Sentences with phrase «with hundreds of film»

Not exact matches

Shah Rukh Khan is a certifiable Bollywood superstar, with over 80 films and hundreds of millions of fans to his name.

The path she takes meanders alongside a stream and over train tracks, not far from where hundreds of people converge during the company's summer «bike - in movie» events, gathering on the lawn to enjoy films paired with fine beers — like New Belgium's flagship Fat Tire Amber Ale, the organic wheat offering Mothership Wit and La Folie, a sour ale aged in the large French oak barrels that loom behind the bottling site.

To film the Bible series, they set off for the southern tip of Morocco in Africa with a similar - size crew and hundreds of extras.

The organization has translated the film into hundreds of languages and has screened it in some of the most remote locations on earth in with their missions work.

This is observed in the increasing legitimacy of «media» as a singular noun, which conjures up the image of a television supermarket, with hundreds, thousands, millions of screens all showing the same picture at once, with legions of speakers playing the same rock music, all promoting a film showing in hundreds of thousands of small identical theaters worldwide on the same day.

A 3 am finish in a student nightclub, hundreds of photos with hundreds of drunken undergraduates, and now a film crew to share your breakfast with: it's just another 24 hours in the baffling and yet rather brilliant life of Deidre Kelly, the latest in a long line of reality television stars who find their lives turned upside down.

Silvercup Studios expanding with a new Bronx film and television production facility; $ 35M project brings hundreds of well - paying jobs To meet the growing needs of New York's booming film and television production industry, Silvercup -LSB-...]

Loach stated: «Thank you to the academy for endorsing the truths of what the film says, which hundreds and thousands of people in this country know, the most vulnerable and poorest are treated by the Government with a callous brutality that is disgraceful, a brutality that extends to keeping out refugee children we promised to help and that's a disgrace too.»

Stepping out in London for a screening of her new film, The Hundred Foot Journey, the actress is the epitome of glam in a Suzannah pleated floral - print silk midi, accessorized with a black belt and some seriously well - coordinated accessories (her jewels, pumps and clutch all have onyx accents).

Also here is Guinevere's dress from Camelot, a film which I never thought I'd want to see again till now I've seen a close - up of the most interesting wedding dress ever, made by hundreds of skilled cutters, embroiderers and seamstresses and sewn in with thousands of tiny, translucent shells and pumpkin seeds.

But as hundreds of films are produced each year, directors need to grow clever with how they tell a new story.

A peppery gentleman with steel - rimmed glasses and an executive air, Vogan appeared in hundreds of films in a variety of small «take charge» roles.

Malkovich met with near - universal critical praise and garnered an Academy Award nomination for the neophyte feature director — as well as supporting actress Catherine Keener and writer Charlie Kaufman — though Stipe and the film itself were passed over for a Best Picture nod.Despite Single Cell's increasing prominence in the industry, Stipe continued to support C - Hundred for smaller - budgeted niche features such as writer - director Tom Gilroy's Spring Forward and McKay's coming - of - age drama Our Song, both of which were featured at the 2000 Sundance Film Festival.

Mary Field is the actress who played Huntz Hall's sister in the 1941 Universal serial Sea Raiders; the spinsterish sponsor of Danny Kaye's doctoral thesis in A Song of Born (1947); the nice lady standing in Macy's «Santa Claus» line with the little Dutch girl in Miracle on 34th Street (1947); the long - suffering music teacher in Cheaper by the Dozen (1950); and Harold Peary's bespectacled vis - a-vis in The Great Gildersleeve (1942)-- to name just four films among hundreds.

Donald Sutherland is one of the most respected, prolific and versatile of motion picture actors, with an astonishing resume of well over one hundred and fifty films, including such classics as Robert Aldrich's The Dirty Dozen; Robert Altman's M * A * S * H; John Schlesinger's The Day of the Locust; Robert Redford's Ordinary People; Bernardo Bertolucci's 1900; Philip Kaufman's Invasion of the Body Snatchers; Nicolas Roeg's Don't Look Now with Julie Christie; Alan Pakula's Klute with Jane Fonda; Federico Fellini's Fellini's Casanova and in Brian Hutton» sKelly's Heroes with Clint Eastwood, who later directed him in Space Cowboys.

