Sentences with phrase «whitechapel gallery group»

For the Whitechapel Gallery group show Spirit of Utopia, featuring ten artists and collectives from around the world and bringing together an assembled exploration of the «what if» scenario, Liversidge has created this limited edition, Proposal for Whitechapel Editions, as a diptych: part manually type - written, part silver - leafed, each proposal has been framed by Darbyshire Framers.

Not exact matches

After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and selected as one of Robertson's New Generation artists at the Whitechapel Gallery in 1964.

Gillian Ayres» first solo show was at Gallery One, London, in 1956, and her work was featured in many key group shows thereafter, including the Whitechapel Art Gallery's seminal British Painting in the 60s in 1965.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Group exhibitions include: «GENERATION: 25 Years of Contemporary Art in Scotland», Scottish National Gallery of Modern Art, Edinburgh (2014); «A Picture Show», Gallery of Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII», Mackintosh Museum, The Glasgow School of Art (2012); «Edge of the Real», The Whitechapel Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of Modern Art, San Francisco (2003).

The exhibition presented a group of five walls drawn from prior exhibitions including Christopher Williams: The Production Line of Happiness, the artist's first major museum survey which travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 - 2015.

For the duration of the remarkable group show, Spirit of Utopia at the Whitechapel Gallery (July - September, 2013), Theaster Gates has created a studio for making pottery, training apprentices and investigating skill, teaching and craft.

This group of sculptural chairs are part of an evolving series, which feature in her Whitechapel Gallery exhibition.

The Max Mara Art Prize for Women was established by the Whitechapel Gallery in collaboration with the Max Mara Fashion Group in 2005.

Over the course of a fortnight two groups of young people will collaborate with Artists Tug Rail and Paul Crook to produce an Internet TV show broadcast live from Whitechapel Gallery's creative studio.

Whitechapel Gallery's young peoples group, Duchamp and Sons, have been working with Artist Frog Morris to present a one - off event inspired by Gillian Wearing's video Dancing In Peckham.

Group exhibitions include: Greater New York, P.S. 1, Long Island City, New York (2000); Post-POP, Post-PUNK, Museum of Contemporary Art, Washington, D.C. (2000); Protest and Survive, Whitechapel Art Gallery, London (2000); The Americans New Art, Barbican Gallery, London (2001); Shanghai Biennale, Shanghai Art Museum (2002); Trade, White Columns, New York (2005); Seeing Double, Andy Warhol Museum, Pittsburgh (2005); The Inside Game, Portland Art Center (2006); and The Station, Art Basel Miami (2008).

Selected group exhibitions include: Whitechapel Gallery, London; Centro Artes Visuales Helga de Alvear, Cáceres (both 2011); Socrates Sculpture Park, Long Island City, New York; Denison Museum, Granville, Ohio (both 2010); Brooklyn Academy of Music, New York; Macro Future, Depart Foundation, Rome; Foundation CaixaForum, Madrid (all 2009); 2nd Moscow Biennale (2007); Weatherspoon Art Museum, Greensboro, North Carolina; Walker's Point Center for the Arts, Milwaukee; Cercle (all 2006); SculptureCenter, New York (2005); Queens Museum of Art, New York (2003); Whitney Museum of American Art at Altria, New York, Arnolfini, Bristol (both 2002), Public Art Fund, Brooklyn, New York (2001).

group exhibitions include: John Moores painting prize 2007, Temporary Accommodation at the Whitechapel Gallery (2001), The Hecklers, New Art Gallery Walsall, Walsall; Deception of the Eye, Special Effects in Contemporary Art, Kunsthalle Wilhelmshaven, Germany MUTAGEN, ASC Gallery, London (both 2013); The Dorian Project, Second Guest, New York (2012) and Making Familiar, Temple Bar Gallery, Dublin (2012).

