Sentences with phrase «works in this exhibition reveal»

His sculpture and video works in this exhibition reveal messages and meaning through recurring forms that change over time and in different geographic locations.

The works in this exhibition reveal subjective explorations of beauty, architecture, nature, and visual perception.

Arcay's hard - edged works in this exhibition reveal the artist's ongoing interest in spatiality and Neo-Plastic theories of universalism and utopianism.

Together, the works in the exhibition reveal an extended consideration of process and image, and the expanded scope of the artist's pictorial language.

Drawn from life, memory, imagination, or from sources such as films, books, newspapers and magazines, the works in the exhibition reveal a variety of human presences and traces of activity.

Created in significant locales in the Netherlands and in France, including Paris, Arles, Saint - Rémy, and Auvers, the works in the exhibition reveal the vitality and persistence of this method across van Gogh's career.

Not exact matches

An exhibition in Paris of Junya Ishigami's work reveals his gift for earthy yet weightless structures.

Ostensibly depicting scenes from everyday life — a windswept walk along beach, the artist's daughter, dancing, sewing or putting on a shoe — the works in this exhibition alert us to the endless nuance of bodily expression and the myriad ways in which we reveal ourselves and communicate emotion, such as happiness, sadness, confidence, doubt or even distraction, consciously or not.

During this unique five - year project IMMA will present a series of different and exclusive Lucian Freud related exhibitions, with a new programme of events and openings each year, including works and new commissions by other modern and contemporary artists in response to Freud, and will reveal exciting new perspectives on this major artist today.

This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» — paintings made of fragments and scraps of oil paint culled from previously painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.

And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller's paintings by Norman Lewis would be included in a fall 2015 exhibition of the abstract artist's work.

Their personal histories in L.A., their many exhibitions in Southern California, and in many instances through their widely known public works throughout the region reveal a profoundly important history.

The exhibition features the artist's bold and experimental work challenging traditional assumptions about figuration and abstraction, and works that reveal her interest in how paintings function in a given room.

However, as the current exhibition reveals, he also worked on canvases and Masonite boards in larger dimensions.

This tightly focused exhibition considers the significant ways in which Bridget Riley has been influenced by the work of Georges Seurat, revealing how her innovative style of painting is rooted in the art of the past.

Spanning both galleries and encompassing works in a wide range of media — including paintings, new bronze sculptures, works on paper, neon texts and a video — the exhibition reveals the most recent developments in Emin's intensely personal yet profoundly universal oeuvre.

All of the works in this exhibition reflect the realities of how life unfolds: looking forward, but through tinted glass revealing as much about what's behind as what could lie ahead.

Ten years after the landmark exhibition The Air Is on Fire, which revealed David Lynch's pictorial and image works, the Fondation Cartier pour l'Art Contemporain in Paris is publishing an exceptional book, gathering more than one hundred photographs in black and white and in color, of nudes.

- ISelf Collection displays: The exhibition continues the Whitechapel Gallery's dedicated collections programme in Gallery 7, which reveal rarely - seen works from around the world.

FORGETTABOUT IT, her second exhibition at the Lisson Gallery, is exclusively made up of Pensato's 2017 output, revealing an artist still working intensively and experimenting with subtle shifts in her well - established style.

Organized by former National Gallery of Art curator Ruth Fine, in cooperation with PAFA's Robert Cozzolino and Michael Rosenfeld Gallery, the exhibition reveals the range and power of his abstraction through nearly 100 paintings and works on paper made between the early 1930s through the 1970s.

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

This all - encompassing exhibition is the world's largest retrospective of his work, revealing the full range and breadth of his oeuvre in order to acknowledge the many different directions his creativity has taken.

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

The carefully selected works included in the exhibition juxtapose varied conceptual interests that reveal the shared sensibility of the three artists.

The concept behind the exhibition comes from Yass» desire to reveal work in process and to consider that the experience of viewing preparations and sketches for art works holds complexities and interest in its own right.

Also featured in this exhibition are videos of Suga's «activation» performances, revealing his spontaneous, intuitive approach to creating work in live settings.

In his catalogue essay Animating the Essence, Richard Flood reveals that Merz's recent work has taught him the meaning of silence and of peace, 2 and although this exhibition shows Merz's technical and aesthetic diversity, there is a simplicity at its core: a calm deliberateness to the technique that prioritises the act of looking and questioning.