Iannotta doesn't have a feature film to his name yet, but he's got a credit that isn't just handed to any man or woman with a movie camera — his documentary short, My Big Red Purse, was selected to play at last month's South by Southwest Film Festival, beating out hundreds of competitors in the process.

If anything, the tiny - budgeted film (though not that poor considering the filmmakers licensed a David Bowie song) is a sizzle reel for Josh Trank who shows he can do on a fraction of the budget what many directors in Hollywood can't do with hundreds of millions.

These more - for - more genre epics try to fill every corner with hundreds of creatures (this film contains over 600 various alien monsters) to the point where is stupefies whatever plot they are selling.

With a little over three weeks to go until Christopher Nolan's Dunkirk arrives in cinemas, a new poster has arrived online for the hotly - anticipated World War II epic featuring Fionn Whitehead; take a look below... SEE ALSO: Dunkirk will be Christopher Nolan's shortest film since Following «Dunkirk opens as hundreds of thousands of British and -LSB-...]

With nearly two hundreds episodes to its credit, dozens of classic lines and memorable moments, and some perfectly roasted films, Wright on Film presents its Top Ten Favorite Moments from Mystery Science Theater 3000.

In addition to directing, Spielberg will produce the film with Marc Platt (Into the Woods, Drive) and Kristie Macosko Krieger (Lincoln), with Adam Somner (The Wolf of Wall Street), Daniel Lupi (Her), Jeff Skoll (The Hundred - Foot Journey) and Jonathan King (Cesar Chavez) serving as executive producers.

With food films all the rage (not to mention TV shows), it seems a fitting time to adapt Richard C. Morais's novel from 2010, The Hundred - Foot Journey, to the big screen, thanks to the help of executive producers Oprah Winfrey and Steven Spielberg.

So, as the film unfolds, we are greeted with the spectacle of the mass hanging of hundreds of convicts condemned to the gallows.

While the majority of Irish films of recent years have been photographed beautifully, it is my view that, with a few notable exceptions (One Hundred Mornings and Garage leap to mind), they have suffered from undeveloped scripts.

The 2013 Sundance Film Festival is just around the corner, with hundreds of independent films and their filmmakers setting up shop in Park City, Utah.

But Marvel, like most major studios with hundreds of millions of dollars on the line, is not known for calling an audible just prior to production of arguably the most massive tentpole film in their roster, any more than it's going to green - light a Black Widow film until well after Jennifer Lawrence has made one of her own.

With some 10,000 entries, including hundreds of titles we never covered in our annual guide, this is the perfect companion for anyone who watches TCM or dotes on silent films, European classics, and the golden age of Hollywood.

Those characters then do the same things they did in the other films, confirming the suspicion that this film could have been written by a computer programmed with the plots of the last hundred disaster flicks to make the screen.

With close to 80 characters (plus CG characters numbering in the tens, if not hundreds, of thousands), multiple diverging / converging storylines, and an 18 - film franchise to service, Avengers: Infinity War has a tremendous amount of ground to cover, both literally and figuratively, from New York, Scotland, and Wakanda on Earth, to parts known and unknown in the deepest reaches of space, not to mention putting our favorite and not - so - favorite superheroes through one ringer after another.

From his attention - grabbing debut with «Reservoir Dogs» (1992), a deviously clever heist film where the heist is never seen and the drama is all in the conversation and the ingenious structure, to his acclaimed «Inglourious Basterds» (2009), his thrilling rewrite of World War II history as a magnificent movie fantasy, Tarantino has gone his own way, snatching up ideas strewn through decades of film history and hundreds of genre movies like a magpie, rethinking them completely, and weaving them into entirely new stories that unfold at a leisurely pace so he can enjoy every word and gesture along the journey.

When covering film festivals in the press, most reports are about the many films (with hundreds of reviews published daily) or the celebrities on the red carpet or the business deals being made in the market.

With its steady stream of butt gags and CGI viscera spliced in between self - commentary and several hundred in - jokes, no film has been as unforgiving to latecomers since Alfred Hitchcock locked tardy Psycho ticket holders out of theaters when the opening credits rolled.

