Sentences with phrase «xxi secolo»

Group exhibitions include: Lismore Castle, Ireland (2016); Macy Art Gallery, Columbia University, NY (2016); Shirley Fiterman Art Center, NY (2015); La Maison Particulière, Brussels (2014); Carpenter Center for the Visual Arts, Cambridge, MA (2013); Museo del Novecento, Milano, Italy (2012); the MAGA, Museo Arte Gallarate, Gallarate (VA), Italy (2010); MAXXI Museo Nazionale delle Arti del XXI secolo, Roma, Italy (2007); Museum of Contemporary Art, Shanghai, China (2006).

The exhibition is curated by Enrique Juncosa, Director, IMMA, in collaboration with Paolo Colombo, Curator, MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome.

Her work is in the collections of major museums including the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Museum of Contemporary Art, Chicago; Tate Modern, London; Museo nazionale delle arti del XXI secolo, Rome, Italy, and Mudam, Luxembourg City, Luxembourg.

Select group exhibitions featuring his work include Creature, The Broad, Los Angeles (2016); America Is Hard to See, Whitney Museum of American Art, New York (2015); Disembodied, Cleveland Museum of Art, Cleveland, OH (2013); Mike Kelley, Centre Georges Pompidou, Paris (2013); The Royal Family, Hayward Gallery Project Space, London (2012); Off the Wall: Part 1 — Thirty Performative Actions, Whitney Museum of American Art, New York (2010); Spazio: The Scene and the Imaginary, Museo Nazionale delle arti del XXI Secolo, Rome (2010); Looking at Music, The Museum of Modern Art, New York (2008); and California Video, J. Paul Getty Museum, Los Angeles (2008).

He has had solo exhibitions at MAXXI, Museo delle Arti del XXI secolo, Rome (2018); Palais de Tokyo, Paris (2017); Whitworth Art Gallery, Manchester (2016); and Villa Medici, Rome (2016); and has been part of group shows at Museion, Bolzano (2016); Museo Del Novecento, Milan (2016); National Art Gallery, Tirana (2015); and Fondation Beyeler, Basel (2014).

2010 Spazio — From MAXXI's Collections of Art and Architecture, MAXXI — Museo nazionale delle arti del XXI secolo, Rome, Italy 29th Biennial of São Paulo, São Paulo / SP Brazil Here Comes the Sun: Warhol and Art after 1960 in the Norton Collection, Norton Museum of Art, West Palm Beach, FL, USA BUON DOMANI \ A BETTER TOMORROW, Studio Stefania Miscetti, Rome, Italy immagini inquietanti / disquieting image, La Triennale di Milano.

políticas da diversidade sexual na arte, CGAC — Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain sh [OUT]: Contemporary art and human rights, GoMA — Gallery of Modern Art, Glasgow, Scottland Fatal Attraction: Diana and Actaeon — The Forbidden Gaze, Compton Verney, Warwickshire, England The Fallen Angels, Watari — Um, Watari Museum of Contemporary Art, Tokyo, Japan Fotofiesta, Galleri S.E., Bergen, Norway Tresures of Gay Art, The Leslie / Lohman Gay Art Foundation, New York, NY, USA Costanti del classico nell» arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle Catania, Italy Nudes, Galeria Fortes Vilaça, São Paulo, Brasil This is Not a Fashion Photograph: Selections from the ICP Collection, ICP — International Center of Photography, New York, NY, USA Body Image: American Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, USA

MAXXI - Museo Nazionale delle Arti del XXI Secolo, Rome, Italy Ordinary Madness.

The speakers are: Daniel Birnbaum, Director, Portikus, Frankfurt am Main, Iwona Blazwick, Director, Whitechapel, London, Paolo Colombo, Curator, MAXXI, Museo Nazionale delle arti del XXI Secolo, Rome, Douglas Fogle, Curator Visual Arts, Walker Art Center, Minneapolis, Rachael Thomas, Acting Senior Curator: Head of Exhibitions, Irish Museum of Modern Art, Dublin, Ivo Mesquita, Curator, Pinacoteca do Estado, São Paolo, Fumio Nanjo, Deputy Director, Mori Art Museum, Tokyo, Hans Ulrich Obrist, Curator of Contemporary Art, Musée d'Art Moderne de la Ville de Paris, Paris, Kevin Power, Deputy Director, Museo Nacional Centro de Arte Reina Sofia, Madrid, and James Rondeau, Curator for Contemporary Art, The Art Institute of Chicago.