A timely addition to the 2017 exhibition calendar, the British Museum's print - centric show brings together works by Jasper Johns, Ed Ruscha, Louise Bourgeois and Kara Walker to reveal how artists have responded to key events in US history over the last 50 years — from the assassination of JFK to the Vietnam War, the campaign for civil rights to the AIDS crisis.

Curated by Andrea Lissoni in the «Shed» space, the exhibition offers a selection of Condorelli's most significant works, which reveal her ability to work with the relationships between art and architecture, space and socio - historical contexts.

While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.

Focusing on elements of chance, play and the marvelous in DeFeo's work, the exhibition brings together paintings, photographs, collages and works on paper to reveal how DeFeo's art often aligns with Surrealist attitudes.

With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated by Jason Andrew, that features work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised by others, and Alice Neel, an unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.

Co-curated by Alfred Pacquement, the former director of the Centre Pompidou (which staged a groundbreaking retrospective of Hantaï works in 2013), the exhibition primarily tracks Hantaï's early use of his «pliage» method - an intricate technique of folding and knotting an unstretched canvas before Hantaï painted the configuration, unfolded and then stretched it, so that colourful geometric shards and unpainted negative space were revealed.

The work in Lee's two - part exhibition reveals poignant parallel histories of charged moments in our collective memory where the visual dissolve of latent figures make them all the more potent in their absence.

Exploring how comedy and absurdity can be used to reveal more serious concerns about race, work, gender and politics, The humours brings together six international and Australian artists in a challenging and comical exhibition.

There are also a few hidden gems in the exhibition, such as two unfinished portraits of Helen Mirren from the 1980s that are tucked away in a back corner, which reveal the bare bones of a portrait, giving us insight into his working practice.

This exhibition of some 240 works will reveal the centrality of drawing within Still's lifelong creative process and challenge prevailing assumptions about Still's place in art history.

As the exhibition reveals, this painting was a work in progress for over six months, during which time Matisse discussed its composition with Etta Cone; she acquired the work the following year.

On Saturday morning, the winners (and their art works) will be unveiled and the «In Motion» exhibition will be revealed.

A timely addition to the 2017 exhibition calendar, the British Museum's spring blockbuster will bring together works by Jasper Johns, Ed Ruscha and Kara Walker to reveal how artists have responded to key events in US history over the last 50 years — from the assassination of JFK to the Vietnam War and the AIDS crisis, as well as their personal experiences with racism and gender inequality.

The exhibition reveals the connection between Bochner's use of language and color in the 1960s and 1970s and his works of the past fifteen years.

This exhibition reveals the parallels between Warhol's personal history — including his struggles with his own physical appearance, such as early signs of balding in 1950s and the gruesome scars following his shooting in 1968 — and the treatment of the body as a subject in his work.

The DAM's exhibition focuses on the expressive freedom of direct gesture and process at the core of abstract expressionism, while revealing inward reverie and painterly expression in these works by individuals responding to particular places, memories and life experiences.

In the exhibition «Light Revealed», Karin Weber Gallery introduces three artists, all of whom engage with light in their individual, highly distinctive ways — be it as their main subject, or to enhance and enliven their worIn the exhibition «Light Revealed», Karin Weber Gallery introduces three artists, all of whom engage with light in their individual, highly distinctive ways — be it as their main subject, or to enhance and enliven their worin their individual, highly distinctive ways — be it as their main subject, or to enhance and enliven their work.

The richly textured and multi-layered works in the exhibition will reveal Beard's life - long passion as an adventurer, his concern about the environment, and his chronicles of the devastation of the animal population in East Africa.

Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out «the true artist helps the world by revealing mystic truths,» which at once summarized and opened to critique the perennial mystique of the artist, up through his three - venue Golden Lion Award - winning exhibition at the 2009 Venice Biennale, Nauman's work has long been an indispensable part of the narrative of recent American art.

Without simply revealing the behind - the - scenes work of the exhibition, the fridge gestures toward institutional framing and concealment, intervening in the loop of the lettuce from gallery to storage and back again.

A highlight of the exhibition will be a series of lighthouse paintings Ida O'Keeffe created in the early 1930s — the DMA bringing together 6 of the 7 works — which reveal the sophistication of her abstract work.

This fully illustrated catalogue was published to accompany the exhibition, Alexander Calder: MULTUM IN PARVO and features archival material, installation photography, and original sketches by Santiago Calatrava that reveal the architectural process in response to Calder's ideas and worIN PARVO and features archival material, installation photography, and original sketches by Santiago Calatrava that reveal the architectural process in response to Calder's ideas and worin response to Calder's ideas and work.