Sentences with phrase «wien gallery»

Les Tristes; a particular sequence of varying pitch, tone or stress, (with Lucas Ajemian), Galerie Parisa Kind, Frankfurt, Germany Marchand d'oubli, with Lucas Ajemian, Galerie Georges - Philippe & Nathalie Vallois, Paris, France Devonian Press: Books and Limited Editions (with Jean - Pascal Flavien), A&M Bookstore, Milan, Italy; Barbara Wien Gallery, Berlin, Germany

Her solo exhibition «Reliefpfeiler» is at Barbara Wien Gallery, Berlin, until 14 November.

Not exact matches

Viktor Popović's work has been shown in such venues as the Museum of Fine Arts, Split Croatia (2000, 2001, 2006, 2008, 2009, 2011 & 2017); Museum of Contemporary Art, Zagreb, Croatia (2010, 2011, 2015 & 2016); Lauba — People and Art House, Zagreb, Croatia (2011, 2012, 2013); Gallery of Fine Arts — Civic Museum Zadar, Zadar, Croatia (2005, 2010, 2011); Portland Art Center, Portland, Oregon, USA (2006); Glyptotheque — Croatian Academy of Sciences and Arts, Zagreb, Croatia (2003, 2006, 2008, 2009, 2012); Croatian Academy of Sciences and Arts — Department of Prints and Drawings, Zagreb, Croatia (2016); Garis & Hahn Gallery, New York, USA (2014); Kunsthalle Wien Project Space, Vienna, Austria (2012); Istria Museum of Contemporary Art, Pula, Croatia (2008, 2010); MUU Gallery, Helsinki, Finland (2009); Galérie Z, Bratislava, Slovakia (2006); Gallery of Arts, Slovenj Gradec, Slovenia (2002); Casal Balaguer, Palma de Mallorca, Spain (2002).

2015 «La Vie Moderne», 13th Lyon Biennale, Lyon, France «Political Populism», Kunsthalle Wien, Vienna, Austria «Art Unlimited», Solo presentation of «The Vagrant», Art Basel «Visitors, Governors Island», curated by Tom Eccles and Ruba Katrib, New York, NY «Small Sculpture», Shane Campbell Gallery, Chicago, IL «Love for Three Oranges», Gladstone Gallery, Brussels, Belgium «Under the Clouds: From Paranoia to the Digital Sublime», Serralves Museum of Contemporary Art, Portugal «The Lulennial: A Slight Gestuary, Lulu», Mexico City, Mexico «Objects, Food, Rooms (curated by Andria Hickey)», Tanya Bonakdar, New York, NY

Major solo exhibitions include: Deitch Projects, New York (2005); Museum of Contemporary Art, Miami (2006); Tate Britain, London (2006); the Metropolitan Museum, New York (2008); Kunsthalle Wien Karlsplatz, Vienna (2009); and Manchester Art Gallery, UK (2013).

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

Prominent institutions which have hosted solo shows include Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; Chisenhale Gallery, London (both 2013); Kunsthalle Wien, Vienna; Gallery at The Roy and Edna Disney / CalArts Theater (REDCAT), Los Angeles (both 2012); Kunstsammlung Nordrhein - Westfalen, Düsseldorf (2011); CCA Wattis Institute for Contemporary Arts, San Francisco (2009); Swiss Institute of Contemporary Art, New York (2008); Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy (2007); and Kunsthalle Zürich (2004).

Simone Leigh has exhibited work at Sculpture Center and the Kitchen in New York City; the Contemporary Arts Museum in Houston; the Fowler Museum at UCLA in Los Angeles; the Andy Warhol Museum in Pittsburgh; the Kunsthalle Wien in Vienna; L'appartement 22 in Rabbat, Morocco; and the AVA gallery in Cape town, South Africa.