Group shows include Institute of Contemporary Art, London (1981); San Francisco Museum of Modern Art, San Francisco; Seattle Art Museum, Seattle; Contemporary Arts Museum, Houston (1989); Tate Gallery Liverpool and Whitechapel Gallery (1991); National Museum of Contemporary Art, Seoul (1994); Museum of Contemporary Art, Tokyo (2004); Museum of Modern Art, Toyama (2009); Moscow Museum of Modern Art, Moscow (2012); dOCUMENTA (13), Kassel, 2012; Frieze New York and Venice Biennale, (2013); The site - specific work MEKON, produced for the Setouchi Triennale 2013.

Upcoming exhibitions at the Whitechapel Gallery in summer 2017 include a historical group exhibition titled A Handful of Dust.

Art in the Auditorium brings Trecartin's work together with a diverse group of artists and institutions including Lene Berg (Henie Onstad Kunstsenter, Oslo); Nathalie Djurberg (Moderna Museet, Stockholm); Leandro Erlich (Fundacion Proa, Buenos Aires); Wang Jianwei (Ullens Centre for Contemporary Art, Beijing); Ali Kazma (The Institute for the Readjustment of Clocks, Istanbul); Shahryar Nashat (Kunsthaus, Zurich); Cornelia Parker (Whitechapel Gallery, London); and Diego Perrone (Galleria d'Arte Moderna e Contemporanea, Bergamo).

She has participated in the group exhibitions the Venice Biennale (2011, 2015), New Museum of Contemporary Art, New York (2012); Adventures of the Black Square, Whitechapel Art Gallery, London; Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum (both 2015).

Located in Drew's Whitechapel Gallery installation The Trickle - Down Syndrome (7 June - 10 September 2017), the performance brings together a group of leading experimental musicians to produce exhilarating sounds of increasing intensity throughout the night.

Selected forthcoming and recent group exhibitions include The Painting Show, British Council Touring Exhibition; Electronic Superhighway 2016 — 1966,, Whitechapel Gallery, London; Celia Hempton, Mendes Wood DM, São Paulo, (2016); The Ultimate Vessel, Koppe Astner, Glasgow; fig - 2 25/50 in collaboration with Prem Sahib and Cecilia Bengolea, ICA Studio, London; I'm here but you've gone, Fiorucci Art Trust, London; The Chic and the Borderline, DRAF Istanbul, Grand Hotel de Londres, Istanbul,; La femme de trente ans, Galerie Art: Concept, Paris; Odradek, Instants Chavirés, Montreuil (2015); Tomorrow: London, South London Gallery, London; Burning Down The House, Gwangju Biennale; Pontoon Lip with Katie Cuddon, Cell Project Space, London (2014) and Abstract Cabinet, David Roberts Art Foundation, London, (2013).

Since then she has held over 35 solo shows worldwide, and has been included in numerous group shows, at the Barbican, Hayward Gallery, Serpentine Gallery, Whitechapel Gallery, Walker Art Gallery Liverpool, Whitworth Gallery Manchester, Museum of Wales Cardiff, as well as a number overseas.

Group Shows include: Adventures of the Black Square, Abstract Art and Society, 1915 - 2015, Whitechapel Gallery, 2015; Perspectives on Collage, The Photographers Gallery, London (2013); Marbled Reams, The Modern Institute, Glasgow (2012); Modernikon: Contemporary Art from Russia, Fondazione Sandretto Re Rebaudengo, Turin.

Her work has been included in recent group exhibitions at Tate Modern and Whitechapel Gallery, both London, UK.

If you want to know more about Duchamp and Sons and join the group so you can help us plan the next event contact the Whitechapel Gallery.

For a recent exhibition at Whitechapel Gallery in London, Upritchard experimented with both form and material, creating a group of dinosaurs out of papier - mâché or an earthy matter drawn from rubber trees in Brazil called balata and displaying them on simple yet elegant fold - out tables produced by the Italian company Olivetti on customized steel bases.

