Sentences with phrase «xxxii biennale»
2000 Bernard Jacobson Gallery, London Ameringer Howard Gallery, New York «Circles» 2001 Southern Vermont Art Center, Manchester, VT. «Noland's Nolands» 2001 Pace Prints, Kenneth Noland «New Editions» Bernard Jacobson Gallery, London 2002 Farnsworth Museum, Maine / Naples Museum of Art, Florida «Kenneth Noland: Themes and Variations» 2003 Chac - Mool Gallery, Los Angeles, CA Ameringer / Yohe Gallery, New York 2004 Museum of Fine Art, Houston, Houston Texas 2005 Fumagalli Gallery, Bergamo, Italy 2006 Ameringer / Yohe Gallery, New York «360 Degrees on the Wall» SELECTED GROUP EXHIBITIONS (incomplete) 1964 «Painting and Sculpture of a Decade, 1954 - 1964,» The Tate Gallery, London, April 22 - June 28 «XXXII Biennale,» Venice, June 20 - October 18 1965 «The Responsive Eye,» Museum of Modern Art, New York, February 23 - April 25.
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, Marlborough Fine Art, London, January 1962 (40) as «Peinture verte et noire»; XXXII Biennale, Venice, June - October 1964 (Room XII, 13 repr.)
Inscribed on the stretcher» «GIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, repr.)
Not exact matches
Rauschenberg and officials at the Grand Prize in Painting presentation ceremony, «XXXII Esposizione Biennale Internazionale d'Arte,» Venice, June 19, 1964.
Throughout the 1960s and 70s, his work was included in a number of significant exhibitions that proved to define the art of the time, including Geometric Abstraction (Whitney Museum of American Art, New York, 1962), Toward a New Abstraction (The Jewish Museum, New York 1963), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), XXXII Venice Biennale (1966), Dokumenta 4 (1968), New York Painting and Sculpture 1940 - 70 (Metropolitan Museum of Art, New York, 1970), Structure of Color (Whitney Museum of American Art, New York, 1971).
He gained international exposure at the XXXII Venice Biennale, leading to his first retrospective at the Boyman's Museum, Rotterdam in 1964.
He has exhibited at Kunstmuseen Krefeld, Krefeld (2016), XXXII Biennial of São Paulo (2016), Gasworks, London (2015); 13th Lyon Biennale, Lyon (2015); 10th Gwangju Biennale, Gwangju (2014); Tate Modern, London (2014) and Castello di Rivoli, Torino (2013), among others.