, Galleria Franco Noero, Torino, Italy «Fluidity», Kunstverein in Hamburg, Hamburg, Germany «One, No One and One Hundred Thousand», Kunsthalle Wien Karlsplatz, Wien, Austria «The Calder Prize 2005 - 2015», Pace London, London, United Kingdom «In the Making», Luxembourg & Dayan, New York, NY «The Coverter», curated by Alex Glauber, Dickinson Gallery, New York, NY «Goulding the Lolly», curated by Brian Belott, Gavin Brown Enterprise, New York, NY

He has had solo exhibitions in recent years at the Museum of Modern Art, Fort Worth, Texas (2012), Museum of Contemporary Art, Denver (2009) and at BALTIC Centre for Contemporary Art, Gateshead (2005), with work featured in group exhibitions at venues including the Albright - Knox Art Gallery, Buffalo, NY (2011), the Ullens Center, Beijing (2010), the Contemporary Arts Museum, Houston, Texas (2008), Deste Foundation, Athens (2007), Kunsthalle Wien (2007), Museum of Contemporary Art, Shanghai (2007), The Royal Academy of Arts, London (2006), and the Museum of Contemporary Art, Chicago (2003).

Solo exhibitions (selection): Kubus, Wien (with Richard Hoeck, 2013); Museum Ludwig, Cologne (2011); Kunsthalle Zurich (2009); Cabinet des Estampes at Museum of Modern and Contemporary Art, Geneva (2004); The Morris and Helen Belkin Gallery, University of British Columbia, Vancouver (with Mike Kelley, 2000); Le Magasin, Centre National d'Art Contemporain de Grenoble; Kunstverein Hamburg (1999).

He has been widely exhibited in the United States and internationally, including solo shows in Galeria Leme (Sao Paulo), Yvon Lambert (New York), Spencer Brownstone Gallery (New York), Baltic Centre for Contemporary Art (Gateshead, UK), Kunsthalle Wien (Vienna), Contemporary Art Centre (Vilnius), Palais de Tokyo (Paris), P.S. 1 Contemporary Art Centre (New York).

2010 Adaptation: Between Species, The Power Plant, Toronto, Canada Dominó Caníbal, Proyecto de Arte Contemporáneo, Murcia, Spain Paisagem Incompleta: Projeto Uma Nova Paisagem, Centro Cultural Usiminas - Galeria Hideo Kobayashi, Ipatinga, Brazil Urbi et Orbi - Para a cidade e para o mundo, Paço das Artes, São Paulo, Brazil Tropicália - The 60s in Brasil, Kunsthalle Wien, Vienna, Austria Der offene Garten, Kunstalle Lingen, Lingen, Germany Epilogo, Museo Zapopan, Guadalajara, Mexico Yesterday Will Be Better - Taking Memory into the Future, Aargauer Kunsthaus, Aarau, Switzerland Dez anos do Núcleo Contemporâneo, Museu de Arte Moderna de São Paulo, Brazil Yesterday will be better, Aargauer Kunsthaus, Aarau, Switzerland The Traveling Show, Jumex Collection, Mexico City, Mexico Vidéo et Après - Videó France Exposição Ecológica, MAM - Museu de Arte Moderna de São Paulo, São Paulo, Brazil SERPENTINE CINEMA: CINACT, The Gate, Serpentine Gallery, London, England

Solo exhibitions of his work have been presented at the Whitney Museum of American Art, Corcoran Gallery of Art, Saatchi Gallery, Louisiana Museum of Modern Art in Humlebæk, Des Moines Art Center, Kunsthaus Wien, Montreal Museum of Fine Arts, Modern Art Museum of Fort Worth, Daimaru Museum of Art in Tokyo, Genichiro - Inkuma Museum of Contemporary Art in Kagawa, Kintetsu Museum of Art in Osaka, Fort Lauderdale's Museum of Art, Flint Institute of Arts, Memphis Brooks Museum of Art in Memphis, Schirn Kunsthalle in Frankfurt, Padiglione d'Arte Contemporanea in Milan, Kunsthal Rotterdam, National Galleries of Scotland in Edinburgh, and Kunsthaus Zürich.

