Sentences with phrase «women in the arts through»

The show serves as a genealogy of radical and feminist Latin American and Chicana art practices, and seeks to dismantle the received stereotypes of women in art through a meticulous deconstruction of a male - dominated sociolinguistic system.

Not exact matches

-- By Shaleena Chanrai, co-founder and art director of Bella Kinesis, a sportswear brand that helps fund business education for women in rural India through customer purchases.

Values For Life, (VFL - GHANA) a non-governmental organization continues to champion the development of children through the provision of various social systems and interventions to empower and improve lives of children, youth and women in society through the Arts, Culture, Tourism and Digital Innovations; and this quiz competition is one of its activities.

The researchers analysed data from 11 published studies that included 2,700 women who were undergoing ART (in vitro fertilisation (IVF), intracytoplasmic sperm injection (ICSI) and / or frozen embryo transfer) and whose vitamin D status had been checked through blood tests.

Renowned artist Laurie Anderson delivers a lament for her beloved rat terrier Lolabelle, exploring themes of love, life, death and loss in an impressionistic, deeply personal journey through one woman's life, mind and art.

An enduring champion of the motion picture arts, Audi nurtures new and established voices through its support of AFI FEST and beyond, including the Audi Fellowship for Women at the AFI Conservatory, a new full - tuition scholarship investing in the future of female directors in film and television.

Unhappy in her marriage, Sally develops a crush on her handsome art gallery owner boss, Greg (Antonio Banderas), while Roy, a novelist nervously awaiting the response to his latest manuscript, becomes moonstruck over Dia (Freida Pinto), a mystery woman who catches his gaze through a nearby window.

And they correctly saw through the advertising hype to recognize that Terrence Howard's work in «Hustle & Flow» created a nuanced and complex character, a pimp who is disillusioned by his life, determines to begin a music career, and through the experience of art, learns new respect for women, and for himself.

The arts can also be a useful gateway into careers not in the creative industries — for example, the engineering sector has shown that women are likely to find their way to engineering through studying design and technology and art and design, rather than just through mathematics or science.

This time line illuminates the ways in which hundreds of women changed America through their often - unrecognized contributions in science, education, arts, politics, and social activism, from the 1500s to the present.

In addition to being a very, well, spicy read, Collide is the intriguing story of a woman traveling through time to meet her obsession, Johnny Dellasandro, the star of»70s art films.

Thus women and their situation in the arts, as in other realms of endeavor, are not a «problem» to be viewed through the eyes of the dominant male power elite.

I am 72 years old, been through life threatening illness, been in the art business full time for 50 years, married to the same woman for 47 years... and all of it through challenges that have defeated most of my fellow artists and businessmen.

Western art history has nearly always been constructed as a narrative in which women are viewed through male eyes — as subjects and as objects.

This exhibition seeks to redress this gap in the history of American art through an exploration of Schapiro's signature femmages, the term she coined to describe her distinctive hybrid of painting and collage inspired by women's domestic arts and crafts and the feminist critique of the hierarchy of art and craft.

Tompkins is featured in WOMEN Words, Phrases, and Stories, on view at The FLAG Art Foundation through May 14, and Black Sheep Feminism: The Art of Sexual Politics, curated by Gingeras, recently on view at Dallas Contemporary.

The Norton's annual RAW exhibition was founded in 2011 through generous funding by the Leonard and Sophie Davis Fund / ML Dauray Arts Initiative to promote the work of living women artists.

Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!

Lehmann Maupin 536 W. 22nd St., [phone] Through June 13 Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.

On view at the National Museum of Women in the Arts in Washington, D.C., through Jan. 21, 2018, the show considers their work in context with each other and the larger history of abstraction.

Rather than crying victim (a tactic that has met with little sympathy in the art world, as evidenced in the plethora of negative responses to the 1993 Whitney Biennial), COMBAT ZONE empowered women through direct

The exhibition, generously funded by the NEA and the Andy Warhol Foundation, is on view through September 17, after which it travels to the National Museum of Women in the Arts in Washington, DC.

With a foreword by Valerie Steele, director of the Museum at F.I.T., and an introduction by Harold Koda, curator - in - charge of the Costume Institute at the Metropolitan Museum of Art, this beautifully designed book provides an intimate perspective on these unique and influential men and women, offering frank insight to their views on fashion and life through evocative interviews and lush photography.

«Vigée Le Brun: Woman Artist in Revolutionary France» ran at The Metropolitan Museum of Art through May 15, 2016, «City of the Soul: Rome and the Romantics» at The Morgan Library through September 11.

As survey exhibitions tend to be, the way of framing raises questions — from the implication of contextualizing women artists in Glasgow through the lens of their association with the art school, and the absence of women architects particularly given the strong associations between the school and city to architecture.

Affected by feminist ideas that were widely represented during the late 1960's, when the only few women taught in college art departments and rarely exhibit in museums and galleries, Janet Fish pierced through the male's world where people even believed in different aesthetic approach depending on the sex.

The exhibition is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Pasadena Arts & Culture Commission and the City of Pasadena Cultural Affairs Division; the Southern California Committee of the National Museum of Women in the Arts; Pasadena Art Alliance; Kim and Al Eiber; Michael Rosenfeld Gallery, LLC, New York; the California Art Company, LLC; and the Pasadena Museum of California Art's Board of Directors and Ambassador Circle.

Flora / Fauna is an exhibit of The Untitled Magazine «s Women in Art series, which will feature a wide range of contemporary female artists in a series of pop up solo exhibitions and group shows at The Untitled Space through 2015.

