Sentences with phrase «woodcuts from»

In March the Royal Academy will stage Renaissance Impressions: Chiaroscuro Woodcuts from Baselitz's own collection, an important influence on both his style and subject matter.

Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Georg Baselitz and the Albertina, Vienna

TED FAIERS talk talk talk: Late 70's 6 February — 17 March 2018 Opening: Friday 9 February, 6 - 8 pm This February, Ted Faiers» wood - sculpted canvas paintings and woodcuts from the 1970's take the...

This February, Ted Faiers» wood - sculpted canvas paintings and woodcuts from the 1970's take the walls at David Lusk Gallery Memphis.

Arriving from Koln are three large woodcuts from the studio of Gert & Uwe Tobias.

A selection of works from Baselitz's private collection will be presented in «Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Georg Baselitz and the Albertina, Vienna,» on view at the Royal Academy of Arts, London from March 15th - June 8th, 2014.

«Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Georg Baselitz and the Albertina, Vienna» is at Royal Academy, Mar 15 to Jun 8; royalacademy.org.uk

When Georg Baselitz's collection of chiaroscuro woodcuts went on display at the Royal Academy in London last month («Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Georg Baselitz and the Albertina, Vienna»; until 8 June), it reaffirmed his place in the pantheon of distinguished artist - collectors.

Two preachers articulate contrasting views of authority in a well - known woodcut from the sixteenth century.

Image: Helen Frankenthaler, Freefall, 1993, Hand - dyed paper in 15 colors and 12 color woodcut from 1 plate of 21 woodblocks, 78 1/2 x 60 1/2 inches (199.4 x 153.7 cm).

Helen Frankenthaler, Snow Pines, 2004, thirty - four color woodcut from sixteen woodblocks on handmade paper.

Helen Frankenthaler, Freefall, 1993, hand - dyed paper in 15 colors and 12 color woodcut from 1 plate of 21 woodblocks, 78 1/2 x 60 1/2 inches (199.4 x 153.7 cm).

Helen Frankenthaler, Tales of Genji IV, 1998, twenty - one - color woodcut from twelve woodblocks and one stencil on handmade paper, 47 × 42 inches (119.4 × 106.7 cm)

Life's Soundtrack / / reduction woodcut from 2 blocks / / Produced and editioned at MassArt's Master Print Series, Massachusetts, MA / / 30 x 22 inches, 76.2 x 55.88 cm / / edition of 27 / / 2012

Woodcut from six blocks on six sheets of paper, 52 1/4 x 109 1/4 in.

Twenty - one color woodcut from twelve woodblocks and one stencil on handmade paper, 47 x 42 in.

Fifty - three color woodcut from eighteen woodblocks and two stencils on handmade paper, 47 x 42 in.

Twelve - color woodcut from twenty - one woodblocks on hand - dyed paper, 78 1/2 x 60 1/2 in.

Other highlights include A sudden gust of wind (after Hokusai)(1993) based on a woodcut from a famous portfolio, The Thirty - six Views of Fuji, by the Japanese painter and printmaker Katsushika Hokusai (1760 - 1849).

The display features mixed media on linen works by British painter Laurence Jones, a woodcut from artist collaborative Pine Feroda ahead of their May exhibition at the gallery, and hand - finished cityscape monotypes from printmaker Laura Jordan.

I have no works says a woodcut from 2017, exhibited by Andrea Büttner in Zuoz.

Not exact matches

Back then, the Starbucks logo was a brown print of a woodcut illustration of a topless siren from Greek mythology.

Have just received an invite from you to comment here with the chance of winning one of your woodcuts.

With the traditional prayers went also some woodcuts showing incidents from the Bible.

A: We both currently work from home and I've set up a little workshop in my garage for the less glamorous task of woodcutting.

October 19: A 1515 woodcut of a rhino and Robert Hooke's 1667 illustration of a flea star in «Natural Histories,» an exhibit of images from rare books in New York's American Museum of Natural History Library.

At each stage of the progression from early woodcuts to steel engravings to modern methods of printing both line and full colour, the ability to reproduce more precise detail is possible.

Old Master Prints from Christopher Mendez, specialist London - based dealer in old master etchings, engravings and woodcuts.

The developers have also introduced the gameplay element of woodcutting that enables players to utilize both chainsaws and woodcutting vehicles to gain money from chopping trees and then transporting the logs to sellers.

This collection contains 27 stories and poems on the theme of «Autumn» (including some selections suitable for Thanksgiving and Hallowe'en), and a handful of «Trees» colouring pages from Medieval woodcuts.

«Lessons I learned from Pete» is 250,000 words long and illustrated by woodcut etchings from Singapore's premiere artist, Xian Shir Tan.

Showcasing Joan Snyder's adventurous approach to printmaking, particularly in etching and woodcut, the gallery will present 11 of her most important prints from the 1970s until today.

The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white paintings «Orestes» and «Zurich» (both 1947).

Working with woodcut, sculpture, video and performance, Büttner also produces contemplative, abstract fabric «paintings» made from heavy - duty material of workers» uniforms.

Next up, Steamrolled VII, on view June 7 - July 14 at Williams Tower Gallery, will showcase a selection of woodcuts juried by Sally Sprout from the seventh annual Rockin» Rollin» Prints event held on April 23 at St. Arnold's Brewery.

For a 2014 exhibition at the Albertina, the late, precocious Austrian artist Gunter Damisch shipped a stack of precut wood panels from Vienna to Paris, leaving the Woolworth studio team to compose the final images as they pleased in a mix of collage, monotype, woodcut, drawing and painting.

TAG Fine Arts is exhibiting the brand new woodcut prints from highly acclaimed Japanese artist Katsutoshi Yuasa at the 33rd London Original Print Fair.

Influenced by a gap year spent studying art and Italian in Florence, Italy, Mazur's thesis included 16 hand - carved woodcuts and wood engravings illustrating texts from the Bible, Oscar Wilde, Gustav Flaubert and Stéphane Mallarmé.

IMAGE: Second from top at left, «Untitled,» 2013 (woodcut on colored paper) by Chakaia Booker via David Krut Projects.

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

«Renaissance Impressions», at the Royal Academy of Arts in London (until 8 June), plucks some of the world's finest chiaroscuro woodcut prints from the ample collections of the artist Georg Baselitz, and the Albertina in Vienna.

In the three most recent works, from 1974 and» 75, forms are simplified into funky yet elegant figures that call to mind Renaissance portraiture and Japanese woodcuts.

Recent major exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color: Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).

Gert and Uwe Tobias» large woodcuts, gouache paintings, typewriter drawings and ceramic sculptures combine influences from traditional folk art and abstract art from...

During her tenure there, she has organized twelve exhibitions, including: «The Impressionist Line from Degas to Toulouse - Lautrec» (2013), «Machine Age Modernism» (2015), «No Rules: Helen Frankenthaler Woodcuts» (2017), and «Picasso Encounters» (2017).

From self - portraits created in our children's programs and wearable art designed for the Teen Stylin» runway to woodcut prints inked in the Studio School's adult classes, art - making happens across VMFA's campus.

What I'm finding is that the sensitivity that she was able to put in her colors, and at the same time she was able to work with the printer on pulling the colors from the woodcuts.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

Albrecht Dürer: Master Drawings, Watercolors, and Prints from the Albertina features nearly all of Dürer's finest watercolors and drawings from the collection of the Albertina, Vienna, as well as 27 of the museum's related engravings and woodcuts.

Including a leaf from the Nuremberg Chronicle; Sebastian Brandt - style woodcut of an apothecary's More...