Sentences with phrase «woodblock paper»

BEATRIZ MILHAZES Fig (Figo) 2006 Silkscreen and woodblock Paper: Hiromi Handmade DHM - 11 Triple Thick Image Size: 70 X 47 in.

BEATRIZ MILHAZES Fig (Figo), 2006 Silkscreen and Woodblock Paper: Hiromi Handmade DHM - 11 Triple Thick.

Not exact matches

French director Sébastien Laudenbach works with pen, paper and paint, crafting his take on the Brothers Grimm fairy tale with simple lines and color blocks that suggest — without replicating — Japanese woodblock prints.

Zheng Xuewu orchestrates complex compositions by actively and freely transferring, one - by one, many hundreds of images onto paper using hand - carved woodblocks, cast metal printing type, stamps and found objects as printing tools.

Her blend of vintage woodblock prints, antique texts and vintage sutras provide us with a rich and delightful viewing experience — Golden Poppy Acrylic, ink and watercolor on mixed media collage on paper — pictured above.

This is an unframed, intaglio, lithography, woodblock, digital print on paper, by the iconic artist, Squeak Carnwath.

Paula Wilson, «Tomorrow's Tomorrow,» 2008, 0il, spray paint, collaged / inlayed paper including woodblock prints mounted on paper, 50 x 50 ″

Opening with an artists» reception on December 11, 5 to 7 pm., the exhibit will feature etchings and woodblock prints on paper.

Kawase Hasui (Japanese, 1883 - 1957), Asahi Bridge, Ojiya, from the series Souvenirs of Travel, Second Series, August 14, 1921, woodblock print, ink and color on paper.

Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywooWoodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoowoodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.

Color woodblock on cream wove paper, 22 x 14 1/2 in.

Yun - Fei Ji (Chinese, born 1963), «Migrants of the Three Gorges Dam,» 2009, hand - printed watercolor woodblock mounted on mulberry paper and silk, 18-1/8 x 348-3/8 inches, number 106 from edition of 108

Image: Helen Frankenthaler, Freefall, 1993, Hand - dyed paper in 15 colors and 12 color woodcut from 1 plate of 21 woodblocks, 78 1/2 x 60 1/2 inches (199.4 x 153.7 cm).

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

In most cases these books and broadsheets were woodblocks printed on paper, but a few were printed on cloth.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

Hideo Kobashigawa, Manzanar Woodblock (1944), woodcut on rice paper, 12 x 18 inches.

May 1865, Drawing (Pen and ink on paper) after a woodblock proof of John Tenniel's design, Private Collection

Helen Frankenthaler, Snow Pines, 2004, thirty - four color woodcut from sixteen woodblocks on handmade paper.

Seasonal Flowers in Japan: Woodblock Prints by Kawase Hasui April 18 — October 12, 2015 Works on Paper Focus Gallery Free

Kawase Hasui (Japanese, 1883 - 1957) Kiyomizu Hall, Ueno, from the series Twenty Views of Tokyo (Tokyo nijukei, Ueno Kiyomizudo), 1928, Color woodblock print on paper.

Helen Frankenthaler, Freefall, 1993, hand - dyed paper in 15 colors and 12 color woodcut from 1 plate of 21 woodblocks, 78 1/2 x 60 1/2 inches (199.4 x 153.7 cm).

Helen Frankenthaler, East and Beyond, 1973, eight - color woodblock print on buff laminated Nepalese handmade paper Sheet: 31 3/4 × 21 in.

To create a sheet of paper this large is a feat, and to complicate it further by adding twenty - one woodblocks illustrates Frankenthaler's willingness to push the boundaries of the medium.

Arthur Pond and Charles Knapton, Nude Female Carrying Water Jars (after Raphael), 1734, Etching and woodblock on wove paper.

Unlike many print artists, Frankenthaler remained intimately involved throughout the print process: she chose the paper, mixed ink, approved registration, and even cut rigid woodblocks herself.

Drawing on a tradition of printed prayer books and literary texts that stretches back over centuries, she has woven streams of paper cut from a woodblock - printed book into five separate three - dimensional scrolls.

Gorgeous woodblock print on paper by America's foremost printmaker Carol Summers.