Duchamp & Sons then hosted another event at the Whitechapel Gallery for people from two local senior groups from Magic Me and the Sundial Centre, which involved tea, biscuits, art talk, cityscape drawing and PLAYDOUGH!

Group exhibitions include; «Inventory, Vol.5: Acquisitions from 1992 to 1996», FRAC Haute - Normandie, Rouen, France (2015); «The Art of the Present», Helga de Alevear Collection, Centro Centro, Madrid, Spain (2013); «Je t «aime... moi non plus», Musée des Beaux - Arts Eugène Leroy, Tourcoing, France (2013); «Unlimited Bodies», Palais Diena, Paris, France (2012); «Twenty Years of Presence», MMK Museum für Moderne Kunst, Frankfurt, Germany (2011); «Idea and Object», Galerie Thaddaeus Roapc, Salzburg, Austria (2010); «Securities», DEWEER Gallery, Otegem, Belgium (2009); «Listen Darling The World Is Yours», Ellipse Foundation Contemporary Art Center, Lisbon, Portugal (2008); «Museum der Moderne Salzburg Mönchsberg», Salzburg, Austria (2006); «Faces in the Crowd», Whitechapel Gallery, London, England (2005) and «Albright Knox art Gallery, Buffalo, USA (2004).

Group exhibitions include perFORMa at Fold Gallery, London (2015); The Uplawmoor Show at Glasgow International (2014) and The London Open at Whitechapel Gallery, London (2012).

Group exhibitions include 21st Century Museum of Contemporary Art, Kanazawa, Japan (2015); The National Museum of XXI Century Arts (MAXXI), Rome (2015); Beijing Biennale, China (2014); Whitechapel Gallery, London, UK (2013); dOCUMENTA (13), Kassel, Germany (2012); Liverpool Biennial, UK (2012); Gwangju Biennial, South Korea (2012); Lyon Biennale, France (2009); and the 50th Venice Biennale, Italy (2003).

Their recent gallery exhibitions include Numbers Station [Furtive Movements] at RYAN LEE Gallery, NYC and the group show Electronic Superhighway (2016 - 1966) at The Whitechapel Gallery, gallery exhibitions include Numbers Station [Furtive Movements] at RYAN LEE Gallery, NYC and the group show Electronic Superhighway (2016 - 1966) at The Whitechapel Gallery, Gallery, NYC and the group show Electronic Superhighway (2016 - 1966) at The Whitechapel Gallery, Gallery, London.

The talk highlights a number of recent projects by the artist, including his collaboration with the Andy Warhol Museum and the Carnegie Computer Club to restore Warhol's lost Amiga files; Working On My Novel, Arcangel's debut novel published in 2014; and Arcangel Surfware, a merchandising outfit made in collaboration with Bravado, a subsidiary of Universal Music Group; as well as his participation in the group exhibition «Electronic Superhighway» at Whitechapel Gallery and his exhibition «currentmood» at Lisson Gallery London (20 May - 2 July 2Group; as well as his participation in the group exhibition «Electronic Superhighway» at Whitechapel Gallery and his exhibition «currentmood» at Lisson Gallery London (20 May - 2 July 2group exhibition «Electronic Superhighway» at Whitechapel Gallery and his exhibition «currentmood» at Lisson Gallery London (20 May - 2 July 2016).

Her work has been exhibited or performed at Dhaka Art Summit (solo, 2018; group 2016); Manchester Art Gallery (solo, 2017); LAMOA at Occidental College, Los Angeles (solo, 2017); Commonwealth and Council, Los Angeles (solo, 2017); Los Angeles Municipal Art Gallery (2017); Project 88, Mumbai (solos 2016, 2013, 2010, 2009, 2007); 20th Sydney Biennale (commission, 2016); Hayward Gallery Project Space, London (solo, 2015); Kochi - Muziris Biennale (2014); Armory Center for the Arts, Pasadena, California (2013); Whitechapel Gallery, London (2013); John Hansard Gallery, Southampton, UK (3 - person, 2012); Asia Pacific Triennial, QAGOMA, Brisbane (2012); Shanghai Biennale (2012); Wanås Foundation and Kristianstads Konsthall, Sweden (2012; the 10th Venice Architecture Biennale (2006); among others.

