Not exact matches
He remained a seducer, but now one to whom
women were naturally
drawn; and his desire for
women, which had formerly been simple animal appetite, now took on the
character of heroic «striving,» an insatiable longing for the perfection of love or deification of the passions.
The supporting
characters are usually an afterthought, but in Black Panther, they are so well
drawn that they seem every bit as interesting, perhaps even more so, than the main protagonist himself, who is either mostly masked or obvious CG during his battle sequences, whereas we are always aware as the
women fight, with full acting and facial expressions to root us into their fight in the moment.
American Violet deals in strongly
drawn, elemental
characters, in particular a
woman who fights for her rights.
And while Evans is dependably warm and supportive (as well as a refreshing representation of a man professing the need for men and boys to learn how to respect
women and the art of submission), Robinson's film
draws considerable strength from Hall and Heathcoate, who dance a sometimes - impossible duet of presenting
characters with authentic romantic trajectories and maintaining a fount of chemistry to boot.
A
character draws a picture of a
woman with naked breasts.
Though she's dated only
women for the last 16 years, Pegeen swiftly seduces Axler; their subsequent relationship
draws several other
characters out of the woodwork, including her infuriated parents (Dan Hedaya and Dianne Wiest, both very funny), her distraught transgender ex (Billy Porter), and an infatuated college dean (Kyra Sedgwick), who warns Axler that the young
woman will «take you apart like a Christmas toy.»
She's a stranger in a strange land, and repeatedly throughout the movie, the only
woman in the room; Emily Blunt's slender physique
draws an almost immediate contrast with the bulky destructive men around her, as her
character is not only lonely but consistently kept out of the loop as to what the real mission may be.
But instead of moving rapidly to an orgy of shooting and stabbing, the film takes a different direction when Wong's
character is
drawn to a young
woman.
At around 75 minutes, Tadpole isn't quite meaty enough to be completely memorable, but it is still an interesting film to watch, and even if the
character of Oscar is
drawn out of fantasyland, his observations on life and
women make for some witty moments.
A portmanteau made up of three tales linked by geography and the inner lives of several female
characters, Certain
Women feels almost like a summary of director Kelly Reichardt's work so far,
drawing in the sweeping Midwestern landscapes of Meek's Cutoff, the aching loneliness of Wendy and Lucy and the shaggy - bearded, searching men of Old Joy.
Just in case you didn't pick up on the parallels between Wonder
Woman's secret identity and the secret life her creator William Moulton Marston (Luke Evans) lived with his wife Elizabeth (Rebecca Hall) and their lover Olive (Bella Heathcote), the newest trailer for Annapurna's upcoming biopic about the unconventional trio, Professor Marston And The Wonder
Women, lays the theme on thicker than the rope around Diana Prince's neck in one of Moulton's bondage - inspired
drawings of the
character.
While others were enthralled with her well -
drawn characters: I loved Mary, her mom and dad, and Bets, a white
woman in Virginia who risks everything for the abolishment of an institution she finds unjust.
But in the deep compassion with which she
draws her myriad
characters, her stories» tightly observed details, and her use of a ruthless telescope to magnify the failures and yearnings of all her men and
women, I believe this collection is better pronounced a love letter to humankind.
What's weird is how the game depicts the way in which members of the audience are
drawn toward the film; adult males correspond to the dark blue stars on an actor's card that represent his or her dramatic acting skills, while
women are
drawn in by the red stars that correspond to
character acting, and children are lured by comedic acting displayed as green stars.
After years of being told that female
characters don't sell games or are too time - consuming to
draw, E3 2015 provided a heartening influx of
women in leading roles.
In Picasso and Fredericks of Hollywood (1990), a group of disparate
characters including an abstracted female borrowed from Picasso, a Fredericks of Hollywood lingerie model, a figure
drawing by an insane
woman, and a Mexican
woman giving birth in the presence of the devil, are repeated in different colors and opacities creating a sexually - charged narrative.
Gonzalez - Foerster's Chambre (l'inhumaine)(Room [The Inhuman
Woman], 2016) elaborates the idea of a fictional
character, creating an imaginary boudoir for silent movie star Georgette Leblanc, all plush carpet, fur bedspreads and
drawn curtains, the clock stopped perpetually at a minute before ten.
Joffe's
women vacillate between the realms of reality and fiction, at times appearing to be portraits of friends and at other times appearing to be
characters drawn from the artist's imagination.
Drawing from everyday events and
characters, he tells stories of pathetic men (often modeled after himself), randy old men chasing exceptionally voluptuous
women, and other odd
characters including gurus, seers and talking animals.
The new works in Laurie Simmons: How We See
draw upon the «Doll Girls» subculture,
women who alter themselves to look like Barbie, baby dolls, and Japanese Anime
characters through make - up, dress, and even cosmetic surgery.
In his artistic practice, he used such diverse languages as sculpture,
drawing, writing, collage, assemblage, installation, and video, integrating themes that reveal his
character as a researcher and activist: the aesthetic investigation of language; the questioning of the Western world, power, and the rules that dictate the values of religion, art, justice, and the state; the reverence for
women and eroticism; and the depiction of violence.