations will be
displayed at
Whitechapel Gallery: a scholar's study invites us to unravel intricate drawings and models; the Bureau for the Centre of the Study for Surrealism and its Legacy
displays the strange magic of obsolete things; the muddy banks of the Thames have also yielded their treasures for poetic
display in a gigantic cabinet; while a Dickensian Curiosity Shop tempts us with the bizarre aura of American bric - a-brac.
This
display highlights works in The National Museum of Women in the Arts collection — the only international museum dedicated to the exhibition, preservation, and acquisition of works by women artists of all nationalities and periods - as part of the
Whitechapel Gallery's programme of opening up rarely seen collections from around the world.
It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The
Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Augus
Gallery does not own a Collection, but has a dedicated
gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Augus
gallery for opening up public and private collections, including five
displays from the British Council Collection from April 2009 — May 2010; four
displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five
displays from the Government Art Collection, from June 2011 — September 2012; four
displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four
displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four
displays of works from the V - A-C Foundation collection from September 2014 — August 2015.
The
Whitechapel Gallery presents the first major public
display of the ISelf Collection in the UK this spring.
Drawn from the Barjeel Art Foundation collection of modern and contemporary Arab art, this is the final
display in a year - long series at the
Whitechapel Gallery.
The
Whitechapel Gallery presents photography and video works from the collection of the National Museum of Women in the Arts, Washington, D.C., the only international museum dedicated to women artists, on
display in spring 2017.
Announcing highlights from
Whitechapel Gallery's Spring / Summer 2017 programme: A major retrospective of Eduardo Paolozzi; «Terrains of the Body», a
display drawn from collection of the National Museum of Women in the Arts; plus archive
displays, commissions and special events
- This
display has been curated by Renee Odjidja, Swarovski Foundation Curator: Youth Programmes,
Whitechapel Gallery and Mercedes Vicente, Daskaloplous Director of Education and Public Programmes,
Whitechapel Gallery.
This edition was published to accompany Ida Applebroog's work featured in the ISelf Collection
displays at
Whitechapel Gallery 2017, which explored the concept of self.
Continuing the
Whitechapel Gallery's programme of opening up rarely seen collections from around the world, the four exhibitions are each titled after a key artwork in each
display.
This spring the
Whitechapel Gallery presents Bumped Bodies, a new
display of work by 23 international artists which explores the relationship between the body, objects and the environment.
This
display reveals the
Whitechapel Gallery's rich archive of artist interviews to enable visitors to hear, see and read artists in their own words.
The
Whitechapel Gallery presents a
display of photography and video works drawn from collection of the National Museum of Women in the Arts, Washington, D.C. Works by seventeen contemporary artists from five continents capture women on camera in domestic spaces and expansive landscapes.
3 May 2018 — This
display features two new films created by
Whitechapel Gallery's youth forum Duchamp & Sons and the artist Seth Pimlott (b. 1990 UK).
1939 Guernica, Picasso's iconic depiction of the horrors of the Spanish civil war is
displayed at the
Whitechapel Gallery on its first and only visit to Britain.
Shown in a dedicated Collections
Gallery as part of the
Whitechapel Gallery's programme opening up rarely seen art collections for everyone, from around the world this final exhibition follows three previous
displays Barjeel Art Foundation: Debating Modernism I (8 September — 6 December 2015), Barjeel Art Foundation: Debating Modernism II (15 December -17 April 2016) and Mapping the Contemporary I (26 April — 14 August 2016).
For a recent exhibition at
Whitechapel Gallery in London, Upritchard experimented with both form and material, creating a group of dinosaurs out of papier - mâché or an earthy matter drawn from rubber trees in Brazil called balata and
displaying them on simple yet elegant fold - out tables produced by the Italian company Olivetti on customized steel bases.
While contemporary artist Pawel Althamer's depiction of three figures around a campfire becomes a focal point around which the other sculptures — by artists including Petr Galadzhev and Anatoly Osmolovsky — seem to be gathered.The
display highlights the V - A-C collection, Moscow, as part of the
Whitechapel Gallery's programme of opening up rarely seen collections from around the world.
Contemporary Art Society
displays at
Whitechapel Gallery: East Coast — Helen Kaplinsky from Contemporary Art Society on Vimeo.
Lynette Yiadom - Boakye: Natures, Natural and Unnatural is the third of four unique monographs documenting four contemporary artist's selections from Moscow's V - A-C collection and their subsequent
display at
Whitechapel Gallery during 2014/2015.
Her first major exhibition in the UK is currently on
display at the
Whitechapel Gallery from January 15 — March 23, 2014.
Contemporary Art Society
displays at
Whitechapel Gallery: South — Gaia Tedone from Contemporary Art Society on Vimeo.
Continuing the
Whitechapel Gallery's programme opening up rarely seen art collections for everyone, a series of four chronological
displays launching this September highlights works from the Barjeel Art Foundation's rich collection.
The first in a series of five
displays, At Work is part of the
Whitechapel Gallery's on going programme opening up important public and private collections for everyone.
C.R.W Nevinson's Battlefields of Britain, part of the Government Art collection, on
display at the
Whitechapel Gallery, London, in 2012.
Art Capital: Art for the Elizabeth line, which brings together unseen material from all the artists contributing to the Crossrail Art Programme, is currently on
display at
Whitechapel Gallery, London (until 6 May 2018).
It is a particularly exciting time for McElheny, with three museum exhibitions
displaying the diversity of subjects with which he is involved: currently on view through July 20 at
Whitechapel Gallery, London is a year - long installation The Past is a Mirage I'd Left Far Behind, in part a meditation on abstraction in film throughout the twentieth century.
A separate exhibition of Batchelor's Monochrome Archive (1997 - 2015) was also on
display at
Whitechapel Gallery until May 2015.
Continuing the
Whitechapel Gallery's programme opening up rarely seen art collections, this series of four chronological
displays highlights works from the Barjeel Art Foundation collection.
Curators The
Whitechapel Gallery ISelf Collection
displays are curated by Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator,
Whitechapel Gallery with Candy Stobbs, Assistant Curator,
Whitechapel Gallery.
Continuing the
Whitechapel Gallery's programme opening up rarely seen art collections for everyone, a series of four chronological
displays launching this September and concluding in January 2017, highlights works from the Barjeel Art Foundation's rich collection.
Beautiful but mutilated images of rural America by some of the most famous photographers of the 20th century will soon go on
display for the first time at the
Whitechapel gallery in London.
The
Whitechapel Gallery's new autumn 2017 collection
display takes its name from Lebanese artist Akram Zaatari's photographic series, The End of Love (2012).