In the largest work in the exhibition Sorry for the metaphor # 2, the artist has created a photomural using
Xeroxed sheets applied directly to the wall.
Not exact matches
Intended as a publication maquette, the original pasteup (owned by the Metropolitan Museum of Art) is composed of eighteen 8 1/2 x 11 «
sheets of paper collaged with
xeroxed photos and texts, typed text on notebook pages, handwriting, and tape; in the version exhibited here, these pages were reproduced as photostats on nine 20 x 24» panels.
To achieve the clotted density of
xeroxed text, Jack Whitten dragged afro combs and saws through thick
sheets of black and white paint.