Reid Kelley has had solo exhibitions at the Neuer Kunstverein Wien, Vienna, Austria (2014); The Samuel Dorsky Museum of Art and the University Art Museum at SUNY Albany, NY (2014); The Institute of Contemporary Art / Boston, Boston; Yale University Art Gallery, New Haven, CT (2013); The Contemporary Austin, Austin, TX (2013); The Box at Wexner Center for the Arts, Columbus, OH (2012); and Rochester Art Center, Rochester, MN (2007).

Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico

His work was presented in solo exhibitions at Kunsthalle Wien, Vienna (2008); Le Grand Café, Saint - Nazaire, France (2008); Contemporary Art Center, Vilnius (2007); Palais de Tokyo, Paris (2006); P.S. 1 Contemporary Art Center, New York (2003); Spencer Brownstone Gallery, New York (2004, 2006, 2007).

Exhibitions have included Claes Oldenburg: The Sixties at the Museum Moderner Kunst Stiftung Ludwig Wien in Vienna, Claes Oldenburg and Coosje van Bruggen: Theater and Installation 1985 — 1990 at the Pace Gallery in New York, Claes Oldenburg: Early Sculpture, Drawings, and Happenings Films at the Whitney in 2009, as well as the 1964 and 1968 Venice Biennales.

His latest exhibitions include: Red Gallery, London (2014); Trafačka Gallery, Prague (2013); Weltecho Gallery, Chemnitz (2013); Tate Modern, (as member of Ztohoven Group) at the Starr Auditorium, London (2013); Via Art Gallery, Prague (2012); National Gallery, Prague (2012); Embassy of the Czech Republic, Berlin (2012); Lalit Kala Academy Art Gallery, New Delhi, Indie (2011); Kunsthale Wien, Vienna (2007) and Jelení Gallery, Prague (2005).

Waxman's work has been exhibited at such venues as Palais de Tokyo, Videotage Hong Kong, Kunsthalle Wien, CEPA Gallery Buffalo, and Brooklyn College Conservatory of Music.

Witek's work has been exhibited at various galleries and museums throughout Europe and the US, including the Leopold Museum; Kunst Haus Wien; Fotomuseum Winterthur; Museum of Fine Arts Houston; and Secession, Vienna.

New Jersey Museum of Contemporary Art, «Inaugural Exhibition», New York NY Rachel Uffner Gallery, «You Were There», New York NY Kunsthalle Wien, «Street and Studio», Vienna, Austria Franklin Parrasch Gallery, «Visual Sympathy for Modernism», New York NY Zabludowicz Art Projects, «Library of Babel / In and Out of Place», London, England The Brucennial 2010: Miseducation, New York NY

Keith Haring: A New Dimension — Grounds for Sculpture, Hamilton, New Jersey, United StatesKeith Haring 1978 - 1982 — Kunsthalle Wien, Vienna, AustriaThe Keith Haring Show — SOMA Museum of Arts, Seoul, KoreaKeith Haring: 20th Anniversary — Tony Shafrazi Gallery, New York, New York, United StatesKeith Haring — Van de Weghe Fine Art, New York, New York, United StatesKeith Haring Editions on Paper — Caixa Cultural, Sao Paulo, BrazilKeith Haring: Pop Art Superstar — Lotte Art Center, Busan, South KoreaKeith Haring: Pop Art Superstar — Sangrok Museum Gwangju Museum of Art, Gwangju, South KoreaOne Person Show — Institut dArt Contemporain in Villeurbanne, Villeurbanne, France

Recent solo exhibitions have been mounted at KW Institute for Contemporary Art, Berlin (2017 - 2018; travelled to Salzburger Kunstverein, 2018), Museo Tamayo, México City (2017), MRAC Serignan, France (2017), Musees Gallo Romains, Lyon (2016), Tramway, Glasgow (2013), Yale Union, Portland (2013), Kunsthalle Wien (2012), Kunsthalle Basel (2009), Chisenhale Gallery, London (2008) and Fruitmarket Gallery, Edinburgh (2008).