Dreams That Money Can't Buy, MAXXI Museo delle Arti del XXI secolo, Rome Fragments of an unknowable whole, Ohio State University, Columbus

In 2004, the Museum of Contemporary Art in Sydney mounted a selection of the artist's photographs, paintings, books and drawings that traveled to the Museo Nazionale delle Arti del XXI Secolo, Rome and to the Scottish National Gallery of Modern Art.

The site - specific works by the short - listed artists will be exhibited at the MAXXI — Museo Nazionale delle Arti del XXI Secolo — from May 2018, in an exhibition curated by Giulia Ferracci.

He has been the subject of major international exhibitions over the last 40 years, most recently at the Palazzo Cini, Venice (2015) and a retrospective simultaneously presented at three Italian institutions: MADRE — Museo d'Arte Contemporanea Donnaregina, Naples, GAM — Galleria Civica d'Arte Moderna e Contemporanea, Turin, and MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (all 2014).

Traveled to: Mori Art Museum, Tokyo, May 29 — August 8, 2004; Museo Nazionale delle Art del XXI Secolo, Rome, November 5, 2004 — February 6, 2005.

Her work is to be found in numerous collections, including the Collection Lambert, Avignon; MAC / VAL, Vitry - sur - Seine; Fondation Kadist, Paris; Musée Nicéphore Niépce, Chalon - sur - Saône; CNAP, France; MAXXI Museo nazionale delle arti del XXI secolo, Rome; Kiasma Museum of Contemporary Art, Helsinki; Hasselblad Center, Gothenburg; Moderna Museet, Stockholm.

His work was featured in the 2007 Venice Biennale and a recent retrospective toured venues such as MAXXI, Museo Nazionale delle arti del XXI Secolo, Rome, Italy, the Irish Museum of Modern Art, Dublin, Ireland and the Pinacoteca do Estado in São Paolo, Brazil.

Notable solo exhibitions include Iran do Espirito Santo, Pinacoteca do Estado, São Paulo, Brazil (2007); toured to MAXXI (Museo Nazionale delle Arti del XXI Secolo) and a further self - titled show at the Irish Museum of Modern Art, Dublin, Ireland (2006).

Her work is in the collections of major museums including the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; the Museum of Contemporary Art, Chicago; Tate, London; Museo Nazionale delle Arti del XXI Secolo, Rome; and Mudam, Luxembourg.

Select group exhibitions include: The problem with having a body / is that it always needs to be somewhere, The Approach, London (2017); Scarlet Street, Lucien Terras, New York (2016); Background / Foreground, Galerie Nordenhake, Stockholm (2016); Synecdoche, Jessica Silverman Gallery, San Francisco (2015); Dreams That Money Can't Buy, MAXXI Museo delle Arti del XXI secolo, Rome (2014) and We seem to still be moving, Simone Subal Gallery, New York, NY (2013)..

Paolo Colombo, Curator of MAXXI, Museo Nazionale delle Arti del XXI Secolo, Rome, Italy Thelma Golden, Deputy Director, Exhibitions and Programs, The Studio Museum, Harlem, USA Gerardo Mosquera, independent curator and art critic, based in Havana, Cuba Jenni Spencer - Davies, Curator, Glynn Vivian Art Gallery, Swansea, Wales

Her works are also present in prestigious permanent collections, including those of the Guggenheim Museum in New York, the Centre Pompidou in Paris, the Fondazione Sandretto Re Rebaudengo, and the Castello di Rivoli in Turin, and the MAXXI — Museo Nazionale delle Arti del XXI Secolo in Rome.

From 1989 to 2000, he was Director of the Centre d'Art Contemporain in Geneva, and from 2001 to 2007, he was Curator of the Museo Nazionale delle Arti del XXI Secolo in Rome.

Futurefarmers» work has been exhibited at the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Solomon R. Guggenheim, New York; MAXXI Museo nazionale delle arti del XXI secolo, Rome; the New York Hall of Science; and the Walker Art Center, Minneapolis.

