Sentences with phrase «wonderstruck feels»

But Wonderstruck feels like a serious misfire, mired in the sort of sentiment we might expect from Disney or a Nicholas Sparks adaptation rather than one of art - house cinema's favourite sons.

Wonderstruck feels like a serious misfire, mired in the sort of sentiment we might expect from Disney or a Nicholas Sparks adaptation rather than one of art - house cinema's favourite sons.

Not exact matches

Haynes and cinematographer Edward Lachman portray each individual era with stark visual styles — a black and white, silent movie feel for the»20s, a washed - out, grainy vibe for the»70s — making Wonderstruck a feast for the eyes.

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«Wonderstruck,» though, feels oddly dislocated for Haynes.

Wonderstruck is both an awe - inspiring ode to the limitless potential of the imagination to drive our lives and a love letter to those invaluable things that stir within us feelings of, well, wonder; the sensation of awakening to boldly striking new worlds.

Yet whoever Todd Haynes's playful and visually swooning «Wonderstruck» is for, it still feels like a film from the director who made the brilliant 1950s romance «Carol» and the dazzlingly original Bob Dylan biopic «I'm Not There».

Hopes were high for Todd Haynes's Wonderstruck, featuring the excellent Julianne Moore and Michelle Williams, but the movie feels a faint letdown after 2015's Carol.

At times, «Wonderstruck» feels less like storytelling than scaffolding; there's a bit more on - the - surface busyness than its simple, touching tale can fully support.

Haynes's cinematic approach to Wonderstruck is similar to those cabinets: This is a film that feels inert at times despite being crammed with ideas.

Wonderstruck seems lost by comparison, spending much of its time laboriously explaining a story that ends up feeling leaden.