Sentences with phrase «works on view study»

Works on view study elements of control, repetition and artistic gestures.

Not exact matches

On the whole, though, workers view that as a net benefit, says Ondrack, who recently conducted a study into attitudes to portable work tools sponsored by a telecommunications company.

In view of all the things that can be said about a company and the effects that can take place on a share price for many different reasons, there is and will never be any excuse to shy away from the hard work of studying a company in order to find its real intrinsic value.

Second, add a previous view of the preacher working on the open Bible in his study before he comes to preach from it in the pulpit.

Previous social science research has focused on the views of academic scientists and those working at elite universities while studies of religous views of science have focused primarily on the issue of evolution, said Ecklund.

In Iowa, extension program staff members work directly with agricultural retailers to teach them the latest in climate science, said Linda Prokopy, an associate professor of natural resource social science at Purdue University, who also studies farmers» views on climate change.

In a report on their study, published June 20 as an Early View article online in Annals of Neurology, the Johns Hopkins team found that increasing levels of the protein clumps corresponded with worsening nerve damage, indicating that the smaller skin biopsies they used appear to work well as a measure of disease severity.

However, the work published on Molecular Psychiatry and first signed by the expert Claudio Toma provides an innovative view on the study of ASDs genetics: «It is the first time that mutations transmitted to children by any of the progenitors are studied in a genomic perspective.

My research is framed within the Wellcome Trust consortium on the archaeal origins of eukaryotic cell organization (http://evocyt.com/), which includes a diverse group of researchers studying the evolution of eukaryotic machinery from different points of view — e.g. how do specific cellular systems work in different lineages, and how did that affect the origin of the eukaryotic cell plan?

They are either isolated in a corner of the classroom to complete the viewing or sent to a study room while the rest of the class work on the application style lessons that I deliver.

We know this too clearly from data on remediation rates in colleges and universities, all the various data on college and career readiness, and most surveys of employer and higher - education views of high - school graduate readiness for postsecondary work and study.

Amidst pressure for schools to adopt off - the - shelf reform programs as a way of improving student achievement (Herman, 1999), it is interesting to note that, by and large, the schools in the studies summarized by Taylor, Pressley, and Pearson (2002) did not necessarily view packaged reforms as the key ingredient for improving student achievement (Charles A. Dana Center, 1999; Designs for Change, 1998; Taylor et al., 2000).1 The common denominators seem to be commitment and hard work focused on research - based practices at both the classroom level and the school level.

By adopting a social network perspective, these studies yield new insights that may truly enhance our view on relationships among educational actors as they work together on the important, yet incredibly complex puzzle of teaching, learning, and educational change.

But the powerful lesson from studying the phrase «that doesn't make sense» rests in the fact that it often means one of two things: 1) One's current view of how a certain part of the world works is wrong, and it will make sense once that view is corrected (and in hindsight); or 2) There is something much bigger going on, which one does not yet understand.

Vincent Como's work triumphs on three levels: it is embedded with a studied meaning, it is imbued with the trace of a master craftsman who has honed his skills, and it is beautiful and complex to view.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

Among the works on view are Jean - Michel Cels's Clouds and Blue Sky, one of a group of eight studies of clouds and sky that Cels executed between 1838 and 1842, and John Constable's Hampstead Heath with Bathers (ca. 1821 — 22), a study of the sky emphasizing cloud morphology and weather effects.

Contributed by Jonathan Stevenson / Mixed Greens» enterprising group exhibition «Common Thread,» on view through August 28, positions a 1973 Bauhaus grid study by Anni Albers and Ellen Lesperance's 2009 grid - based gouache deconstruction of her pre-Josef Albers sweater pattern as aesthetic and cultural springboards for work by nine contemporary female artists.

CSM architect Brad Cloepfil returns to Denver in conjunction with the opening of the exhibition Case Work: Studies in Form, Space & Construction by Brad Cloepfil / Allied Works Architecture, on view at the Denver Art Museum January 24 — April 17, 2016.

The works on view will include Jaar's seminal «Studies on...

Since 2013 Malin Abrahamsson has been working on a series of «animation studies», which are intended to be viewed in groupings.

Also on view in the Upper Room will be a group of studies for this body of work.

Also on view are maquettes used to develop Calder's large - scale works, including Cafritz Fountain [maquette](1966), a sheet metal and paint study for the iconic Gwenfritz (1968) currently at the Smithsonian's National Museum of America History.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

On view for the first time in the United States, the photographs presented in this exhibition were all taken in Düsseldorf, Germany — the city where Höfer first studied photography under Bernd and Hilla Becher and which, to this day, remains an important influence on her worOn view for the first time in the United States, the photographs presented in this exhibition were all taken in Düsseldorf, Germany — the city where Höfer first studied photography under Bernd and Hilla Becher and which, to this day, remains an important influence on her woron her work.

On view in the exhibition, titled «Translations», are a number of works on paper, some of which are reminiscent of Josef Albers's colour studies: grids of different tones marked with phrases such as «Peacock Blue» and «Raw Sienna»On view in the exhibition, titled «Translations», are a number of works on paper, some of which are reminiscent of Josef Albers's colour studies: grids of different tones marked with phrases such as «Peacock Blue» and «Raw Sienna»on paper, some of which are reminiscent of Josef Albers's colour studies: grids of different tones marked with phrases such as «Peacock Blue» and «Raw Sienna».

