Sentences with phrase «with helter»

With Helter Skelter I, Mark Bradford puts forward a statement of heroic ambition that takes the detritus found on the streets of Los Angeles to subtly reflect on the history, social structures and lived experiences of the artist's urban environment.

The most punishing aspect of «Cutthroat Island» is that it just wears down the viewer with a helter - skelter, needlessly overblown quality.

Not exact matches

A keeper needs to be reassuring, calm when calm is needed, everything with Ospina is a bit helter skelter.

Even now, running helter - skelter with no visible means of protection from the onslaught of offers from movies, television, records, jigsaw puzzles, animal food, countless other commercial interests and the pack of agentry ten - percenters who latch onto instant celebrities like ticks on a hound, Riggs is a wonder to observe.

«Competing at a high level in an individual sport is extremely tough,» says Sandra Haynie, the LPGA Hall of Fame golfer who shared a house in Dallas with Martina from 1976 to 1978 and who is often credited with having been the first stablizing influence in her young friend's then helter - skelter life.

The Arsenals will 1st scattered the Swans to disorganized them and then use them as their range as the fly helter - shelter and then pick their targets among the lots of the flying Swans and downed 3 of them that includes, Swan - Lukasz Fabianski, Swan - Ashley Williams, Swan - Andre Ayew who the Gunners will bring along with them as their spoils as they returned to the Emirates Stadium.

Curry (one first, two seconds, four thirds) Prodigious scoring was expected of Curry in coach Don Nelson's helter - skelter offense, and he has delivered: Curry leads all rookies with seven 30 - point games.

Powell defeated 2013 world champion Kyong Sol on her way to the podium spots while earlier in the competition Nekoda Davis took bronze in the -57 kg category after a helter - skelter bout with Tina Zeltner.

It will be a real Helter Skelter of an afternoon for us Day Trippers but I guess we can Carry That Weight of expectations with us.

It was helter - skelter stuff, with both teams shaking at the back.

In an interview with the New York Times, Bharara called his firing months after Trump told him he could stay on the job «a direct example of the kind of uncertain helter - skelter incompetence, when it comes to personnel decisions and executive actions, that was in people's minds when this out - of - the - blue call for everyone's resignation letter came.»

The black bullet - proof sport utility Mercedes Benz that chauffeured Aregbesola to the occasion was riddled with bullet marks even as ACN supporters ran helter - skelter during the violence.

Just in keeping with up - to - the - minute cutout helter - skelter happening in fashion space, some of the fall 2017 gloves are cutout, half - done and finger - open.

Therefore, if we trace this odd helter - skelter of what classifies as cool and uncool to its logical conclusion, we are left with the warming realisation that, actually, the coolest people of all are those society would dub as nerds — the ones who like what they like and couldn't care less what the rest of us have to say about it.

Anyway, while the acting categories are in a sense sealed with a kiss, the Best Picture race is delightfully helter skelter.

One problem with the movie is that it is episodic — it jumps around helter - skelter and changes villains.

I saw the article about Oliver Stone & Vincent Bugliosi doing a «Helter Skelter» remake, but discovered that it isn't true — according to Stone's production company, Ixtlan Corporation and Creative Artists Agency, Stone's agent; and Vince's wife (I've spoken with the Bugliosis several times over the phone for the past few years).

Going head to head with one of the greatest horror films of all time is bound to end in bad blood, but while this reimagined «The Texas Chainsaw Massacre» is no real match for the original, it has just enough mad mayhem and hysterical helter - skelter to satisfy most horror - fiends - and a film about a terrifying family of mad Texans wielding ruthlessly lethal power from a big white house has never seemed more pointedly political.

Customer Favorites Ready Player One by Ernest Cline (narrated by Wil Wheaton) The Night Circus by Erin Morgenstern (narrated by Jim Dale) The Fiery Cross by Diana Gabaldon (narrated by Davina Porter) Relic: Pendergast, Book 1 by Douglas Preston (narrated by David Colacci) How to Flirt with a Naked Werewolf by Molly Harper (narrated by Amanda Ronconi) Helter Skelter: the True Story of the Manson Murders by Vincent Bugliosi with Curt Gentry (narrated by Scott Brick) The Wise man's Fear: Kingkiller Chronicles, Day 2 by Patrick Rothfuss (narrated by Nick Podehl) A Discovery of Witches by Deborah Harkness (narrated by Jennifer Ikeda)

Update (February 2014): Vertical continues its support of the genre with two books by Kyoko Okazaki, Pink and Helter Skelter.

Border Collies and Children: Border collies do not do well with small screaming children running about helter skelter.

«We knew we had similar interests in family, architecture, low - culture objects, and this thing of costumes and pretend,» says McCarthy, who along with Kelley was a breakout star of MOCA's seminal 1992 survey «Helter Skelter: L.A. Art in the 1990s.»

I learned later that a lot of the artists in the Helter Skelter show were teaching in Schools out here, and after finishing my undergraduate degree I moved here to study with some of them.

Most Notable Exhibition: Schimmel set the bar high with «Helter Skelter: L.A. Art in the 1990s» (1992), his first exhibition as chief curator at the Los Angeles Museum of Contemporary Art, which sought to upset stereotypes about West Coast art and challenge the assumed superiority of the New York art scene.

Exemplifying Bradford's «social abstraction,» Helter Skelter I is a masterpiece that references a chilling period in Los Angeles history — cult leader Charles Manson's malevolent obsession with inciting a race war in the late 1960s, which he called «Helter Skelter,»» Joanne Heyler, founding director and chief curator of The Broad, said in a statement.

«DIRTY DATA,» Sammlung Schurmann, Ludwig Forum fur internationale Kunst, Aachen, Germany, June 18 — August 16, 1992; catalogue «Helter Skelter,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, January 26 — April 26, 1992; catalogue 1989 «Buttinsky,» Feature Gallery, New York, NY «Amerikarms,» Hallwalls, Buffalo, NY «Art as Religion,» Richard / Bennett Gallery, Los Angeles, CA «Problems with Reading / Rereading,» Rhona Hollman Gallery, Chicago, IL; curated by Jeanne Dunning and Hirsch Perlman «Office Party,» Feature Gallery, New York, NY 1988 «LACA Boys,» Feature Gallery, Chicago, IL «Near Miss,» Feature Gallery, Chicago, IL «Cartoon — Like,» MoMing Art Gallery, Chicago, IL; curated by Jeanne Dunning 1987 «Head Sex,» Feature Gallery, Chicago, IL «The Art of Politics,» Richard / Bennett Gallery, Los Angeles, June 5 - July 3.

-LSB-... Nancy] Spero's work, along with Mark Bradford's «Helter Skelter & Helter Skelter II» (2007), can be considered not merely the finest in the show but quite possibly the best contemporary art on view anywhere in New York.

Born in San Antonio in 1972, Curry started as a painter at the School of the Art Institute of Chicago and then «inspired by the exhibition «Helter Skelter: LA Art in the 1990s» at the Museum of Contemporary Art, Los Angeles «moved to the West Coast to study with Jim Shaw, Mike Kelley, Liz Larner, and John Baldessari.

Always popular, it has included works by artists including Ai Weiwei, who filled the space with ceramic sunflower seeds, Carsten Höller, who had a helter skelter, and Olafur Eliasson, who brought the weather indoors.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Unfolding in front of us with the energetic rhythms and swirling colours reminiscent of Jackson Pollock's drip paintings such as Blue Poles, 1952, and confronting us with the gravitas of Clyfford Still's jagged edges and electrifying flashes of colour, Helter Skelter I demonstrates how Bradford harnesses the potential of abstraction for his own agenda.

Bradford created Helter Skelter I in tandem with its companion piece Helter Skelter II specifically for the New Museum's thematic group exhibition Collage: The Unmonumental Picture that opened in January 2008 in New York, bringing together 11 artists to explore «the formal and ideological power of juxtaposing found images».

While Bradford evokes his loaded subject matter with his characteristically direct and literal title, Helter Skelter I presents the viewer with an abstract composition that does not seem to directly correlate visually, other than its resemblance to the urban sprawl and vastness of Los Angeles.

While «helter - skelter» is generally synonymous with disorder or confusion, and in British English recalls an amusement park slide famously eternalised in The Beatles» eponymous song, it here evokes a particularly harrowing episode in Los Angeles» history.

The shockwaves that reverberated through America have come into focus again with Manson's recent death, making Helter Skelter I a timely piece that addresses the persistent issues of race, crime and celebrity culture that continue to structure urban America.

That was the year when Schimmel's «Helter Skelter» exhibition ran at MOCA, featuring over-the-top — and sometimes gross - out — installations by artists such as Paul McCarthy and Richard Jackson, both of whom went on to work with Hauser & Wirth.

Paul Schimmel at home with the Christopher Wool drawing that inspired the title of his seminal 1992 exhibition Helter Skelter: L.A. Art in the 1990s.

This sensibility produced works such as Self - Portrait (2001), inspired by Louise Bourgeois's towers at Tate Modern (2000) and Tatlin's model for the Monument to the Third International (1919 - 20), in a metaphor of her up - and - down life with an autobiographical helter - skelter.

I am sure we have all had that moment when we run helter - skelter in search of a power outlet or a friend with a power bank.