Sentences with phrase «xxiv congresse»

[xxiv]

On Thursday, 13 November, campaign representatives will hold a media briefing for UN-accredited members of the Association des Correspondents Aupres des Nations Unies (ACANU) at 11:00 am in the Press Library, then hold a side event briefing for CCW delegates at 2:00 pm [note new time] in Room XXIV.

Campaign representatives will address the general debate on the opening day as well as side event briefings for CCW delegates including media in Conference Room XXIV at 13:00 on Wednesday, 13 April, Thursday, 14 April, and Friday, 15 April.

Each arm below elbow joint xxiv.

Junior: Edward Cumming, XXIV Old Buildings Silk: Joanna Smith QC, Wilberforce Chambers Set: Wilberforce Chambers

Edward Cumming, XXIV Old Buildings Gregory Denton - Cox, 4 Stone Buildings Watson Pringle, Maitland Chambers

1868 xxiv, 715 p.; 26 cm.

IPCO was represented by Tim Mould, partner, and Kieran Fano, solicitor, at Goodman Derrick, who instructed Michael Black QC and Edward Knight of XXIV Old Buildings.

Tom Montague - Smith QC of XXIV Old Buildings, London chaired the conference and started the proceedings with the Opening Address.

This was followed by Michael Black QC of XXIV Old Buildings giving the 1st Key Note speech on «Recent Developments Affecting Arbitration in the MENA Region».

Chambers of the Year 39 Essex Chambers Essex Court Chambers Hardwicke Quadrant Chambers Radcliffe Chambers Serle Court Wilberforce Chambers XXIV Old Buildings

Finalists: 39 Essex Street, Essex Court Chambers (highly commended), Hardwicke, Quadrant Chambers, Serle Court, Wilberforce Chambers, XXIV Old Buildings

There are 12 QCs in the ranking, including Gilead Cooper and Robert Ham of Wilberforce Chambers, Shan Warnock - Smith of 5 Stone Buildings, and Elspeth Talbot Rice of XXIV Old Buildings.

Attendees at the 2014 Trust & Estates Litigation Forum - including Elspeth Talbot Rice QC of XXIV Old Buildings, Baker & McKenzie trust disputes head Anthony Poulton and Shan Warnock - Smith QC of Five Stone Buildings - discuss the appeal of the annual event.

Paul Hewitt, Paola Fudakowska of Withers LLP & Adam Cloherty of XXIV Old Buildings.

Akerman is a sponsor of the American Society for Pharmacy Law's «2013 Developments in Pharmacy Law Seminar XXIV.»

New provisions are added to Part XXIV (Collection) to allow the Director to accept security for amounts owing under the Act, issue warrants collecting money pursuant to an order under the Act or registering a lien respecting money owed pursuant to an order under the Act.

Maybe you'll get around to explaining all that in Part XXIV of your expose.

[xxiv]

2002 - 03 From Blast To Frieze: A Century of British Art, Kunstmuseum Wolfsburg; Les Abattoirs, Toulouse 2002 Face / Off, Kettle's Yard, Cambridge XXIV Bienal de São Paulo 2001 Out of line: Drawings from the Arts Council Collection, Hayward Gallery, London; York City Art Gallery, York La Otra Britania, Centro Cultural Tecla Sala, Barcelona 2000 British Art Show 5, Edinburgh; Cardiff; Birmingham; Southampton Diary, Cornerhouse Gallery, Manchester Purile 69, Living Art Museum, Reykjavik 1999 Waste Management, Art Gallery of Ontario, Toronto Trace and Art Lovers, The Liverpool Biennial of Contemporary Art 1997 Sensation: Young British artists from The Saatchi Collection, Royal Academy of Arts, London; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Brooklyn Museum of Art, NY Material Culture: The Object in British Art of the 1980s and 90s», Hayward Gallery, London 1996 Ace!

General Idea has exhibited in the Canadian Pavilion at the 40th Venice Biennale, Venice (1980); the 4th Biennale of Sydney, Sydney (1982); Documenta 7, Kassel (1982); XXIV Bienal de São Paulo, São Paulo (1998).

In Tim Rollins and K.O.S.'s Winterreise (songs XX - XXIV)(after Schubert), the other side of loss and sadness becomes hope.

«Miami Arts Project,» Miami, FL, January — March, 1998; brochure «I'm Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green,» Women's 20th Century Club, Eagle Rock, CA, February 14 — March 14, 1998 «Postcards from Black America,» Breda, De Beyerd Museum, Breda, The Netherlands, 1998; catalogue «Núcleo Historico, XXIV Bienal de São Paulo,» curated by Paulo Herkenhoff, São Paulo, Brazil, 1998 «100 Years of Sculpture: From Pedestal to Social,» Walker Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislaine Hussenot, Paris, France, 1998 «Heart, Mind, Body, Soul,» Whitney Museum of American Art, New York, NY, 1998 «Cut on the Bias: Social Projects of the 90's,» from the Permanent Collection: The Fabric Workshop and Museum, Philadelphia, PA, 1998 «Histories (Re) Membered: Selections from the Permanent Collection of the Bronx Museum,» Paine Webber Art Gallery, New York, NY, 1998 «100 Years of Sculpture: From pedestal to Social,» Walker Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislane Hussenot, Paris Miami Art Project, Miami, FL, 1998 «Hindsight: Selections from the Permanent Collection,» Whitney Museum of American Art, New York, NY, 1998 «A Portrait of Our Times: An Introduction to the Logan Collection,» San Francisco Museum of Modern Art, San Francisco, CA, 1998

1998 XXIV Bienal Internacional de São Paulo, Brazil Recent Acquisitions, Contemporary Art Collections, Arizona State University Art Museum, Nelson Fine Arts Center, Phoenix, USA Amnesia, Christopher Grimes Gallery and Track 16, Santa Monica, USA, traveled to the Contemporary Arts Center, Cincinnati, USA, Biblioteca Luis Angel Arango, Bogota Colombia, Contemporary Arts Museum, University of South Florida, Tampa and Bronx Museum of the Arts, Bronx, USA Chicago Hip, Rocket Gallery, London, England Then and Now, Terrain Gallery, San Francisco, USA

Salcedo has also been included in notable group exhibitions internationally including: XXIV São Paulo Biennial (1998); Documenta XI, Kassel (2002); 8th Istanbul Biennial (2003); «NeoHooDoo,» PS1 Contemporary Art Center, New York and The Menil Collection, Houston (2008); and «The New Décor,» Hayward Gallery, London (2010).

Marina Pinksy, detail, Dyed Channel, view on Landscape Pharmakon XXIV, 2015, Kunsthalle Basel, 2016.

Marina Pinksy, installation view, Dyed Channel, view on Landscape (Pharmakon I — XXIV), 2014 — 15, Kunsthalle Basel, 2016.

Doris Salcedo has exhibited in group and solo exhibitions internationally including 8th Istanbul Biennial (2003), Documenta XI (2002) and XXIV São Paolo Biennial (1998).

The artists participated in the VII Havana Biennial, the XXIV biennial in Sao Paulo, Brazil, and the III Interamerican Biennial in Lima, Peru, Allora and Calzadilla represented the United States in 2011 Venice Biennale.

XXIV, NO. 2, 1956 — 57

[xxiv]

His Dynamic Universe XXIV (1970) exemplifies an inventive technique he devised by combining water and car paint in shallow vats.

She has participated in numerous international biennials and festivals, including the 5th International Istanbul Biennial, Turkey (1997); the 2nd Johannesburg Biennale, South Africa (1997); XXIV Biennale of Sao Paolo, Brazil (1998); SITE Santa Fe, NM (1999); and the First Liverpool Biennial of Contemporary Art, England (1999).

Prendere, dare, sbirciare nel museo, MAMbo, Bologna, Italy, 2009) and he took part to countless group shows (La festa dei vivi (che riflettono sulla morte), organized for AND AND AND inside: dOCUMENTA (13), San Cesario, Italy, 2011; Declining Democracy, Centro di Cultura Contemporanea Strozzina, Firenze, Italy, 2011; Sleepover, Serpentine Gallery, London, UK, 2010, Democracy1, Royal College of Art, London, UK, 2000, Aperto» 90, XXIV Venice Biennale, Italy, 1990).

