Sentences with phrase «works on view cover»

Works on view cover a range of mediums including painting, video, installation, and sculpture.

Not exact matches

Just trust wenger, Hes probably playing ozil on the wings to teach him in the premier league you have to defend as a team its not like germany where u can afford to be lazy or real madrid where you only have 3 teams to compete against, putting him on the wings and then watching the match back viewing how he plays not covering or tracking back will show him in plain sight that he needs to work harder, when he proves hes fighting for every ball im sure he will get put back in the middle cause you need to defend whatever position you play and i think letting him have the middle will spoil him not teaching him to trackback.

VW Viewed my 2006 Jetta since last year Fall and refused to replaced the fenders sating they were worked on before an the pain thickness exceeds their specks, the rear fenders also the L & R Rocker panels were not covered also, only the hood and trunk that haven't worked on before, this Jetta is a TDI and I am getting over 1100 KM per tank since I done some work on it myself, before this I was making between 850 and 1000 KM per tank, I replaced the fuel filter and housing besides regular Oil and filters change, the only different thing this time is the fuel filter housing were leaking after the filter change so I replace the unit.

With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

In many ways I view the software I've worked on as very similar to the kinds of technologies covered in More Than Human.

You can view them in the various premade cover galleries: Premade Cover Galleries Here is a selection of sample covers: It also seems everyone is turning their ebooks into paperback versions, and the past month I worked on designing many paperback cocover galleries: Premade Cover Galleries Here is a selection of sample covers: It also seems everyone is turning their ebooks into paperback versions, and the past month I worked on designing many paperback coCover Galleries Here is a selection of sample covers: It also seems everyone is turning their ebooks into paperback versions, and the past month I worked on designing many paperback covers.

Set in a working organic farm, on the North shore of Vanua Levu, Palmlea offers guests ocean view villas in the traditional Fijian style, with covered verandahs and private bathrooms.

The spacious balcony is covered with a pergola to provide shadow on sunny days.The Executive Garden View Villa features semi-open bathroom, king - size bed, day sofa, work desk, and modern Interior.

To - die - for views take centre stage on the sprawling open and covered timber decks above a large private dam teeming with birdlife, where you can rejuvenate your mind, body and soul in your own private outside bath in a spectacular elevated position with expansive sweeping views over the valley adjacent to a large lush private garden and alfresco dining area containing sculptural works.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

Their current exhibition, Rindon Johnson, «Well Covered,» presents new work by the multidisciplinary artist and writer, on view through April 21.

Featuring around 150 works, many of which were on view in the United States for the first time, the show covered forty years of Genzken's practice in diverse media.

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material, which includes prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland.

Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.

These works are based on street personalities who go from bus stop to bus stop in the Dominican Republic covering the steering wheels, gear shifts, and rear view mirrors of buses in beautifully hand - woven colored rubber.

The works on view are drawn from the Museum's extensive collection and cover more than fifty years of his career.

Mendieta's moving image works are the subject of a large - scale traveling exhibition, Covered in Time and History: The Films of Ana Mendieta, which will be on view at the Bildmuseet at Umeå University in Sweden from June 18 to October 22, 2017.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

You have been making opulent knitted works that I view like «paintings» since your days at the RCA, and they have been shown in a myriad of different ways — on the floor for this show, on the wall, covering a table, folded on a shelf.

Titled, Removed, the body of work on view is of such immediacy and sardonic precision that it has been covered by dozens of news sources, critics and bloggers.

Three poetry books are on view by Paul Laurence Dunbar (1872 - 1906) and show the beautifully illustrated book covers and pages including photographic work of the Hampton Institute Camera Club.

Angel Otero: Everything and Nothing, on view at the Contemporary Arts Museum Houston through March 19, 2017, is the artist's first survey exhibition, covering just under a decade of his work.

These works — on view in New Orleans for the first time — span a range of media including collage, drawing, architectural models, animation and short film, and collaborations with other artists on such materials as album covers and children's books.

This special exhibition will be on view from April 12 - 24, 1999 to celebrate the publication of Art AsiaPacific featuring Yeong Gill Kim's work in the cover essay by Jonathan Goodman.

On view will be over forty photographs, many of them vintage prints, which cover the main themes of the publication including family, landscape, cityscape, self - portraiture, women, and conceptual / studio works.

Twelve paintings on view in the Great Hall showcase a large range of the artist's work covering the last twenty years of his career.

On view are more than 1.200 works, among them nearly 700 drawings and hundreds of flyers, record covers and fanzines as well as films, artist's books, paintings and wall drawings.

The Brandt work here — of a man using a Polaroid that appeared on the cover of Time Magazine — is best viewed through a phone camera, a playful play of generational image use.

Additionally, a series of hand - drawn typographic works on found book covers contain phrases and imagery that tell a story when viewed in sequence, yet stand alone as singular statements, as well.

