National Museum of
Women in the Arts Acquires Two Works by Mildred Thompson, the Late Artist Known for Her Energetic Abstractions
She returned to Baltimore in 2008 to refocus on her practice, and her work began to gain national attention in 2011 when the National Museum of
Women in the Arts acquired one of her paintings.
Not exact matches
Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly
acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of
Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupin
Art by
Women, groupings of work by artists held
in depth such as Louise Bourgeois and Nan Goldin, and thematic and
art - historical groupin
art - historical groupings.
The work of men chosen for the Biennial was
acquired by the museum twice as often as the work of
women chosen for the Biennial; More than 70 % of the acquisitions of
art by
women in the Biennials up until then had taken place
in the 1970's; The museum already owned works by 12 of the 43 artists
in the 1987 Biennial show; Between 1982 - 1987 there had been only one solo show of a
woman artist at The Whitney.
GoMA has been researching and
acquiring documentary media by influential female artists since 2007, increasing the representation of
women working
in this field within the city's collection and highlighting the contribution of female artists to contemporary
art practice overall.
A pioneer
in the male - dominated field of photorealism,
in 1966 Flack was the first photorealist to have work
acquired by MoMA and one of the first
women to be included — along with Mary Cassatt —
in the seminal
art history textbook, H.W. Janson's «History of Art.&raq
art history textbook, H.W. Janson's «History of
Art.&raq
Art.»
2016 Impermanencia, Bienal de Cuenca, Cuenca, Ecuador Busan Biennale, Busan, Korea Decade by Decade:
Art Acquired in Its Time, Weatherspoon Museum of
Art, University of North Carolina, Greensboro, NC Modern Heroics, Newark Museum, Newark, NJ Half the World: Abstract Sculpture by
Women, 1947 - 2016, Curated by Paul Schimmel and Jenni Sorkin, Hauser, Wirth & Schimmel, Los Angeles, CA 30 Americans, Cincinnati
Art Museum, Cincinnati, OH
«Only about a quarter of the work
acquired by the government
art collection
in recent years is by
women», said Brennan.
In 2013, she had a solo exhibition at the Reginald F. Lewis Museum in Baltimore, and the National Museum of Women in the Arts recently acquired one of her portraits, «They Call Me Redbone but I'd Rather Be Strawberry Shortcake» (209
In 2013, she had a solo exhibition at the Reginald F. Lewis Museum
in Baltimore, and the National Museum of Women in the Arts recently acquired one of her portraits, «They Call Me Redbone but I'd Rather Be Strawberry Shortcake» (209
in Baltimore, and the National Museum of
Women in the Arts recently acquired one of her portraits, «They Call Me Redbone but I'd Rather Be Strawberry Shortcake» (209
in the
Arts recently
acquired one of her portraits, «They Call Me Redbone but I'd Rather Be Strawberry Shortcake» (209).
Nancy Holt's Sun Tunnels (1973 — 1976), four hollow concrete cylinders situated
in Utah's Great Basin desert, has been
acquired by the Dia
Art Foundation — its first such work by a
woman.
As one of the highest - ranking
women in the auction world, admiring and
acquiring art informs Westphal's work as chairman of Phillips.
Parsons» work has been
acquired by major museums including The Whitney Museum of American
Art, New York, The Smithsonian American
Art Museum, Washington, DC; The Museum of Modern
Art, New York, The Carnegie Museum of
Art, Pittsburgh, PA and The National Museum of
Women in the
Arts, Washington, DC.
Through this simple gesture she investigates the roles which
women have lost or
acquired in contemporary societies, and also questions the border between intellectual and manual work, between
art and craft.
In May, it will unveil Dorothea Rockburne's mathematically driven, room - encompassing installations from the late 1960s and early»70s as well as four recently acquired works by Mary Corse, a pioneer of light - based art in the 1960s and one of the only women associated with California's Light and Space movemen
In May, it will unveil Dorothea Rockburne's mathematically driven, room - encompassing installations from the late 1960s and early»70s as well as four recently
acquired works by Mary Corse, a pioneer of light - based
art in the 1960s and one of the only women associated with California's Light and Space movemen
in the 1960s and one of the only
women associated with California's Light and Space movement.
Her work has been widely exhibited, and her series «
Women of Gaza» was
acquired by the Boston Museum of Fine
Art in 2013.
In the New York Times of October 17, 1980, Hilton Kramer maligned Judy Chicago's The Dinner Party, 1974 — 79 — an installation of thirty - nine place settings for historically significant and mythical women — as «art so mired in the pieties of a political cause that it quite fails to acquire any independent artistic life of its own.&raqu
In the New York Times of October 17, 1980, Hilton Kramer maligned Judy Chicago's The Dinner Party, 1974 — 79 — an installation of thirty - nine place settings for historically significant and mythical
women — as «
art so mired
in the pieties of a political cause that it quite fails to acquire any independent artistic life of its own.&raqu
in the pieties of a political cause that it quite fails to
acquire any independent artistic life of its own.»
Any funds raised
in excess of the costs of the exhibition will be used to
acquire art by British
women artists to donate to the Museum to raise the global profile of
art by British
women.
It conceptually brings together the history of
art and Swiss civil history: the arrival of this new medium
in Switzerland
in the 70s coincided with
women acquiring the right to vote, which was introduced on a federal level
in February 1971.
«
Acquiring and exhibiting this work speaks to our mission and collection on many levels: through our support of the Artpace International Artist -
in - Residence program, through continuing Linda's practice of sustaining the work of artists — especially
women artists, and through our espousal of contemporary
art that is challenging
in both form and substance.
GoMA has been researching and
acquiring documentary media by influential female artists, increasing the representation of
women working
in this field within the city's collection and highlighting the contribution of female artists to contemporary
art practice overall.
The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK, Rineke Dijkstra's four - channel video installation created
in 2009 is a substantial addition to NGA's collection of media
arts, and augments the Gallery's recently
acquired I See a
Woman Crying (Weeping
Woman), 2009, a three - channel video by Dijkstra.
Stevens's work has been
acquired by major museums, including the Brooklyn Museum, NY; deCordova Sculpture Park and Museum, Lincoln, MA; Metropolitan Museum of
Art, NY; Minneapolis Institute of Fine
Arts, MO; Museum of Contemporary
Art, Los Angeles, CA; Museum of Fine
Arts, Boston, MA; Museum of Modern
Art, NY; National Museum of
Women in the
Arts, Washington, DC; New Museum of Contemporary
Art, NY; San Francisco Museum of Modern
Art, CA; and the Whitney Museum of American
Art, NY.
Last year, the Whitney Museum of American
Art acquired the group's portfolio of 88 posters and ephemera from 1985 to 2012, documenting the number of
women and minorities represented
in galleries and institutions, including the Whitney itself.
When she headed to Bard to study studio
art as an undergraduate, she started manipulating magazine cut - outs and pop culture imagery, reworking stills from music videos like 2Pac's «I Get Around» so that the
women — «video hoes,»
in the unsavory industry parlance —
acquired overdue agency.