Sentences with phrase «with coda»

To place, carve and finish amalgam restorations under the direct supervision of a dentist, a dental assistant must: (1) Be at least 18 years of age, AND (2) Hold current DANB CDA certification or have been employed as a dental assistant with a minimum of two years (4,000 hours) hands - on experience, AND (3) Take and pass a pre-examination on basic dental procedures and techniques, as well as the basic fundamentals of dentistry, AND (4) Complete a 40 - hour course given by an approved continuing education sponsor and taught in an institution with a CODA - accredited dental, dental hygiene or dental assisting program, AND (5) Pass an exam that is psychometrically sound, such as a combination of DANB's Anatomy, Morphology and Physiology (AMP), Isolation (IS) and Restorative Functions (RF) exam, or equivalent *, AND (6) Maintain proof of BLS certification A supervising dentist must attend a required orientation class with the applicant and sign an agreement that he or she will follow the required guidelines regarding supervision and clinical application of specific techniques being taught between scheduled classes.

To legally operate dental x-ray equipment and perform dental radiologic procedures in Rhode Island, a dental assistant must complete a course in dental radiography from an educational institution with a CODA - accredited program.

KYL attorney and shareholder Julie Taylor, who will be working closely with the CODA team, said: «Technology is changing business at such a rapid pace that legacy approaches to managing data and workflows no longer apply.

It's not a far reach for them to access the despair that's essential, I think, to a certain kind of creation, and Porterfield allows them each a moment to express themselves in song: one in a basement before Oldham destroys his instrument, the other on stage and then over the closing - credits, with the coda being a sigh from Taylor and a little shake of her head.

As «Fifty Shades Darker» kept ending with coda after coda, it finally concluded with Ana's handsy, disgraced ex-boss Jack Hyde (Eric Johnson) standing at the edge of a lake from Christian's family home as fireworks ignite the sky, burning a cigarette through Christian's face of a family photo.

Not surprisingly, the final film ends with a coda set on King's Cross station 19 years later, as the grown - up Harry, Ron and Hermione send their own children off to board at Hogwarts.

Not exact matches

The flood might have been the coda to the area's industrial story but, five years later, the waterfront is awash once more — this time with capital.

They infused «Born Again» with a sinful slinkiness, and redeemed «Good Souls» with a loc - tite bass groove that gave way to a chaotic freak - out coda.

After sitting out with injuries for her first two seasons on campus, Powell has exploded into an offensive force for the Golden Eagles, and it would be a wonderful coda to her career to see her reach the top 10 in goals scored as a reward for her perseverance.

And at the end, a solemn, almost despairing, coda on Blair's grappling with the democratic dilemma: Do you do what the people want?

«It's particularly meaningful to me to have the endorsement of CODA members with whom I have worked closely for so many years, because I've experienced first hand CODA's tenacity in standing up for residents of our community and our progressive ideals.

Instead, State Committeeman Michael Farrin, a longtime activist in the downtown political club, Coalition for a District Alternative (CoDA), has filed an objection with the Elections Board.

In part 2 of our conversation with journalist and author Maryn McKenna, she talks about antibiotic resistance in agriculture and human health, MRSA, and offers a brief coda on the subject of fecal transplants

He ends Naturalist with a brief coda on his new career.

It's so much easier to let the yammering that Cole does with James and with Sophie dominate the proceedings, and to stuff the moral and social commentary into a clever but cheap one - shot coda that comes during the closing credits.

He reprises themes and characters from the previous films that swell in the epochal siege of Hogwarts and ends his film with an almost wordless coda that will wring tears even from Harry haters.

He can't help himself from following that shot with a deeply curious coda, which uses the movie narrative logic of cliffhangers and sequels to position The Post as prequel to All the President's Men.

That truth comes through with somber clarity in the film's eloquent coda, which almost makes up for the silliness that precedes it.

And yet, in a kind of coda, the film ends with Francine, her hair now cropped into an au courant bob, singing on stage in a club.

The film ends with a syrupy coda that betrays its earlier subtlety.

Yet the screenplay has the unmitigated gall to tack on an inspiring coda at the eleventh hour that retrofits this dirty adult comedy with an uplifting moral.

If now not, it may well be any other play on a vintage end - credits scene just like the filmmakers did with the primary Deadpool film, recreating the end - credits coda from Ferris Bueller's Day Off.

«When we had come up with the time - travel coda, there were a lot of things thrown on the table.

There are numerous Spielberg films which need to end before the end — usually suffixed with a grimly saccharine coda as a way to retain his image of cinema's big pop fun.

As if admitting defeat, he ends the movie with a tacked - on meltdown, which is augmented with an even more tacked - on «surreal» coda — a fittingly tone - deaf, arbitrary ending to an inconsequential movie.

Shyamalan, if we follow the auteur theory as closely as he claims to, hates his fellow man enough so that a coda revealing a blessed pregnancy is framed in such a way as to suggest that mankind is spelling its own doom with this urge to procreate.

