Sentences with phrase «whitechapel gallery presentation»

The Whitechapel Gallery presentation is the first retrospective of his work in the UK.

Not exact matches

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

The exhibition titled Thick Time is curated by Iwona Blazwick, Whitechapel Gallery Director and will be the artist's first major public solo presentation in the UK in over 15 years.

Using elements from her acclaimed presentation at the Estonian Pavilion at the Venice Biennale, 2017, her installation at Whitechapel Gallery will feature sculptural cut - out figures alongside humanlike baby - rockers, mobiles and projections.

This will be only the second presentation of such scale, featuring the works of this grand master of figural painting, to be held in Europe (the first was held at London's Whitechapel Gallery in 2010).

Benedict Drew's most ambitious public presentation in the UK goes on show at the Whitechapel Gallery this summer.

The artist's most ambitious public presentation in the UK is on show at the Whitechapel Gallery this summer.

Among the more ambitious presentations at the main fair is a Thomas Ruff's solo presentation with Munich - based Galerie Rudiger Schöttle, which coincides with the artist's exhibition at the Whitechapel Gallery.

This exhibition is the artist's first solo presentation in London since her 2003 exhibition at the Whitechapel Gallery.

Major solo presentations include Bold Tendencies, London, 2015; Black Maria, with Gruppe, London, 2013; Whitechapel Gallery, London, 2010; 52nd Venice Biennale, 2009; Tate Liverpool, 2005; Artangel, London, 2002; Bonner Kunstverein, Bonn, 1998; Stedelijk Museum, Amsterdam, 1994; and Serpentine Gallery, London, 1993.

The presentation of the ISelf Collection is part of the Whitechapel Gallery's ongoing programme of opening up rarely - seen collections from around the world in a dedicated Collections Gallery.

The artist focuses on a key moment in the history of the Whitechapel Gallery: the presentation of Picasso's Guernica in 1939.

The presentation of the commissioned sculpture is part of a survey of Richard Tuttle's work, and accompanies a major exhibition at the Whitechapel Gallery, which spans five decades of Tuttle's career.

It's the first solo presentation of the abstract artist's works in the UK for over half a century (the previous was a show at the Whitechapel Gallery in 1963), and displays his important late creations from the 1960s — paintings with gravitas that subtly take hold of your attention.

Solo presentations include exhibitions at the South London Gallery, White Columns Gallery in New York, the Institute of Contemporary Arts in London, Collective Gallery in Edinburgh, Void Gallery in Derry, Whitechapel Gallery in London, Wiels — Centre for Contemporary Arts in Brussels, and Centre for Contemporary Arts in Glasgow.

This is Iglesias» first solo presentation in London since her 2003 exhibition at the Whitechapel Gallery.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

William Kentridge's Thick Time at Whitechapel Gallery is the artist's first major public solo presentation in the UK in over 15 years, and features six works created between 2003 and 2016 — including two of the artist's immersive audio - visual installations which have never previously been exhibited in the UK.

Open Your Door, Café Gallery, London, 2013; We Object, Aid and Abet, Cambridge, 2013, ANCIENT BRITAIN, solo presentation and residency at The Woodmill GP, London 2012; Whitechapel London Open, Whitechapel Gallery, 2012.

1970 String and Rope, Sidney Janis Gallery, New York, US 995,000, The Vancouver Art Gallery, Vancouver, CA; 3,549,000, CAYC, Buenos Aires, AR Conceptual Art & Conceptual Aspects, The New York Cultural Center in cooperation with Farleigh Dickinson University, Madison, New Jersey, New York, US Art in the Mind, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, US 18 Paris IV 70, 66 rue Mouffetard, Paris, FR Umwelt - Akzente / Die Expansion der Kunst, Kunstkreis Monschau, Monschau, DE Using Walls, The Jewish Museum, New York, US Concept Art, Arte Povera, Land Art, Galleria Civica d'Arte Moderna, Torino, IT 3rd Salon International des Galeries Pilots: Artistes et Découvereures de Notre Temps, Musée Cantonale des Beaux - Arts, Lausanne, CH; Musée d'Art Moderne de la Ville de Paris, Paris, FR Summer Show, Studio International, London, UK Information, Museum of Modern Art, New York Summer, Art & Project, Amsterdam, NL Software, The Jewish Museum, New York, US; The Smithsonian Institution, Washington D.C, US American Drawings, Yvon Lambert, Paris, FR Halifax Conference, Nova Scotia College of Art and Design, Halifax, CA 3 - 00; New Multiple Art, Whitechapel Art Gallery, London, UK Identifications, Fernsehgalerie Gerry Schum, Hannover, DE Beached, presentation Nirvana Exhibition, Kyoto Municipal Museum of Fine Art, Kyoto, JP Huebler, Antin, Salvo, Weiner, Galerie Sperone, IT

Originating at the Whitechapel Gallery in 2016, this presentation marks the first US showing of the project in its entirety, including many rarely - seen works and related ephemera.

She is a contributor to Aperture, Art in America, Artforum.com, Spike Art Quarterly, and Parkett, and has given talks and presentations at the Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University.

, and has given talks and presentations at the Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University.

In 2010 he co-curated the exhibition, «More Pricks Than Kicks» with Vincent Honoré at the David Roberts Art Foundation, London and in 2009 he had his first solo presentation within the program «Zilkha Auditorium» at Whitechapel Gallery, London.

The 2015 Armory Show features Armory Focus: Middle East, North Africa, and the Mediterranean (Focus: MENAM), a section curated by Omar Kholeif (curator at the Whitechapel Gallery in London) that examines contemporary cultural and artistic practices from these regions, by hosting gallery presentations, not - for - profit institutions, and site - specific prGallery in London) that examines contemporary cultural and artistic practices from these regions, by hosting gallery presentations, not - for - profit institutions, and site - specific prgallery presentations, not - for - profit institutions, and site - specific projects.

For the fourth and final presentation of works from the V - A-C collection, Moscow, Turner Prize nominated artist James Richards has selected Francis Bacon's Study for a Portrait (1953) which is currently on show at the Whitechapel Gallery until 30 August 2015.

This exhibition can be seen as a continuation of her recent presentation at the Whitechapel Gallery, entitled «the frisson of the togetherness».

The presentation of the collection of Patrizia Sandretto Re Rebaudengo is part of the Whitechapel Gallery's ongoing programme of opening up collections that are rarely seen by the public in the UK.

This is the artist's first solo exhibition with the Gallery, and the first presentation of his paintings in London since the critically acclaimed exhibition Mel Bochner: If the Colour Changes at The Whitechapel Gallery in 2012.