Paula Wilson, «Tomorrow's Tomorrow,» 2008, 0il, spray paint, collaged / inlayed paper including
woodblock prints mounted on paper, 50 x 50 ″
Not exact matches
These striking
prints by the Japanese - American artist and longtime Berkeley professor Chiura Obata present the classic American landscapes of Yosemite and the High Sierra in the tradition of Hokusai's 36 Views of
Mount Fuji, executed with a traditional Japanese
woodblock technique.
Yun - Fei Ji (Chinese, born 1963), «Migrants of the Three Gorges Dam,» 2009, hand -
printed watercolor
woodblock mounted on mulberry paper and silk, 18-1/8 x 348-3/8 inches, number 106 from edition of 108
Frankenthaler has worked with Pace
Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut
printed from 15
woodblocks on Torinoko paper and
mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale
print using a combination of aquatint, woodcut and pochoir techniques.
The Smart Museum
mounted an exhibition of lithographs, linoleum cuts,
woodblock prints, and related drawings and ephemera by this artist who was highly influential in Figurative and Pop Art trends, as well as in the locally based Chicago Imagist movement.
Based on a
woodblock print, this view of
Mount Fuji (above) has been blown up to epic proportions to create a dramatic focal point, complemented by cobalt upholstery.