Sentences with phrase «window space of the gallery»

In the Window Space of the gallery, photographs of Matta - Clark's performative installation Jacob's Ladder, which the artist realized at the Documenta in 1977, are shown as wall - sized photographic wallpaper.

Not exact matches

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As I moved through the space, I sensed the lights change and was informed of the advanced lighting system that not only imitates the natural light, but also is complimentary to the windows and is adaptable to each exhibition and gallery space.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brookgallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

The art fair will feature a selection of 11 exhibitors comprised of artist collectives, project spaces, non-profits and artist - run galleries including Bushwick's Fresh Window, Signal, Sardine and NURTUREart.

Mrs. Snookes or Tufmutton, 2011 (detail of window view) A molasses caricature, placed on the gallery windows is projected throughout the space like stained glass; a winged Joan of Arc is mysteriously animated by the gallery's air ventilation, subtly moving its wings.

For one, the dominance of brick walls, wood floors, big windows and frequent columns of its repurposed 19th - century factory buildings is the apotheosis of SoHo, whose small - industry loft spaces were taken over by commercial art galleries in the 1970s.

Taken in from the vast windows of the Turner Contemporary, which has dedicated two of its gallery spaces to a retrospective of Jean Arp's works, the sea's expanse seemed to open out to France, Belgium, Holland — a fitting reflection of the dynamic internationalism of this sculptor - poet's long career.

Brown also curates Front Window Gallery, an alternative exhibition space located in the window of a 19th - century townhouse in MiltonWindow Gallery, an alternative exhibition space located in the window of a 19th - century townhouse in Miltonwindow of a 19th - century townhouse in Milton, PA..

Our contemporary art gallery is one of London's leading prestigious art spaces with two floors of stunning exhibition space, as well as large display windows.

Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery sSpace artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery spacespace.

SELECTED GROUP EXHIBITIONS 2017 Glut Data, ASC Chaplin Centre, London 2017 ESTELLE THOMPSON & ERNESTO CÁNOVAS: In Colours where we Meet, Ambachar Contemporary, Munich 2017 Pelé: Art Life Football, National Football Museum, Manchester 2017 Clouded Lands, Fundación Caja Burgos (CAB), Burgos, Spain 2016 Summer Exhibition, Halcyon Gallery, London 2016 Colectiva Monopatin 3, Museo de Arte de Puerto Rico (Part of the Puerto Rico Triennale 2016), Puerto Rico, USA 2016 Le Dessous des Recits, Galerie Gourvennec Ogor, Marseille, France 2016 Non-Profit Observations, Kir Royal, Valencia, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 The Art of Creating, Halcyon Gallery, London 2014 From Cocoanut Grove to Soho Nights, Paul Smith, London 2014 Summer Exhibition, Royal Academy, London 2014 Landshapes, Gallery Kir Royal Valencia, Spain 2014 Open Dialogues — Generation 14, Royal Academy, Edinburgh, Scotland 2013 Threadneedle Prize, Mall Galleries, London 2013 Summer Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek, Amsterdam

Texts appear on walls and windows of galleries and public spaces, as spoken word in audio recordings and video, printed books and posters, cast or carved objects, tattoos, graffiti, lyrics, online, ad infinitum.

The projected images scroll across the large windows and walls of the gallery space to create an immersive environment.

Her work has been featured at solo exhibitions at Postmasters Gallery, New York; And / Or Gallery, Dallas; Windows, Brussels, Belgium; The New Museum, New York; O.K. Center for Contemporary Arts, Linz, Austria; and FACT, Liverpool, England, and in group exhibitions at The Museum of Modern Art, The New Museum, The 1997 Whitney Biennial, Guggenheim Museum, Artists Space, and the Brooklyn Museum of Art, New York; STUK, Leuven, Belgium, Stedelijk Museum, Amsterdam; and Bard CCS Galleries, among others.

In addition, 4,000, printed - paper ivy leaves adhere to and wrap around three walls of the gallery space, recalling the vines that cling to the exterior walls of the Sunroom and creep around its windows.

Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest exhibition spaces and, combined with glassed - in ceiling and window walls, rather gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.

This initiates a compelling dialogue with the installation in the gallery's second space, in which further aluminium painting and sculpture pairings are interspersed with a group of figurative photographs of the sort of life - sized rubber dolls made for shop windows or medical experiments.

through 19 October, St Johannesgatan 7, SE - 205 80 Malmö Swedish artist Gunilla Klingberg takes over the gallery space of the Malmö Konsthall with an exhibition of already existing works, and a new commission designed for the gallery's long row of windows.

«Framed in an Open Window» presents a selection of five works — a sound piece and four 35 and 16 mm films — displayed across the South London Gallery's two newest spaces.

Thomas in her photograph of an image of a window, Moments of Place IV, explores the depth and construction of space within the picture frame while masterfully considering color and form and, in depicting an architectural detail and through the work's placement in the gallery, draws attention to spacial relationships.