Recent exhibitions include «Ailleurs / Ici» Musee d'Art Moderne de la Ville de Paris; «Common Wealth» Tate Modern, London; «Puerto Rican Light» The America's Society, NY; XXIV Sao Paolo Biennale, Brazil; PS1 Contemporary Art Centre, NY.

He is working on a poetry EP called XXIV Humans to be released in 2018 as well as a solo exhibition at American Medium (Fall 2018).

6 June — 30 September: For the XXIV Biennale di Venezia — the first Biennale of the postwar period — Calder's Arc of Petals is included in a presentation of Peggy Guggenheim's collection curated by art historian Giulio Carlo Argan.

Among other now classic modern masters in this auction is Willem de Kooning (1904 - 1997), whose «Untitled XXIV» is Lot 31.

Following his residency at ArtPace, Geers exhibited at the Center for Curatorial Studies at Bard College, Annandale - on - Hudson, New York and participated in the XXIV Sao Paulo Bienal.

Polygon XXIV, 2015.

Breitz has exhibited in many biennales including the Taipei Biennale 2000, Taiwan; Kwangju Biennale 2000, Korea; 6th International Istanbul Biennial 1999, Turkey; the XXIV Bienal de São Paulo 1998, Brazil; and the Johannesburg Biennale 1997, South Africa.

Group exhibitions include the 8th International Istanbul Biennial, Turkey (2003); 50th Venice Biennale, Italy (2003); and XXIV Bienal de São Paulo, Brazil (1998).

Since participating at the XXIV Biennale in São Paolo (1998), the Venice Biennale (2001), and the Documenta XI (2002), the Dutch artist (born 1968) has emerged as one of the most distinctive and independent positions within the international sculptural practice of the present day.more

In 1998 Chieh - jen exhibited at the XXIV Bienal de São Paulo, Brasil, In 2002 his work Lingchi - Echoes of a Historical Photograph was presented at the 2002 Taipei Biennial.

1949 XXIV Venice Biennale, Venice, Italy Milestones of American Painting in our Century, Institute of Contemporary Art, Boston, MA; Art Association of Montreal, Montreal, Quebec; Colorado Springs Fine Arts Center, Colorado Springs, CO; M.H. de Young Memorial Museum, San Francisco, CA; Los Angeles County Museum, Los Angeles, CA; Cleveland Museum of Art, Cleveland, OH Annual Exhibition of Contemporary American Sculpture, Watercolors & Drawings, Whitney Museum of American Art, New York, NY Artists» Choice: Watercolor Show, St. Botolph Club, Boston, MA Morris Graves... Mark Tobey, Margaret Brown Gallery, Boston, MA The Intransubjectives, Samuel M. Kootz Gallery, New York, NY

Indicative of his mature style and inspired by a hugely productive stay in the Italian town of Voltri near Genoa in 1962, Voltron XXIV (above), which is offered from the collection, exhibits the artist's interest in geometric abstraction on a large scale.

«Untitled XXIV», 2007 ink on paper with radio 65 x 49 cm (framed: 84.5 x 64.5 x 4.5 cm) & «Untitled XIV», 2007 ink on paper with radio 65 x 49 cm (framed: 84.5 x 64.5 x 4.5 cm) installation view Galerie Buchholz, New York 2018

Milhazes has participated in numerous biennials worldwide, including Prospect.1, New Orleans Biennial, Louisiana State Museum, Louisiana (2008); Shanghai Biennial, Shanghai Art Museum, Shanghai (2006); XXIV Bienal Internacional de São Paulo, São Paulo (1998); Biennale of Sydney, Sydney (1998) and Carnegie International, The Carnegie Museum of Art, Pittsburgh (1995).

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

Mulcaire's work has been exhibited widely, including the XXIV Sao Paulo Bienal in 1998, the Biennale of Sydney in 2004, Art Unlimited at Art Basel in 2008 and the 2nd Bienal del Fin del Mundo in Ushuaia, Tierra del Fuego, Argentina in 2009.