Sentences with phrase «wiley paintings»

Star items of Sean Kelly gallery's booth were Kehinde Wiley paintings, sold for $ 125,000 each.

In the room straight ahead, there are a large number of Kehinde Wiley paintings.

SOLO EXHIBITIONS 2015 The Brooklyn Museum, Brooklyn, NY 2014 Roberts and Tilton, Los Angeles, CA 2013 The World Stage: Jamaica, Stephen Friedman Gallery, London, UK The World Stage: Israel, Boise Art Museum, Boise, ID Kehinde Wiley: Memling, Phoenix Art Museum, Phoenix, AZ The World Stage: Israel, The Contemporary Jewish Museum, San Francisco, CA Stephen Friedman Gallery, London, UK 2012 The World Stage: Israel, The Jewish Museum, New York, NY An Economy of Grace, Sean Kelly Gallery, New York, NY The World Stage: France 1880 - 1960, Galerie Daniel Templon, Paris, France 2011 The World Stage: Israel, Roberts & Tilton, Culver City, CA Selected Works, SCAD Museum of Art, Savannah, GA 2010 The World Stage: India, Rhona Hoffman Gallery, Chicago, IL Legends of Unity World Cup 2010 PUMA, Apparel Design Gallery, Berlin; Topographie de l'Arte, Paris; Deitch Projects, New York; Elms Lesters, London; UCCA, Beijing 2009 The World Stage: Brazil, Roberts & Tilton, Culver City, CA The World Stage: Africa, Lagos - Dakar, Artpace, San Antonio, TX 2008 Down, Deitch Projects, New York, NY The World Stage: Africa, Lagos - Dakar, The Studio Museum in Harlem, New York, NY Focus: Kehinde Wiley, Modern Art Museum of Fort Worth, Fort Worth, TX 2007 Kehinde Wiley, Portland Art Museum, Portland, OR The World Stage: China, John Michael Kohler Arts Center, Milwaukee, WI 2006 Scenic, Rhona Hoffman Gallery, Chicago, IL Columbus, Columbus Museum of Art, Columbus OH Columbus, Roberts & Tilton, Los Angeles, CA 2005 Rumors of War, Deitch Projects, New York, NY White, Conner Contemporary, Washington D.C. Bound - Kehinde Wiley Paintings, Franklin Art Works, Minneapolis, MN 2004 Passing / Posing: The Paintings of Kehinde Wiley, The Brooklyn Museum of Art, Brooklyn, NY Easter Realness, Rhona Hoffman Gallery, Chicago, IL 2003 Faux / Real, Deitch Projects, New York, NY Pictures at an Exhibition, Roberts & Tilton, Los Angeles, CA 2002 Passing / Posing, Rhona Hoffman Gallery, Chicago, IL

September / October, p. 78 Williams, Maxwell, Kehinde Wiley: The Transcontinental Breadth of a Contemporary Master, Flaunt Magazine Issue 114, pp. 132 - 137, Cover and Feature Finkel, Jori, Kehinde Wiley Paints A Diverse Israel, Los Angeles Times, 9 April, D14 Frank, Peter, Kehinde Wiley, Huffington Post, 27 May Leib, R, Go See - Los Angeles: Kehinde Wiley «The World Stage: Israeli, Art Observed, 17 May Meers, Carolyn, Calendar May 2011 The World Stage: Israel, Angeleno, May, p. 28 Dambrot, Shana Nys, For Art Thou, Culver City, LA Weekly, 8 April, pp. 34 - 35 Laster, Paul, Kehinde Wiley Asks: «What Does An Israeli Even Look Like?

I spoke to Lehman about his vision for the exhibition, desire to further expose a European audience to African American artists, transparent pricing, and Kehinde Wiley painting President Obama's portrait.

When you see a Kehinde Wiley painting, you recognize it.

NMWA artist Amy Sherald painted the former first lady's portrait while Kehinde Wiley painted the former president.

Highlights included Cherry and Martin's solo booth of new Amanda Ross - Ho canvas works, Jack Shainman's elaborate wall of Nick Cave soundsuits (as well as El Anatsui's intricate aluminum works), Roberts & Tilton's gorgeous Wiley painting, Deitch Projects» glass Barry McGee wall piece, Charim Galerie's solo booth of Valie Export works and hilger Contemporary's luscious Massimo Vitali photograph.

In this series, Wiley paints young African American men in poses reminiscent of Memling's tightly composed, small - scale portraits, and encases these images in sturdy, wooden - framed boxes with panel doors.

Wiley paints like an angel.

MAGAZINE For his «An Economy of Grace» exhibition at Sean Kelly gallery in 2012, Kehinde Wiley painted portraits of women for the first time.

In 2012, Wiley painted, «An Economy of Grace,» a series of black women for the first time.

Not exact matches

The National Portrait Gallery unveiled portraits of Barack Obama and Michelle Obama painted by, respectively, Kehinde Wiley and Amy Sherald.