Architects Caruso St John (responsible, inter alia, for Tate Britain, the Gagosian London galleries, and Nottingham Contemporary) have given the rather restricted space a pleasing sense of openness, with great side windows affording a view of the immaculate rolling lawns of the college gardens (installation image below by Ioana Marinescu).

The gallery space itself is filled with diffused, directionless light from covered windows, adding to the subtle air of pleasant confusion — experiential glitch — that the large circular hole cut between gallery spaces and other actions in the show trigger.

The Whitney presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), a large - scale installation by Robert Irwin that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

Recent group exhibitions include «A Union of Voices»: HORATIO JUNIOR, London «Sex Shop»: Folkestone Fringe, Folkestone, «In and out of windows»: Vane, Newcastle upon tyne, «Eulogy»: Vane, Newcastle upon Tyne, Between fact and fiction: Vane, Newcastle upon Tyne (2014), «Winter Show», September, Berlin, Germany, «Gifted»: Chart, London, «Luminous Language»: Launch F18 (2013), New York, USA «The Dorian Project», SecondGuest, New York, touring to Ana Cristea Gallery, New York, «Anschlüssel: London / Berlin», C4RD Centre for Recent Drawing, London (2012), «THE FUTURE CAN WAIT presents: Polemically Small», Torrance Art Museum, Torrance, California, touring to CHARLIE SMITH london, London, «Mail Please», Blyth Gallery, London, (2011), «MurmurART: an introduction», MurmurART, London (2010), «One Spirit Showcase», Hines Urban Gallery, London, «40 Artists 80 Drawings», The Drawing Gallery, London (2009), «00 Nature Part 1», Contemporary Art Projects, London, «Baltic Square», Arena Gallery, Liverpool Biennial (2008), and «Jerwood Contemporary Painters», Jerwood Space, London (2007).

2018 Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2015 - 16 1st Asia Biennial & 5th Guangzhou Triennial Guangdong Museum of Art, Guangzhou 2013 The Global Archive Hanmi Gallery, London 2012 Everything Flows De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, screenings at De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, exhibition, AND Festival, Holden Gallery, Manchester 2012 March 2012 part of Time Lapse SITE Santa Fe, New Mexico 2011 Fraternise — the Salon Beaconsfield, London 2010 How We Became Metadata University of Westminster Gallery, London 2010 Tables of Thought Academy of Fine Arts, Helsinki, Finland 2009 Hit the Ground Hatton Gallery, Newcastle (Great North Run Cultural Programme) 2008 Artradio exhibition & online station, Cornerhouse, Manchester (featured soundwork) 2006 Cruel / Loving Bodies 2 exhibition, Hong Kong Arts Centre & Goethe Institute 2005 Private View exhibition, Shanghai Duolun MoMA 2005 Lightsilver exhibition, Beaconsfield Contemporary Art, London 2005 Reassurance exhibition, SPACE Triangle, London & Chinese Arts Centre, Manchester 2004 New Nasubi Gallery in «Osawa Tsuyoshi: Answer with Yes and No!»

He is currently Curator of «SCAPE 8: New Intimacies» Public Art Christchurch Biennial in the post-earthquake city of Christchurch in New Zealand; and curator of the not - for - profit project space CORNER Window Gallery on Auckland's famous Karangahape Road.

The young dealer couple Martha Moldovan and Harry Schleiff, who works by day at Gavin Brown, opened their by - appointment - only space Rear Window in their home in April 2015, naming it after both the Alfred Hitchcock movie and the gallery's main feature: it takes up the width of their 136 West 118th Street home's back - facing glass aperture.

Two new dynamic light sculptures entitled Modern Wonder will be on view, along with one of the artist's most iconic works, Madame, from January 15 through March 22, 2014 at the Gallery's 11th Avenue Windows space.

Texts by Lawrence Weiner (born 1942, USA) have appeared in all sorts of locations over the last five decades: as vinyl or paint on walls and windows of galleries and public spaces, spoken as audio, video or performance, printed in books and on posters, cast or carved as letters and even turned into tattoos, graffiti, lyrics and so on, ad infinitum.

Hung in the front window of the gallery, and thus viewable from both recto and verso, the work establishes a cogent, even menacing, relationship between the space of the gallery and the public street just outside.

We used to work with Tanya Bonakdar Gallery in Chelsea, and at the time you already saw the strong signs of complete gentrification in Chelsea and SoHo — Prada had just taken over the Guggenheim's former project space in SoHo — so for our first project there we covered up the windows of the gallery, saying, «Opening Soon, Prada.Gallery in Chelsea, and at the time you already saw the strong signs of complete gentrification in Chelsea and SoHo — Prada had just taken over the Guggenheim's former project space in SoHo — so for our first project there we covered up the windows of the gallery, saying, «Opening Soon, Prada.gallery, saying, «Opening Soon, Prada.»

Foyer: one work... Everyday As a response to the architectural possibilities of the gallery's new site, Mercer Union will be inaugurating One Work — exhibitions of individual artworks in various spaces outside of the two formal galleries, including the stairwell, windows and foyer.

In exhibiting his work, Förg assimilated the architecture of the gallery space — even doors and windows — into the work itself.