The sculptures in this exhibition recall in size some of the early domestically - scaled Accumulations, for which Kusama covered such things as ironing boards and travel valises in the stuffed - fabric protuberances, yet the works on view here are painted in the style that has come to characterize Kusama's most recent paintings.

Opening: Anne Collier at Anton Kern In her recent works on view in this exhibition, Anne Collier sources imagery from record covers and comic books, focusing on the ways these materials represent women, who here often seem to exist in hysterical states.

Architect Jenny Sabin's (2010) interactive installation Lumen, on view at MoMA PS1, has been covered by several national media outlets, including The New York Times, Al Jazeera, and W Magazine, which wrote that the work «spread over the museum's courtyard like cobwebs, creating a gauzy canopy that provides shade and also sprays museum - goers with a cooling mist.»

In this exhibition, more than 20 works will be on view that cover various forms, such as ready - mades, videos, paintings, and interactive new - media installations.

The works on view, which include metalwork, sculpture and textiles, date from the 13th to 19th centuries and cover various African regions, including Mali, Nigeria, Liberia and Congo.

The publication of Edward Ruscha: Catalogue Raisonné of the Works on Paper, Volume 1, a hefty tome that covers the years 1956 through 1976, affords an opportunity to view the Los Angeles artist's developing fascination with what language might look like.

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal encyclopedias, and Jimi Hendrix's 1968 album cover for Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.

Two sets of her work are on view in mother's tankstation's booth; the first is a set of large paintings each titled What It Is (a reference to the phrase «what it is, what it was, and what it shall be,» a greeting popularized by the 1960s Black Power movement) made by covering the floor of her small studio with raw linen before covering herself with black ink and walking around to create expressive reinterpretations of both David Hammons and Yves Klein body prints.

The color yellow is present in the body of work on view on the gallery's second floor as well, which features a series of sculptural works made out of back issues of National Geographic magazine, whose covers are outlined in yellow.

On the walls, photographs of works that could not be loaned were on view, while in a separate room, Kelley displayed the «Harems» — fifteen collections, ranging from marbles he gathered as a young boy to album covers, business cards, and squeezy toys he amassed over decades as an adulOn the walls, photographs of works that could not be loaned were on view, while in a separate room, Kelley displayed the «Harems» — fifteen collections, ranging from marbles he gathered as a young boy to album covers, business cards, and squeezy toys he amassed over decades as an adulon view, while in a separate room, Kelley displayed the «Harems» — fifteen collections, ranging from marbles he gathered as a young boy to album covers, business cards, and squeezy toys he amassed over decades as an adult.

Headlined «Black in America,» the magazine describes the opening as a «defining moment,» and features four different covers by various artists, including Lorna Simpson and Amy Sherald, who both have works on view in the visual art galleries of the museum.

A capsule Chamber gallery exhibition covering 10 years of work by designers Studio Job is on view at the Armory Show art fair in New York (+ slideshow).

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.

To counter criticism of the business community from college campuses, business organizations such as the Chamber of Commerce should support scholars who will defend the free enterprise system, develop speakers and support speakers» bureaus that will counter the liberal rhetoric coming from college campuses, subject textbooks to ideological review, insist on equal time for speakers exposing the views of the business community for speakers on campuses, insist that college faculties be balanced by those who will defend the free enterprise system, request that graduate schools of business include courses that support the free enterprise system, encourage local chambers of commerce to provide the views of the business community in high schools, establish staff who work with the media to communicate to the general public the views of the business community, monitor and criticize television programs that unfairly criticize the free enterprise system and where appropriate file complaints with the Federal Communications Commission, monitor radio and other media and pressure them to cover the views of defenders of the free enterprise system, support scholars who support the free enterprise system to publish in scholarly journals, establish incentives for scholars to publish defenses of free enterprise in books, papers, and pamphlets, spend more money on advertising that expressly supports the free market system.

As a spokesman for Senator James M. Inhofe of Oklahoma, the ranking Republican on the Environment and Public Works Committee, Mr. Morano was for years a ceaseless purveyor of the dissenting view on climate change, sending out a blizzard of e-mail to journalists covering the issue.

You may not agree about a host of religious views — in some circles women can not be members of the clergy, or speak in church, or they may have to wear head coverings or wear a particular style of dress, some religious communities do not allow their children to have education beyond grade 8 so that they can work on the farm.

Our expertise covers the full scope of commercial work, from providing a view on the enforceability of key provisions through to major deals involving a team of lawyers committed to a project for a number of months, major contract reviews and joint ventures.

-- one whole wall would be shelving (fabric etc. storage) and that shelving would have sliding doors with mounted foam boards (covered in white felt or flannel), so they would double as design walls — BIG center table for cutting and larger ironing surface on one side (smart storage underneath it all)- sewing machine cabinet next to it and small ironing place right next to it — enough space for the long - arm (or mid-arm) quilting machine - big desk in one corner — for drawing, sketching, computer work (preferably next to the window with that great view — big inspiration board on one wall — to pin all kinds of stuff!