The exhibition title is a quotation from the artist Walter Sickert, whose beautiful study of a woman from 1906, her forehead patterned like a diamond, is the earliest work on view.

David Roberts Art Foundation, 7 - 9 pm private view Michael Simpson «Study 6» Performance by Tim Etchells 7:30 - 8:30 pm I like DRAF and the phrase «An in - depth study of the work of British artist Michael Simpson, focussing on his Bench painting series (1989 - 2009)» and the images of weird benches got me hoStudy 6» Performance by Tim Etchells 7:30 - 8:30 pm I like DRAF and the phrase «An in - depth study of the work of British artist Michael Simpson, focussing on his Bench painting series (1989 - 2009)» and the images of weird benches got me hostudy of the work of British artist Michael Simpson, focussing on his Bench painting series (1989 - 2009)» and the images of weird benches got me hooked.

The works of Francis Bacon that can be viewed in the exhibition include Study for Portrait II (after the Life Mask of William Blake), 1955 (pictured), Figure in a Landscape, 1945, Dog, 1952, Reclining Woman, 1961, Study for Portrait on Folding Ned, 1963, Portrait of Isabel Rawsthrone, 1966, Three Figures and Portrait, 1975, Second Version of Triptych 1944, 1988, as well as two sketches from Bacon.

On View February 1 - 26, 2012 in the CCS Bard Galleries ANNANDALE - ON - HUDSON, NY, February 1, 2012 — The Center for Curatorial Studies at Bard College (CCS Bard) is pleased to present RETROACTIVE, an exhibition of site — specific works by Greek artist Antonis... read moreOn View February 1 - 26, 2012 in the CCS Bard Galleries ANNANDALE - ON - HUDSON, NY, February 1, 2012 — The Center for Curatorial Studies at Bard College (CCS Bard) is pleased to present RETROACTIVE, an exhibition of site — specific works by Greek artist Antonis... read moreON - HUDSON, NY, February 1, 2012 — The Center for Curatorial Studies at Bard College (CCS Bard) is pleased to present RETROACTIVE, an exhibition of site — specific works by Greek artist Antonis... read more →

Odette Gregory reviews an exhibition of works by Julian Schnabel at The Brant Foundation Art Study Center, Greenwich, CT, on view through March 2014.

Kelly's sculpture relates to two important early works: Study for Black and White Panels, 1954, a collage created during the artist's time in Paris, and Black Over White, a 1966 painting made in New York City, both of which will be on view in the gallery as part of the opening exhibition.

Works on view are «Numbers and Trees», a project started in 1985, and the «Walnut Tree Orchard» series (1975 - 2014) where the artist first studied the tree as a subject.

Guest curated by Jaroslav Andel and most recently on view at the Reykjavik Museum of Art, this traveling exhibition brings together works by artists who view education as a critical field of study in contemporary society, and who consider creativity an integral part of the learning process.

Center for Curatorial Studies and Hessel Museum of Art, Bard College announces Monogamy — featuring works by Gerard Byrne and Sarah Pierce an exhibition on view March 24 — May 26, 2013.

Cyclicscape a presentation showcasing new ethereal and sublime works by renowned artist Mariko Mori is now on view at the Sean Kelly Gallery.The exhibition includes ten sculptures inspired by Mori's study of the Möbius shapes and the Cyclic Model.

On the occasion of the current exhibit of his working drawings and color studies, which is showing for the first time at Peter Blum SoHo till March 6, 2010, the painter David Reed welcomed Art Editor John Yau to view the works at the gallery a day before the opening reception.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvederon Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvederon - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvederon the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL BelvederOn the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvederon Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image work, and its active migration from cinema screen to gallery installation in such recent works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the immersive video installation Ten Thousand Waves, on view in the Museum's atrium through February 17; and his most recent installation, the seven - screen PLAYTIME.

But compared to Al - Hadid's more grandiose sculptures of exhibitions past, these three works on view feel more like one - off studies, highlighting the experimentation that's integral to the artist's process.

Case Work: Studies in Form, Space & Construction by Brad Cloepfil / Allied Works Architecture is on view through April 17.

Studies, drawings and prints demonstrating Zucker's working process will be on view.

Though linked by technical skill and attention to detail, the work of Elizabeth Lide and Elizabeth Sheppell, on view at Sandler Hudson Gallery through February 25, is a study in contrasts.

Also on view at Frieze is a series of drawings: simple studies of the female form, sketches for sculptures, and plans for performance works.

Fernández's expansive practice, which encompasses sculpture and works on paper as well as site - specific installations, has long involved the study of natural phenomena and context — examining historical and cultural factors that shade our view of our surroundings.

Thomas Hart Benton's mural cycle America Today as well as drawings and studies for the work are on view at The Met Fifth Avenue in Gallery 909 from September 29, 2016 to January 16, 2017.

With its cherished Migration works on loan, Phillips has turned its attention to an important body of Lawrence's work that is under studied and rarely on public view.

On view from 28 February - 7 April 2018, the exhibition features installations, sculptures and video works that reflect Kang's study of the traditional Korean musical notation system Jeongganbo (井間譜).

For each Study Session, an artist, writer, or cultural worker selects a work of art on view in the Whitney's galleries as a departure point for thinking through an urgent question in our contemporary political landscape.

His new works, currently on view at Michael Werner, pivot around two large paintings: A study of a bather in «Red Man (Sings Calypso)» and an eerie nightscape trio in «Two Trees».