The work is meant to be seen in daylight as when the sun shines through the windows, it casts evocative shadows on the walls and floor, many stemming from the slender pillars (white columns) Irwin erected in the space surrounding the chambers to emphasize the original architecture of the gallery.

«Our larger program is the demystification of art,» he said, «and with our new space, on the ground floor of the temporary City Hall, along with the CitySite space for outdoor installations next to our old building and the window installations we do in our old gallery, we are well - equipped to do that job.»

Benjamin Heller's photography, video and performative sculpture works have been shown nationally and internationally, including the Baryshnikov Arts Center, Brooklyn Museum, Wave Hill, New York Live Arts, ICP International Center of Photography, Robin Rice Gallery, Fresh Window Gallery, Eyebeam, and Honey Space in New York.

A combination of large windows and angular slots carved out of the concrete allow light to reach the gallery spaces from all directions.

The front windows of Sector 2337 have also been transformed by the current show: a massive blue screen becomes the suggestion of another billboard, and fits into the space of the vertical windows as an intervention on the face of the gallery.

In front of a window of a gallery in the Breuer building, Fred Eversley had planned to install a 72 - inch pink acrylic disc, that when refracting light and images from inside the space and the outside world, would fill the galleries with pink, effervescent light.

Walking into the next gallery, Sector's project space, massive words rise up the glass of the windows, commanding in exuberance: BELIEVE THAT WE WILL WIN, and: YOU TOO CAN JOIN.

The landmark tripartite display window of the gallery's nine - meter - high Corner Space was added to the building in 1913 by Hermann Muthesius, a famous early pioneer of German architectural modernism and founder of the Deutscher Werkbund.

The Project Space is a window gallery, part of Pro Arts» main gallery sSpace is a window gallery, part of Pro Arts» main gallery spacespace.

This installation will be constantly evolving, and will include performances inside the windows of Project Space at Pro Arts Gallery.

The installation aims to attract a broader public audience, using its placement at the Pro Arts» Project Space — a 24/7 storefront window gallery, adjacent to Pro Arts» main gallery space yet distinct in its ability to attract passersby via its central and facing outward location, situated at the heart of the bustling Frank H. Ogawa public and government business pSpace — a 24/7 storefront window gallery, adjacent to Pro Arts» main gallery space yet distinct in its ability to attract passersby via its central and facing outward location, situated at the heart of the bustling Frank H. Ogawa public and government business pspace yet distinct in its ability to attract passersby via its central and facing outward location, situated at the heart of the bustling Frank H. Ogawa public and government business plaza.

Mitchell - Innes & Nash is pleased to present Chris Johanson: Windows, the gallery's first exhibition of the West Coast artist, on view in the Chelsea space from September 13 through October 20.

From the images alone, it's hard to distinguish which is a window and which is the screen featuring an image of an outside in the gallery space.

The public entered the Kunsthalle through a first - floor window in order to destroy the hierarchy imposed by the sequence of gallery spaces.

Chadwick is said to have delighted in the properties that steel afforded; no matter how dull the weather some facet of the sculptures would catch and reflect the light, a quality that the gallery space will enhance with its natural light source from the skylight windows.

1977 Two Decades of Exploration: Homage to Leo Castelli on the Occasion of his Twentieth Anniversary, The Art Association of Newport, Newport, Rhode Island, US The 1977 Los Angeles International Film Exposition, Plitt Century Plaza Theatres / ABC EntertainmentCenter, Los Angeles, California, US Bookworks, Museum of Modern Art, New York, US Words, The Whitney Museum (downtown), New York, US O3 23 03, Institut d'Art Contemporain, Montreal, CA Words At Liberty, Museum of Contemporary Art, Chicago, Illinois, US American Art in Belgium, Palais des Beaux - Arts, Brussels, BE dokumenta 6, organised by Rudi Fuchs, Kassel, DE 10 Years, Kabinet für Aktuelle Kunst, Bremerhaven, DE A View of a Decade, Museum of Contemporary Art, Chicago, Illinois, US Space Window, Bell Gallery, Brown University, Providence, Rhode Island, US $ oul, CAYC, Buenos Aires, AR Works from the Collection of Dorothy and Herbert Vogel, The University of Michigan Museum of Art, Ann Arbor, Michigan, US The Seventies, Museo Universitario de Ciencias y Arte, CDMX, MX Novembre, Galerie Mathias Fels, Paris, FR The Record as Artwork, The Fort Worth Art Museum, Fort Worth, Texas, US; Moore College of Art, Philadelphia, Pennsylvania, US; Musee d'Art Contemporain, Montreal, CA; Museum of Contemporary Art, Chicago, Illinois, US Museum of Drawers, Bern, CH; Israel Museum, Jerusalem, IL Radical Attitudes to the Gallery, Art Net, London, UK Mail Art, Librije Beeldende Kunst, Zwolle, NL Artists» Books, Smart Gallery, University of Chicago, Illinois, US Working or Sketching Photographs by Artists, Los Angeles County Museum of Art, Los Angeles, US