Instead of taking photos in a hotel lobby, the couple was posing in front of paintings by Alex Katz and Kehinde Wiley.

Barack and Michelle Obama unveiled their official portraits, painted by reowned African - American artists Kehinde Wiley and Amy Sherald respectively, at the Smithsonian National Portrait Gallery this morning.

This morning, the National Portrait Gallery in Washington, D.C. unveiled its newly commissioned paintings of Barack and Michelle Obama by Kehinde Wiley and Amy Sherald, respectively.

Come for Chad McQueen's Speedster 1600 Super from 1958, stay for the Renaissance painting, African art, Egyptian funerary objects, and the new Kehinde Wiley and Mickalene Thomas.

KEHINDE WILEY's traveling retrospect «A New Republic» presents nearly 60 paintings and sculptures.

Kehinde Wiley Portrait of Nick Cave, Nadezhda Polovtseva, 2017 oil on canvas painting: 120 5/16 x 81 3/4 inches (305.6 x 207.6 cm) framed: 131 5/16 x 92 3/4 x 4 1/2 inches (333.5 x 235.6 x 11.4 cm) KW - PA -17-010

A new series of portrait paintings by Kehinde Wiley is a departure from his practice which usually captures ordinary people from around the world recast in scenes from European history paintings.

«KEHINDE WILEY: A New Republic» @ Modern Art Museum of Fort Worth Fort Worth, Texas About 14 years ago, Kehinde Wiley found his niche painting grand portraits of young men (and more recently women) he identified by walking the streets of major cities around the wWILEY: A New Republic» @ Modern Art Museum of Fort Worth Fort Worth, Texas About 14 years ago, Kehinde Wiley found his niche painting grand portraits of young men (and more recently women) he identified by walking the streets of major cities around the wWiley found his niche painting grand portraits of young men (and more recently women) he identified by walking the streets of major cities around the world.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

A survey of Wiley's career since 2001, this exhibition features 60 paintings and sculptures (a more recent pursuit) that riff on images from the art historical canon, challenging accepted notions of race, gender and representation.

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

Often zigging when the established art world zagged, Wiley began creating large, unctuous paintings inspired by the Abstract Expressionist and Bay Area Figuration movements of the time, only to swiftly move away from them in the late»60s to develop his cartoonish figurative style, which waned in popularity as Minimalist and Conceptual art became fashionable.

5 pm ABMB Salon, Artist Talk: Painting Forever Tala Madani, Artist, Los Angeles; Oscar Murillo, Artist, London; Moderator: Chris Wiley, Kaleidoscope Associate Editor and Artist, New York Art Basel Miami Beach, Miami Beach Convention Centre, Hall D, Miami Beach

This powerful contemplation of the human form is evident in previously unseen paintings by Yoshitomo Nara, Kehinde Wiley and Jiro Takamatsu.

A departure from Wiley's practice of painting anonymous sitters, these portraits include a select group of extraordinary contemporary artists ---- Derrick Adams, Sanford Biggers, Nick Cave, Rashid Johnson, Glenn Ligon, Kerry James Marshall, Wangechi Mutu, Yinka Shonibare, Mickalene Thomas, Hank Willis Thomas, Carrie Mae Weems, and Lynette Yiadom - Boakye.

, International Review of African - American Art 10, No. 2, Fall Lewis, Sarah, De (i) fying the Masters, Art in America, April, Cover Wiley, Kehinde, Top Ten, ArtForum, April Ross, Susan, The Kehinde Wiley Experience: White, NY Arts Magazine, 27 May Detrick, Ben, Paint it Black, Complex Magazine, April / May Yablonsky, Linda, Painting the Town, Time Out New York, 14 - 20 April Golfar, Fiona, A Season for All Women: Ilona Rich, British Vogue, April Abbe, Mary, Going for Baroque, Star Tribune, 18 February Wood, Eve, Kehinde Wiley Brooklyn Museum Review, Flash Art, January - February

William T. Wiley is primarily known for mystical watercolors that whimsically move between references to pop culture, literature, and art history, though he has worked in a variety of media, including drawing, painting, sculpture, film, and performance.

Sean Kelly is delighted to present Trickster, an exhibition of monumental new paintings by Kehinde Wiley.

The exhibition includes a selection of Wiley's World Stage paintings, begun in 2006, in which he takes his street casting process to other countries, widening the scope of his collaboration.

In contrast, a dramatic new painting by Kehinde Wiley depicts a reclining semi-naked male figure mimicking the pose of a dying Thomas Chatterton in Henry Wallis» famous portrait of 1856.

Wiley's signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives.

