Sentences with phrase «york early music»

Not exact matches

Stephanie Oh fought for a few years in her early 20s to break into the music industry in New York City, but last year grew disenchanted with her stagnant career in administration of music - talent management firm.

I love tango music and I remember looking up classes in New York back in the early nineties.

The debate is being held at the national Centre for early Music, St Margaret's Church, Walmgate, York.

Hip - hop diva Kelis discusses her life and career in music, from the early days with various bands in New York to the launch of her solo career with the single Caught Out There, which established her as a leading light on the music scene.

Jenkins was a real person, a rich socialite and music lover who lived in New York in the early 20th century and enjoyed performing amateur operatics, which is all well and good, except she was a terrible singer: always off - key, probably tone - deaf, and worst of all, she chose really difficult pieces to sing that would have challenged even talented professionals.

New York production company Ghost Robot has been working with filmmaker / actor Benjamin Dickinson's projects for years, including music video, commercials and an earlier feature, First Winter (2012).

In New York City, LGBTQ youth - of - color gather out on the Christopher Street Pier, practicing a performance - based artform, Ballroom, which was made famous in the early 1990s by Madonna's music video «Vogue» and the documentary «Paris Is Burning.»

In addition to the show he's developing alongside Mick Jagger about the New York music scene in the»70s, the director is also working on a prequel series to Shutter Island set in the early 20th century.

BOOM FOR REAL The Late Teenage Years of Jean - Michel Basquiat Description: Sara Driver's documentary is both a celebration of and elegy for the downtown New York art / music / film / performance world of the late 1970s and early»80s, through which Jean - Michel Basquiat shot like a rocket.

Jarmusch and Swinton discussed the film in in New York and music fans take note, that fantastic soundtrack, by Jozef van Wissem and Jarmusch's drone rock band Sqürl, should be out sometime in early January according the filmmaker.

Created by the New York animators the Fleischer Brothers (Max, the eldest of the three, produced; Lou animated and later supervised the music; their little brother, Dave, directed), she was, as the animation historian Donald Crafton puts it in his recent study, «Shadow of a Mouse» (University of California Press), «one of the earliest cartoon characters to be a fully fleshed - out human being and the only classic» toon star generated as female (neither Minnie nor Daisy were leading ladies).»

For the latter shows, Greenwood will play the ondes Martenot (an early 20th century amplified keyboard) alongside Wordless Music Orchestra, a 50 - piece New York band, as Paul Thomas Anderson's brooding film plays on a 50 - foot movie screen in the United Palace Theater; those performances will take place September 19th and 20th.

US online giant Amazon is preparing to launch a streaming music service as early as this week, the New York Times reported Wednesday.

Although Poons gave up musical composition, he played guitar with The Druds, a short - lived avant - garde noise music art band that featured prominent members of the New York proto - conceptual art and minimal art community in the early 1960s.

A work subtitled «Future Futurism» by early New York graffiti artist Rammellzee shows tartness, as do two «Freehand Watermark Tracings» by influential music composer Steve Reich.

Namely, he played guitar with The Druds, a short - lived avant - garde noise music art band that featured prominent members of the New York proto - conceptual art and minimal art community in the early 1960s.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Living in New York City in the late 1970s and early «80s, Wool immersed himself deep into the underground film and music scene that centered around the East Village, finding a kind of nihilistic camaraderie in the punk rock aesthetic that thrived amidst the city's crumbling decay.

A leading documentary photographer who was active in the New York Photo League in the 1930s, Siskind moved beyond the social realism of his early work as he increasingly came to view photography as a visual language of signs, metaphors, and symbols — the equivalent of poetry and music.

As a child he showed an early interest in art, science and music, and in 1936 he enrolled at Franklin School for Boys, New York.

I was a great admirer of his position in the 1960s New York art music scene and also of his early structural and demonstrational films (such as the famous «flicker» film and his «cooked» films).

[21] Earlier, Johns also wrote neodada lyrics for The Druds, a short - lived avant - garde noise music art band that featured prominent members of the New York proto - conceptual art and minimal art community.

George Maciunas, considered the founder of Fluxus, met many of the early members of the movement while enrolled in an experimental music class taught by John Cage at the New School for Social Research in New York.

Wolff left New York in the early»50s for studies in classics and comparative literature at Harvard, and in the 1960s went through a political radicalization that brought him into contact with a group of younger composers, including Cornelius Cardew and Frederic Rzewski, who worked to incorporate political content into their music.

Seeking a remedy to this mode of representation, we may move down to the second floor and find the display on 1980s drag culture and New York house music, or Sherrie Levine's critical watercolour homages to modern art masterpieces, reminding us again of Léger, and (especially via the impassioned chauvinist Kazimir Malevich) the restrictions on women in early modern art.

Drawing inspiration from her own experience, including the Southern California surf culture of her childhood, the San Francisco beatnik era of her teen years, the punk and new wave music scenes of 1970s and early 80s New York, and her formal training as a sculptor and ceramist, Heilmann incorporates a complex amalgam of personal references, cultural influences, and craft traditions in an artistic practice that includes painting, painted ceramics, and constructed furniture.

Luanda - Kinshasa expands Douglas's interest in the African origins of the music scene in New York in the early 1970s.

The Infinite Mix brings together major audio - visual artworks from ten leading international artists including Stan Douglas, whose six - hour film Luanda - Kinshasa, 2013, expands upon his interest in the African origins of the early 1970s New York music scene, while exploring the synthesis of cultural histories.

After its debut in New York and Seattle on October 2, the iTunes Wi - Fi Music Store will continue its national rollout to 350 Starbucks stores in the San Francisco Bay area on November 7; 500 stores in Los Angeles in early February 2008; 300 stores in Chicago in March 2008; and additional markets throughout the US later in 2008.

The streaming music firm debuted its stock, SPOT, on the New York Stock Exchange earlier this week, and has been recruiting new staff with expertise in hardware development.

Early Career: Adjunct Instructor, Graphic Design, Rochester Institute of Technology, Rochester, NY — 1998 - 1999 Workshop, Desktop Publishing Trainer, COMP USA, Orange, CT — 1994 - 1995 Visual Communications Consultant — Universal Music Group, New York, NY — 1997 - 1998 EDUCATION M.F.A., Computer Graphics Design — Rochester Institute of Technology, Rochester, NY 2000 B.S., Graphic Design — Southern Connecticut State University, New Haven, CT 1985 Education Technology — Walden University, Baltimore, MD 2006 - Present Continuing Education — Towson University, Towson, MD 2005 - 2006 Continuing Education — University of Baltimore, Baltimore, MD 2000 - 2002 Continuing Education — Pratt Institute, Brooklyn, NY 1987 - 1988 Continuing Education — Yale University Summer Program, New Haven, CT 1986