Polly Apfelbaum, Little Dogwood 66, 2012; Woodblock print on handmade paper, 20 x 20 in.; Courtesy of Durham Press; © Durham Press and the artist; Printed and published by Durham Press

This exceptional woodblock print on handmade paper is immediately identifiable as the work of master printmaker Carol Summers (1925 - 2016)(check out his bio in Wikipedia).

He orchestrates complex compositions by actively transferring, one - by - one, many hundreds of images onto paper using hand - carved woodblocks, cast metal printing type, stamps and found objects as printing tools.

Polly Apfelbaum Rusticaiana, 2014 woodblock monotype on Hironmi handmade DHM - 11 triple thick paper 79 x 79 inches

Polly Apfelbaum Byzantine Time Machine 3, 2014 Woodblock monotype on Hiromi handmade DHM - 11 triple thick paper 37 x 70 inches

Helen Frankenthaler, Tales of Genji IV, 1998, twenty - one - color woodcut from twelve woodblocks and one stencil on handmade paper, 47 × 42 inches (119.4 × 106.7 cm)

His recent inventive, refreshing exhibition — Brandt's first solo show in Europe — presented three series of woodblock prints, all made on the artist's handmade paper with his handmade ink, in frames crafted by him from his own matrices.

Woodblock print on paper, each scroll 36 in x 10 ft., installation dimensions variable

She uses brayers — soft rubber rollers usually used for inking lithographic stones, etching plates or woodblocks — roughly four inches wide to apply one color at a time in curving arcs and swirls on 18» x 24» mid-weight paper.

Between Two / / silkscreen pigment, acrylic, felt, paper, canvas, woodblock prints, spray paint on steel armature / / In collaboration with the Fabric Workshop and Museum in Philadelphia, PA / / 126 x 174 inches, 320.04 x 441.96 cm / / 2010

Kawase Hasui, Carp Banner, Toyohama, Kagawa Prefecture,, color woodblock print on laid paper, 1948.

Chris Johanson and Johanna Jackson have created an edition of 75 woodblock printed denim capes and blankets, along with 50 woodblock prints on paper with the same design.

Zarina: Paper Like Skin January 25 — April 21, 2013 This retrospective of Indian - born American artist Zarina Hashmi is the first major exploration of the master printmaker's career, charting a developmental arc from her work in the 1960s to the present and including many seminal works from the late 1960s and early 1970s, woodblock prints, etchings and lithographs, and a small selection of related sculptures in bronze and cast pPaper Like Skin January 25 — April 21, 2013 This retrospective of Indian - born American artist Zarina Hashmi is the first major exploration of the master printmaker's career, charting a developmental arc from her work in the 1960s to the present and including many seminal works from the late 1960s and early 1970s, woodblock prints, etchings and lithographs, and a small selection of related sculptures in bronze and cast paperpaper.

The Tobias brothers have become known most prominently for their large - scale woodblock prints on paper and canvas, where they utilize the ancient stamping technique of black - and - white small scale illustrative printmaking in anachronistic, elaborate, and oversize chromatic compositions.

Twenty - one color woodcut from twelve woodblocks and one stencil on handmade paper, 47 x 42 in.

Fifty - three color woodcut from eighteen woodblocks and two stencils on handmade paper, 47 x 42 in.

Twelve - color woodcut from twenty - one woodblocks on hand - dyed paper, 78 1/2 x 60 1/2 in.

Kawase Hasui (Japanese, 1883 - 1957), Daigokuden, Kyoto, from the series Selection of Scenes of Japan, 1922, woodblock print, ink and color on paper.

After layering tar paper, tar, foil sheets, and aluminum paint to make a «malleable canvas,» as McCloud puts it, he then heats the surface with a blowtorch and hammers decorative patterns into it using a woodblock.

Kawase Hasui (Japanese, 1883 - 1957) Hori River, Obama from the series Souvenirs of Travel, First Series, early autumn 1920, woodblock print, ink and color on paper.

Kawase Hasui (Japanese, 1883 - 1957), Kaminohashi Bridge, Fukagawa, from the series Twelve Subjects of Tokyo, summer 1920, woodblock print, ink and color on paper.

Each print is hand - printed using two woodblocks on a sheet of Japanese Kozuke paper.