Sept. 13 — Oct. 25, 2014 KEHINDE WILEY at Roberts & Tilton Gallery Culver City, Calif. «The World Stage: Haiti,» the latest installment of Kehinde Wiley's global survey, focuses on Haiti and features a dozen paintings — his signature portraits depicting the disaster - prone nation's culture - defining yWILEY at Roberts & Tilton Gallery Culver City, Calif. «The World Stage: Haiti,» the latest installment of Kehinde Wiley's global survey, focuses on Haiti and features a dozen paintings — his signature portraits depicting the disaster - prone nation's culture - defining yWiley's global survey, focuses on Haiti and features a dozen paintings — his signature portraits depicting the disaster - prone nation's culture - defining youth.

2004 Lecture for Passing / Posing The Paintings of Kehinde Wiley, Brooklyn Museum, Brooklyn, USA Artist Lecture Series, Triple Candie, Harlem, New York, USA Kehinde Wiley, Harvard School of Arts, Boston, Massachusetts, USA

2005 VH1 Hip Hop Honors Awards, (VH1 commissioned Kehinde Wiley to paint portraits of all the 2005 Art of Hip - Hop Honorees.

2004 Passing / Posing The Paintings of Kehinde Wiley, The Brooklyn Museum of Art, Brooklyn, New York, USA Easter Realness, Rhona Hoffman Gallery, Chicago, USA

See 45 works of paintings, sculptures, installations, photographs and videos from artists including, Jean - Michel Basquiat, Nick Cave, Robert Colescott, Glenn Ligon, Kerry James Marshall, Wangechi Mutu, Lorna Simpson, Mickalene Thomas, Kara Walker, Carrie Mae Weems, and Kehinde Wiley.

While Wiley entered the broader cultural context with work featured on, for instance, the hip - hop - infused drama Empire, he became a household name this year when it was announced in October that he would paint Barack Obama's official portrait.

TIME MAGAZINE RELEASED its Time 100 list for 2018 and it features three visual artists — Judy Chicago, JR, and Kehinde Wiley, who appears in the wake of painting his news making portrait of President Barack Obama, which was unveiled at the Smithsonian's National Portrait Gallery on Feb. 12.

2003 Kim, Christine Y., Kehinde Wiley Faux Real, Issue Magazine, December Myers, Holly, Scenes Far, Far Out of Tiepolo, Los Angeles Times, 7 November Wood, Eve, Acerbic Beauty, Artnet.com, October Thompson, Bonsu, Benefit II Society, King Magazine, September / October Stillman, Nick, Art Seen, The Brooklyn Rail, August / September Sirmans, Franklin, A Bling Bling Baroque, One World Magazine, August / September Weisen, Barbara, Re: Figure, College of Du Page, The Guhkberg Gallery, April / May Jackson, Brian Keith, B - boy Stance, Vibe, August Stein, Lisa, Re: Figure Plays with Figurative Painting, Chicago Tribune, 5 May Murray, Derek, Ironic / Iconic, Art in America, March Kerr, Merrily, New Wave, Flash Art, March / April Cohen, Mark Daniel, Real Art Ways, Hartford Current

Influenced by Goya's infamous Black Paintings, a series of fourteen powerfully haunting murals, striking in both their dark subject matter and palette, Wiley has restricted his use of color and incorporated barren landscapes into these new canvases.

Wiley met with the featured rappers and director John Singleton before painting his subjects).

Appropriating the format of specific paintings by renowned masters ranging from Titian to Édouard Manet, Wiley often depicts his subjects wearing sneakers, hoodies, and other gear associated with today's hip - hop culture and sets them against ornate decorative backgrounds that evoke earlier eras and cultures.

Last fall, the museum announced that the Obamas selected Wiley and Sherald to paint their portraits.

2016 Nov. 18 — Wadsworth Atheneum Presents 43rd Annual Festival of Trees & Traditions Nov. 1 — John Trumbull Paintings Central to «Visualizing American Independence» at Wadsworth Atheneum Oct. 5 — First U.S. Exhibition by Artist Dulce Chacón Explores Human Feats and Failures in the Frontiers of Air and Space Sept. 23 — Grant S. Smith to Lead Development, Revitalize Fundraising Initiatives at Wadsworth Atheneum Sept. 9 — First Major Photography Survey in 27 Years to Open at Wadsworth Atheneum Museum of Art Aug. 16 — Francisco de Zurbarán's «Saint Serapion» Returns to Galleries at Wadsworth Atheneum May 23 — Exhibition to Highlight Diversity of Contemporary Artists, Artworks May 10 — Works by Salomon van Ruysdael and Kehinde Wiley Among Newest Acquisitions by Wadsworth Atheneum April 21 — «Vanessa German / MATRIX 174» to Confront Social Issues of Race and Violence Beginning June 9 March 25 — Wadsworth Atheneum Museum of Art Names Anne Butler Rice New Director of Education

Without shying away from the complicated socio - political histories relevant to the world, Wiley's figurative paintings and sculptures «quote historical sources and position young black men within the field of power.»

Inspired by the painting The White Slave featured in the exhibition Kehinde Wiley: A New Republic, curator John Henry Rice will lead a gallery talk focusing on painted portraits in the museum's South Asian collection.

African - American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...