Solo exhibitions (retrospective): Geld macht Kunst, Ján Koniarek Gallery, Trnava (2003)[4], Blažej Baláž Texts 1988/2007, The East Slovak Gallery, Košice (2007), Museum of Fine Arts, Žilina (2007), SUCHARATOLEST House of Art, Bratislava (2009), WARTEZEIT, Slowakisches Institut Wien (2009), Post-Geo-Text (with Mária Balážová), Slowakisches Institut Berlin (2011).

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

Solo Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Days?

Kunsthalle Wien, Gargosian Gallery (Dumont Publishers)- p129.

His work has been included in group exhibitions at Ullens Center for Contemporary Art in Bejing, Witte de With Center for Contemporary Art in Rotterdam, Birmingham Museum and Art Gallery, The National Art Museum of China in Bejing, Royal Academy of Art in London, and Kunsthaus Wien in Vienna, among many other institutions.

Group shows include Brooklyn Museum, 1955, 58, De Cordova Museum, Boston, 1960, 65, Riverside Museum, New York City, 1960, Städtisches Museum, Schloss Morsbroish, Leverkusen, Germany, 1960, 61, Whitney Museum American Art, New York City, 1961, 62, Pittsburgh Museum, 1961, City Museum, Städtisches Museum, Trier, Germany, 1961, Nul Stedelijk Museum, Amsterdam, 1962, Institute Contemporary Art, 1964, 65, Modern Art Gallery, Washington, 1965, Chrysler Museum, Provincetown, Massachusetts, 1965, Museum Modern Art, Stockholm, Sweden, 1966, Metropolitan Museum, Tokyo, 1965, Museum Modern Art, New York City, 1966, Woman's Work - American Art, Philadelphia, 1974, Improbable Furniture, University Pennsylvania, 1977, Neich und Plastisch - Soft Art, Zurich, 1979, National Museum Art, Osaka, 1980, National Museum Modern Art, Tokyo, 1981, Yokohama City Gallery, 1982, Landmark Tower, Yokohama, 1993, Guggenheim Museum, 1994, Scream Against the Sky, San Francisco Museum Modern Art, 1995, Otis Gallery, Los Angeles, 1995, Ars 95, Helsinki, 1995, Louisiana Museum, Denmark, 1995, Los Angeles County Museum Art, Museum Modern Art, New York, Walker Art Center, 1998, Taipei Biennale, Taipei Art Fair, 1998, Serpentine Gallery, 2000, Le consortium, Maison de culture Japan, Paris, Le Abattoirs, 2001, KUNSTHALLE, Wien, 2002, The Whitney Biennial, 2004, Kunstverein Braunschweig, Zacheta National Gallery of Art, 2004, National Museum Modern Art, Tokyo, 2004, 05, Mori Art Museum, 2004, National Museum Modern Art, Kyoto, 2005, many others.

He has performed at the Modern Art Museum of Fort Worth, TX (2012); Iceberg Projects, Chicago (2011); Murray Guy, New York (2011); and Temple Gallery, Philadelphia (2011), and his work has been presented at the Tate Modern, London (2011), and Tanzquartier Wien, Vienna, Austria (2010).

Wallace has presented her work in major exhibitions in the U.S. and abroad, including Kunsthalle Wien Museum, Art Basel Miami, Scope NY, Taschen Gallery and Aperture Gallery among others.

Previous solo exhibitions include The Show Must Ego On, WIELS, Contemporary Art Centre, Brussels, 2016, Delegierte Performance for WWTBD, Marien Jongewaard at Kunsthalle Wien, Vienna, 2013, Commission, MMK Museum Moderne Kunst, Frankfurt, 2012; Erik makes Happy, BAWAG Contemporary, Vienna, 2011; How Can I Help You, Hayward Gallery Project Space, London, 2011; Im Netz, Ludwig Museum, Cologne, 2009; Homeland Security, Projekt am Museumsplatz, Städtische Galerie im Lenbachhaus, Munich, 2007 and Guantanamo Baywatch, Hammer Projects, Hammer Museum, UCLA, Los Angeles, 2007.