At the end of the process there is of course the Big Contest where moral victories are won, if not actual ones, and there is the eleventh - hour crisis solved by an inspirational coming together (most often demonstrated in mass desk - standing), all capped by a heartfelt coda that shows a new direction for our rumpled hero and the little moppets who had the foresight to trust him with their lives and futures.

This is somewhat true of Damien Chazelle's La La Land, with its CinemaScope aspect ratio (complete with Tarantino - like title card), lush and dreamy 35 mm colors, visual nods to Singin» In The Rain, and a coda that recalls The Umbrellas Of Cherbourg.

Loyal to a fault, «Unbroken» also can't resist the urge to pile on with a Louis Zamperini coda that tells us the hero bravely decided to forgive his captors, set to a milquetoast - y Coldplay song.

Like Highsmith's remarkable novel (the rare lesbian love story of its time with an optimistic coda), it neither unduly ennobles its key characters nor confines them to butch / femme sexual archetypes.

A heartbreaking coda is earned through sterling character work throughout, with some top comic assists care of Sally Hawkins as the inquisitive Mrs Brown, and Hugh Bonneville as bumbling oaf Mr Brown.

Côté's power as a filmmaker is evident in the film's brief coda, a fantasy sequence that doesn't exactly fit in with the film (for all its strangeness, everything still operates within reality) yet flows perfectly with everything that came before it.

Thankfully, the Russos take their time with the film's coda, one that might feel overlong in a perfect movie but feels vital following 30 minutes of breathless, brainless action.

It's a mostly satisfying coda, with nostalgic 360 return to the old stomping grounds — Diagon Alley, Gringotts Wizarding Bank and Hogwarts School of Witchcraft and Wizardry.

Commercially speaking, this probably doesn't matter: The Disaster Artist's target audience are people who have already semi-memorized The Room and who will appreciate Franco's studious recreations of scenes from the film, as well as the lengthy clip reel coda that plays his recreated scenes side - by - side with the originals to further demonstrate their studiousness.

Instead of being content with its position as the funniest movie I can remember seeing, Superbad has to go and turn in a loony coda, taking all kinds of shortcuts with character development, just so it can have its sentimental, significant ending.

The coda that gets into things with Jeff's wife and kid feel like something of a letdown after the excitement of the flick's real climax.

And although the now legendary (and thoroughly needless) coda ensures that the whole thing ends with a whimper rather than a bang, Psycho's negative attributes are handily outweighed by its positives and it's certainly not difficult to see why the movie still endures more than 50 years after its original release.

Just to top off the paternalistic righteousness jug, they also import more pathos into Ramón's apparently insufficiently pitiable plight, as do an Alzheimer's - afflicted father (Joan Dalmau), a simpleton nephew (Tamar Novas, playing a pastiche of several characters as the, sniff, son Ramón never had), and a degenerative disease for Julia (Cerebral Autosomal Dominant Arteriopathy with Sub-cortical Infarcts and Leukoencephalopathy), thus allowing her to have a tear - jerking coda of her very own.

While the heist itself is great fun and executed with the elan and meticulous precision we'd expect from this director, it's the small, wrap - up coda at the end which leaves you walking on air.

And the coda, with Wick leaving Central Park in a hurry, can easily be read as an allegory for the expulsion from the Garden of Eden, meaning our hero has a lot to answer for.

Even if it's unlikely that Martin Scorsese — a big Jia fan — actually lifted the coda for The Wolf of Wall Street from A Touch of Sin's final scene, the two sequences are similar enough that they suggest an epic double bill: two morbid millennial visions with moments so hopeless that you're not sure whether to laugh or gag.

Directed with a breezy naturalism on the streets of Paris, there's a fragile, sad beauty the drama as Chabrol holds out hope for these dreamers in a delicately melancholy coda.

It plugs bears and moose into a formula already plumbed Disney - style with lions and meerkats (and once before again with Earth Children stereotypes of Native Americans), boiling an entire culture and mythology down to an insultingly reductive pastiche and taking swipes at women along the way to telling one of the most inapplicable codas in the history of fable: «The story of a boy who became a man by becoming a bear.»

I wasn't expecting a last - minute twist of the sort that he painted himself into a corner with years ago, but in fact the film concludes with something decidedly odder — a throwaway coda in which a former Shyamalan star ruefully turns up to acknowledge an allusion to one of MNS's earlier movies.

In concert with the Britten numbers woven throughout the soundtrack, the film offers itself up as a children's fugue, where the opening exposition is beautifully developed and tenderly recapitulated in the director's most mature coda to date.

The movie ends, over two hours later, with almost the same exact sequence of shots, in a visual coda redolent of futility.

You'll be asked to convince a god - fearing community not to go ahead with a dangerous ritual, witness a thorny love triangle, and defend a city against an army of automatons (with a surprisingly moving coda).

That's a mere coda, though, to the film's climactic half - hour, when Berg pours on the adrenaline with cool shootouts, last - minute rescues and the cornering of the evil genius.

They blunted the impact of «Hamilton» with a wholly unnecessary coda.