Her work featured in group exhibitions in London's Whitechapel Gallery (2017), in Le Bal in Paris (2015) and Musée de l'Élysée in Lausanne (2015).

A group of passionate arts enthusiasts whose annual donations provide invaluable support for the Whitechapel Gallery across the breadth of its activities.

Benedict Drew Taking cues from visuals in the space, Benedict Drew and a group of eight musicians turn Drew's existing multimedia installation at Whitechapel Gallery into an improvised score, producing sounds of increasing intensity with the hope of taking the listener to a reflective or ecstatic state.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

Group exhibitions include National Gallery of Art (2018), S.M.A.K, Ghent (2017), La Triennale di Milano (2017), Columbus Museum of Art (2016), The Met Breuer (2016), Punta Della Dogana, Venice (2015), the Whitney Biennial (2014), Musée d'Orsay, Paris (2013), Whitechapel Gallery (2012), and Villa Arson, Nice (2007).

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

Batchelor's work was included in the landmark group exhibition Adventures of the Black Square: Abstract Art and Society 1915 — 2015 at Whitechapel Gallery, London.

Continuing the Whitechapel Gallery's longstanding commitment to seasonal exhibitions organised in collaboration with local young people, this immersive display of moving image and sound works from the artist Mikhail Karikis (b. 1975, Greece) is the result of a collaboration with a group of 7 to 8 year - old students from Mayflower Primary School in East London.

However those wishing to experience a taster of public galleries may be interested in Duchamp & Sons, a youth group run by the Whitechapel Gallery who meet each week to explore issues around the Gallery's programming.

Electronic Superhighway (2016 - 1966) Whitechapel Gallery 77 - 82 Whitechapel High Street, London E1 7QX January 29 — May 15, 2016 Now on view at Whitechapel Gallery, Electronic Superhighway (2016 - 1966) is a large group exhibition curated by Omar...

She has also been featured in numerous group exhibitions at venues including Whitechapel Gallery, London; 21st Century Museum of Contemporary Art, Kanazawa, Japan; National Museum of Women in the Arts, Washington, D.C.; Saint Louis Art Museum, Missouri; and the Museum of Fine Arts Boston, Massachusetts.

An epic poem of early Pop by the architects Alison and Peter Smithson, in an essay published in November 1956, three months after the landmark Independent Group exhibition «This is Tomorrow» opens at the Whitechapel Gallery: «Gropius wrote a book on grain silos, Le Corbusier one on aeroplanes, and Charlotte Perriand brought a new object to the office every morning; but today we collect ads.»

She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).

Group museum exhibitions include Artists» Film International, MAAT, PT (2017 - 2018); Staging Film, Busan Museum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly, TATE Britain, London, UK (2014); Aquatopia, TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site Gallery, UK.

Her work has been included in group exhibitions at institutions such as the Irish Museum of Modern Art in Dublin, Whitechapel Art Gallery in London, Holsoboro Kunstmuseum, Salzburg Kunstverein, Hayward Gallery in London, and Serpentine Gallery in London.

In 2012 she launched the Whitechapel Gallery's young patrons group First Futures and the same year helped develop a major donor programme for the Gallery's endowment Future Fund.

In the first workshop series, led by Catherine Yass and Bill Thompson at the Whitechapel Art Gallery, London, the group considered Yass's work and that of other artists who have explored the notion of «creative destruction» within their practice, such as Christian Marclay, Niki de St Phalle and Robert Smithson.

The group have curated events in the Gallery, made films and even staged live art performances on Whitechapel High Street.