The WWI Films of Mary Reid Kelley, Kunsthalle Bremen, Germany (2016); Mary Reid Kelly, Museum Leuven, Belgium (2016); We're Wallowing Here in Your Disco Tent, High Line, New York (2016); Hammer Projects: Mary Reid Kelley, The Hammer Museum, Los Angeles (2015); Mary Reid Kelley, Multimedia Art Museum, Moscow (2015); Mary Reid Kelley, Site Santa Fe (2015); Mary Reid Kelley, Neuer Kunstverein Wien, Vienna (2014); Mary Reid Kelley: Working Objects and Videos, Samuel Dorsky Museum of Art, New Paltz; University Art Museum, New York (2014); Mary Reid Kelley, The Institute of Contemporary Art, Boston (2013); Sadie, The Saddest Sadist and Priapus Agonistes, Yale University Art Gallery, New Haven (2013); The Syphilis of Sisyphus: Mary Reid Kelley with Patrick Kelley, AMOA Arthouse, Austin (2013); and The Syphilis of Sisyphus, The Box at Wexner Center for the Arts, Columbus (2012).

Danny Lyon at Whitney Museum, New York; Meg Webster at Paula Cooper, New York; Chroma Lives at Camrost Felcorp Yorkville Plaza Sales Centre, Toronto; Pedro Barateiro and Quinn Latimer at REDCAT, Los Angeles; Barry Johnston at Overduin & Co., Los Angeles; Projeto Piauí at PIVÔ, São Paulo; Mary Heilmann at Whitechapel Gallery, London; Eva and Franco Mattes at Carroll / Fletcher, London; Energy Flash at M HKA, Antwerp; Michael Rakowitz at Barbara Wien, Berlin; Wild Style at Peres Projects, Berlin; Nathalie Du Pasquier at Kunsthalle Wien; Torbjørn - Rødland at Eva Presenhuber, Zurich; Marie Angeletti at Édouard Montassut, Paris; Systematically Open?

Other group exhibitions of note featuring Shaw include Haus de Kunst, Munich (2018); Kunsthalle Wien (2017); National Gallery of Canada, Ottawa (2016); Witte de With Center for Contemporary Art, Rotterdam (2016, 2011); Modern Art Museum of Tokyo (2015); Stedelijk Museum Amsterdam (2013); Kunst - Werke Institute for Contemporary Art, Berlin (2012); and Palais de Tokyo, Paris (2012), among others.

He has published forty - one artist's books and exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Daelim Contemporary Art Museum, Seoul (2011), the Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015), Phillips, London (2015), Bundeskunsthalle Bonn (2016), Blum & Poe Gallery, Tokyo (2017), Kunstpalais, Erlangen (2017), and Martin - Gropius - Bau, Berlin (2017).

Long has held solo exhibitions at Kunsthalle Wien, Austria; Kate Werble Gallery, New York; Michael Benevento, Los Angeles; TORRI, Paris; SpazioA, Pistoia; Oakville Galleries, Oakville; the Southern Alberta Art Gallery, Lethbridge; Galerie Bernhard, Zürich.

Previous solo exhibitions include The Show Must Ego On, WIELS, Contemporary Art Centre, Brussels, 2016; Delegierte Performance for WWTBD, Marien Jongewaard at Kunsthalle Wien, Vienna, 2013; Commission, MMK Museum für Moderne Kunst, Frankfurt, 2012; Erik makes Happy, BAWAG Contemporary, Vienna, 2011; How Can I Help You, Hayward Gallery Project Space, London, 2011; Im Netz, Ludwig Museum, Cologne, 2009.

Recent exhibitions / projects / events; Kunstraum Bernsteiner, Vienna, Austria; Marianne Boesky Gallery, New York, USA; Hybrid So + Ba Gallery, Tokyo, Japan; BOICE Planning, Tokyo; Japan, Ǻrhus Kunstbygning, Center for Contemporary Art, Ǻrhus, Denmark; Gallery Roentgenwerke, Tokyo, Japan; Thailand 3rd New Media Arts Festival, Bangkok, Thailand; Nicolaj Copenhagen Contemporary Art Center, Denmark; Künstlerhaus Wien, Austria; Suntory Hall, Tokyo, Japan; Fuchu Art Museum, Tokyo, Japan; etc..