He has held numerous solo shows, in his home country, as well as abroad at institutions such as the Cincinnati Contemporary Arts Center (2003) and MAXXI — Museo nazionale delle arti del XXI secolo — in Rome (2005).

Group exhibitions (selection): Berlin Biennale (2016); MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (2015); ZKM Center for Art and Media, Karlsruhe (2015); Gemeentemuseum Helmond (2014); São Paulo Biennial (2014); MoMA / PS1, New York (2014); Istanbul Biennial (2013, 2005); Centros Culturais Banco do Brasil, Rio de Janeiro / São Paulo (2011); ARTER, Istanbul (2010); Sharjah Biennial (2009); Centre Georges Pompidou, Paris (2008); documenta 12, Kassel (2007); Istanbul Modern (2007).

Sikander has had major solo exhibitions throughout the world, including at, amongst others, MAXXI Museo nazionale delle arti del XXI secolo, Rome (2016); the Asia Society Hong Kong Center, Hong Kong (2016); the Guggenheim Museum, Bilbao (2015); the Smithsonian American Art Museum, Washington D.C. (2012); the Museum of Contemporary Art, Tokyo (2010); the Irish Museum of Modern Art, Dublin (2007); the Museum of Contemporary Art, Sydney (2007); the Miami Art Museum, Miami (2005); and at the San Diego Museum of Art, California (2004).

She was also one of the 4 finalists of the third Premio MAXXI, promoted by the Museo Nazionale delle Arti del XXI Secolo.

Iran do Espírito Santo has exhibited extensively worldwide, his work was featured in the 2007 Venice Biennale and a recent retrospective toured venues such as MAXXI, Museo Nazionale delle arti del XXI Secolo, Rome, Italy, the Irish Museum of Modern Art, Dublin, Ireland and the Pinacoteca do Estado in São Paolo, Brazil.

Her work can be found in the permanent collections of many prestigious institutions worldwide, including the Art Gallery of New South Wales, Australia; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; MAXXI Museo nazionale delle arti del XXI secolo, Rome; the Metropolitan Museum of Art, New York; the Museum of Fine Arts Boston; the Museum of Contemporary Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; the Philadelphia Museum of Art; the Solomon R. Guggenheim Museum, New York; the Royal Ontario Museum, Canada; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, amongst others.

by Jens Hoffmann and Adriano Pedrosa, Istanbul, Turkey 2010 «Restless empathy», Aspen Art Museum, Aspen, USA «The traveling show», Fundación / Colección Jumex, México D.F. 2009 «Making Worlds / Fare Mondi», 53rd Venice Biennial, Venezia, Italy «Provisions for the future», 9th Sharjah Biennial, Sharjah, UAE SELECTED PUBLIC COLLECTIONS Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli (Torino), Italy MAXXI, Museo Nazionale Della Arti del XXI Secolo, Roma, Italy FRAC Languedoc - Roussillon, Montpellier, France MUSAC, Museo De Arte Contemporaneo De Castilla Y León, Spain Deutsche Bank Collection, Milan, Italy MAMbo, Museo d'Arte Moderna di Bologna, Italy Collezione Maramotti, Reggio Emilia, Italy Rennie Collection, Vancouver, Canada Queensland Art Gallery & Gallery of Modern Art, South Brisbane, Australia Walker Art Center, Minneapolis, USA SELECTED BIBLIOGRAPHY 2018 «Lara Favaretto» by Adam Carr, «Lara Favaretto: Post-Arte Povera» by Courtney J. Martin Published by Rennie Collection 2016 «Lara Favaretto: Ageing Process», Edited by Lara Favaretto.

The Museo Nazionale delle Arti del XXI Secolo (MAXXI; National Museum of 21st Century Arts) in Rome has chosen Einstein as the figurehead of its latest exhibition, entitled Gravity.

Not exact matches

In 2010 he organized a survey exhibition of the work of the Italian artist Michelangelo Pistoletto, a collaboration between the Philadelphia Museum of Art and MAXXI (Museo nazionale delle arti del secolo XXI), where it traveled in the spring of 2011.