With unprecedented access to hundreds of hours of Marlon Brando's personal audio recordings and film footage, for director Stevan Riley to cull this mess into a coherent whole would seem like a nearly impossible task.

Told thru fresh, candid interviews with its key staff, and illustrated with hundreds of outrageous images from the mag itself (along with never - seen interview footage from the magazine's prime), the film gives fans of the Lampoon a unique inside look at what made the magazine tick, who were its key players, and why it was so outrageously successful: a magazine that dared to think what no one was thinking, but wished they had.

With over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the fWith over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the fwith superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the film.

There's no better time of year for fans of classic cinema, no better place to watch classic films than movie palaces like the Chinese and Egyptian Theatres in the heart of Hollywood, and no better audiences to watch films with hundreds of people who love the classics as much as you do.

Henry V reignited the Hundred Years War with France, but this film will explore his early days and inner conflict with being thrust into power after his brother is killed in battle (the real Henry V succeeded his father as king of England).

She was the first black woman to win Best Director at the Sundance Film Festival (Middle of Nowhere, 2012), the first black woman to direct a film receiving an Oscar nod for Best Picture (Selma, 2014), and in 2018, the first black woman to direct a studio film budgeted over a hundred million with A Wrinkle in Time, an adaptation of Madeline L'Engle's 1963 Newbery Medal winning sci - fi fantasy novel.

The streaming giant has made waves with documentary series like Making a Murderer, been Oscar - nominated for riveting films like 13th and Virunga, and compiled hundreds and hundreds of the most obscure, emotional, and bizarre documentaries available in the world.

Featuring never - before - seen Coltrane family home movies, footage of John Coltrane and band in the studio — discovered in a California garage during production of this film — along with hundreds of never - before - seen photographs and rare television appearances from around the world, Coltrane's story is told by the musicians that worked with him including Sonny Rollins, McCoy Tyner, Benny Golson, Jimmy Heath, Reggie Workman, musicians that have been inspired by his fearless artistry and creative vision like Common, John Densmore, Wynton Marsalis, Carlos Santana, Wayne Shorter, Kamasi Washington, along with Coltrane's children and biographers, in addition to well - known admirers such as President Bill Clinton and philosopher Dr. Cornel West.

Directed by Simon Curtis (My Week with Marilyn) and lensed by Ben Smithard (Belle), the film is soaked in golden country light — all of which is consumed by Will Tilston's dimples — and the Ashdown Forest, inspiration for Pooh's Hundred Acre Wood, is photographed with loving fanaticism.

Brizé has made the sort of film that wins plaudits for preferring the «modest detail» to the «grand gesture,» to borrow from one trade paper review — a formula, replete with its quiet reverence of that «modest detail» that I've seen repeated at least several hundred thousand times since I first started making a practice of reading film criticism.

The Festival also has working partnerships with hundreds of local and area organizations (cultural, social service, health, film / video, etc.) to present our year - round programs.

Roadside and Lionsgate have teamed on a number of films with well known casts, opening in a few hundred theaters.

Americans who are familiar with the Euro - centric history of forefathers establishing civilization hundreds of years ago may find the opening sequences of the film interesting, because they are from the perspective of the Native Americans.

The events on each coast feature highly - themed, disturbingly real, haunted mazes based on everything from film to nightmares — and streets filled with hundreds of specially trained «scareactors.»

Opening with one of film history's most wooden leading men, Paul Walker, and «nice Jewish boy» comic relief Jason Biggs sitting in a hundred - degree steam room before running out into a 30 - below autumn day in Antarctica, Eight Below immediately teaches us that human beings heated to a toasty 110 degrees do not steam when exposed to sub-zero temperatures and, more, that if you should ever visit the South Pole, your breath will never, ever show.

With literally hundreds of films still to open, you can look like a fool if December rolls around and everyone's pretty much forgotten it.

But once I had the chance to see it with hundreds of people all screaming and going wild, I came to the realization that this is just not a good film to watch without a crazy crowd.

It was actually quite encouraging to experience the film with hundreds of people and watch just how well it worked the room, drawing laughs at all the right spots.