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

2016 Habib William Kherbek, «The Robot Within or The Ghost is The Machine», sunset provision, mother's tankstation limited Nora N. Khan, «Commons», user, space, Chisenhale Gallery 2015 Live Arts Week IV Catalogue, Xing, Bologna The Age of Earthquakes, Douglas Coupland, Hans Ulrich Obrist, Shumon Basar, Penguin Books / Blue Rider Press, ISBN 9780141979564 / 9780399173868 The Future of Memory (catalogue), Kunsthalle Wien, ISBN 978 -3-852470-57-3 colocation, time displacement, Yuri Pattison, Banner Repeater, 2014.

Bruguera participated in TED Talks Global as speaker, Documenta 11, Performa, Venice and Havana Biennales, exhibited at Tate Modern, Whitechapel Gallery, Van Abbemuseum, Kunsthalle Wien and The New Museum of Contemporary Art among others.

Pettibon's work has been the subject of numerous museum exhibitions worldwide including Kunstmuseum Luzern, Lucerne (2012); Kestnergesellschaft, Hanover (2007); Kunsthalle Wien, Vienna (2006); Centro de Arte Contemporáneo de Málaga, Malaga (2006); Museum of Contemporary Art San Diego, San Diego (2005); Whitney Museum of American Art, New York (2005); Museu d'Art Contemporani de Barcelona, Barcelona [traveled to Tokyo Opera City Art Gallery, Tokyo and Gemeentemuseum, The Hague](2002); The Renaissance Society, Chicago in collaboration with the Philadelphia Museum of Art, Philadelphia [traveled to The Drawing Center, New York and the Museum of Contemporary Art, Los Angeles](1998); and Kunsthalle Bern, Bern (1995).

She has presented work at Royal Academy and ICA in London; Kunsthaus Zurich; Kunsthalle Wien, Vienna; The Sculpture Center, On Stellar Rays, and Issue Project Room, New York; the Aspen Museum of Art; Henry Art Gallery, Seattle; and MUSAC, León.

2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

by Heather Findling Questions of Travel: Silke Otto - Knapp and Carl Fredrik Hill There is an explicit correlation between gallery space and artwork presented in the exhibition Questions of Travel (Wien) at Kunsthalle Wien Karlsplatz, which would be difficult for even the most casual visitor to ignore.

Selected solo exhibitions include Raqib Shaw, Manchester Art Gallery, Manchester (2013); Of Beasts And Super-beasts, Galerie Thaddaeus Ropac, Paris (2012); Paradise Lost, White Cube — Mason's Yard, London (2011); Absence of God, Kunsthalle Wien Karlsplatz, Vienna (2009); Raqib Shaw at the Met, The Metropolitan Museum of Art, New York City (2008); Art Now — Raqib Shaw, Tate Britain, London (2006); Raqib Shaw — Garden of Earthly Delights, Museum of Contemporary Art, Miami (2006); Raqib Shaw, Victoria Miro Gallery, London (2004).

His work has been presented at South London Gallery; Kunstverein Munich; Kunsthalle Wien; CCA Glasgow; Western Front, Vancouver; Grazer Kunstverein; UCCA, Beijing; and Sculpture Center, New York.

Lyon Biennial Transmissions: Art in Eastern Europe and Latin America, 1960 — 1980 at MoMA, New York William Kentridge at Marian Goodman Gallery, London Maryam Jafri at Kunsthalle Basel Alex Hubbard at Maccarone, Los Angeles Joan Jonas at Malmö Konsthall Charlemagne Palestine at Kunsthalle Wien, Vienna Nicholas Nixon at Fraenkel Gallery, San Francisco Berlin Art Week I Hope to God You're Not As Dumb As You Make Out at Mary Mary, Glasgow