Nadja Romain is a key advocate of the work of Women for Women International, putting to work her impressive experience in the arts to support Women for Women International through last year's TANK Art Attack and co-chairing this year's Artists for Women for Women International event.

Women of Abstract Expressionism (at the Denver Art Museum through September 25) highlights the work of 12 women who participated in the development of not only the first American - grown modern art movement, but the movement always characterized as male - dominated... as mWomen of Abstract Expressionism (at the Denver Art Museum through September 25) highlights the work of 12 women who participated in the development of not only the first American - grown modern art movement, but the movement always characterized as male - dominated... as macArt Museum through September 25) highlights the work of 12 women who participated in the development of not only the first American - grown modern art movement, but the movement always characterized as male - dominated... as mwomen who participated in the development of not only the first American - grown modern art movement, but the movement always characterized as male - dominated... as macart movement, but the movement always characterized as male - dominated... as macho.

Baya: Woman of Algiers — on view at New York University's Grey Art Gallery, January through March — is the first solo show of Baya's art in North AmeriArt Gallery, January through March — is the first solo show of Baya's art in North Ameriart in North America.

From this corpus of 82 images, some of which appeared briefly as props in Dunye's film The Watermelon Woman (1996), Leonard created The Fae Richards Photo Archive, which she first exhibited at the 1997 Whitney Biennial and which is on view in the exhibition Outliers and American Vanguard Art at the National Gallery of Art through May 13, 2018.

The piece shown here, dated 1951 and made on Douglas Howell paper, is currently on view at Rutgers University's Zimmerli Art Museum in Innovation and Abstraction: Women Artists and Atelier 17, through May 31.

For National Women's History Month, the National Museum of Women in the Arts is challenging everyone through a social media campaign to name five women artWomen's History Month, the National Museum of Women in the Arts is challenging everyone through a social media campaign to name five women artWomen in the Arts is challenging everyone through a social media campaign to name five women artwomen artists.

2009 TIME + TEMP: Surveying the Shifting Climate of Painting in South Florida, Art and Culture Center of Hollywood, curated by Jane Hart, Hollywood, FL Inaugural Exhibition, Florida Museum for Women Artists, Deland, FL Dog Days of Summer, Bernice Steinbaum Gallery, Miami, FL Summer Show, Boca Raton Museum Of Art, FL Through the Lens: Contemporary Photography from The Permanent Collection, Jacksonville Museum of Contemporary Art, FL

Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose practice has recently been rediscovered through important group shows such as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black Radical Women, 1965 - 85.

In 2002, independent curator and art critic Lily Wei wrote that everything Chakaia Booker does is «filtered through being black, a woman, and an artist.»

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

Through Savoir - Faire, SOHO20 draws out the playful, experimental, and powerfully delicious aspects of artistic inquiry to reassess and redefine our perceptions about art, life, and the roles of women in each.

Women House will be on view at the National Museum of Women in the Arts in Washington, DC from March 9th through May 28th, 2018.

The National Museum of Women in the Arts (NMWA) presents Visions of the Orient: Western Women Artists in Asia 1900 — 1940 an exhibition on view through January 15, 2012.

Prospect New Orleans and Prospect.4: The Lotus in Spite of the Swamp is made possible through generous support from Founding Benefactor Toby Devan Lewis and our generous supporters including the Lambent Foundation Fund of Tides Foundation; The Andy Warhol Foundation for the Visual Arts, Inc.; Nancy A. Nasher; David J. Haemisegger; VIA Art Fund; The Helis Foundation; Whitney Bank; the Joan Mitchell Foundation; the Reily Foundation / Stephen Reily Family Fund; the Zemurray Foundation; Gustaf W. McIlhenny Foundation; the Keller Family Foundation; RosaMary Foundation; Arts Council New Orleans; Accion Cultural Española (AC / E); New Orleans Jazz and Heritage Foundation; the National Council of Jewish Women / New Orleans Chapter; the Jewish Endowment Foundation of Louisiana; and Regions Bank.

The National Association of Women Artists (N.A.W.A.), the oldest women's fine art organization in the country, is a vibrant community of professional women artists that strives to support its members and women artists at large through exhibitions, programs and educaWomen Artists (N.A.W.A.), the oldest women's fine art organization in the country, is a vibrant community of professional women artists that strives to support its members and women artists at large through exhibitions, programs and educawomen's fine art organization in the country, is a vibrant community of professional women artists that strives to support its members and women artists at large through exhibitions, programs and educawomen artists that strives to support its members and women artists at large through exhibitions, programs and educawomen artists at large through exhibitions, programs and education.

She applauded both Neshat and Thomas for the bravery reflected through their art, but more importantly, for setting aside their fears as women in a male - dominated business.

The National Museum of Women in the Arts presents Pressing Ideas: Fifty Years of Women's Lithographs from Tamarind an exhibition on view through October 2, 2011.

On view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art history.

Tsachape, born in Germany and living in Brooklyn, has shown her work at the Centre Georges Pompidou, the National Museum of Women in the Arts and on the flashing screens of Times Square, through Creative Times's 59th Minute program.

Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.

Premiering in New York as part of the Performa 09 biennial of new visual art performance, Alicia Framis presents Lost Astronaut - an ongoing performance - installation based at APF LAB that explores the potential of living on the moon through the ironic and fictional character and activities of a woman astronaut portrayed by Framis.

Radical Women Public Engagement programs are supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission.