Sentences with phrase «years documenta»

documenta Manual, 50 years documenta 1955 - 2005, ed.

The 2005 Kunsthalle Fridericianum exhibition «50 Years Documenta 1955 — 2005», which was curated by Michael Glasmeier, used the anniversary dynamically: rather than a literal reincarnation of the previous 11 exhibitions, Glasmeier presented an exhibition with «five chapters», which were «interacting and complimentary».

Not exact matches

In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.

Her work, which was the subject of a survey at the Museum of Modern Art in 2012, was most recently on view in last year's Documenta, in Kassel, Germany.

He represented Austria in the 1990 Venice Biennale and has been included in many important exhibitions, i.e. «Westkunst», «Sculpture Project — Muenster», «Aperto 1988», «Zeitlos», «Metropolis» as well as this year's «Documenta IX»

Working in performance, installation, sculpture, video, and poetry, he has been making art for over thirty years and has exhibited internationally, including the 1995 and 2001 Venice Biennales, Documenta X (1997), Biennale of Kwangju (2000), and the 16th International Bienal of São Paulo (1981).

Twenty years after the First Cyberfeminist International at Documenta X, what does Cyberfeminism look like in 2017?

This year, the participants of dOCUMENTA (13) fell into nearly 80 official categories, including agroecologist, economist and psychoanalyst.

Paradise Omeros was much celebrated at last year's Documenta 11 in Kassel, Germany and has its UK premiere at the Edinburgh Festival this summer.

His contribution to Documenta 14, the prestigious international exhibition in Kassel, Germany — and this year also in Athens — is the slyly subversive «Whispering Campaign,» featuring performers who walk the streets of both cities, confiding in strangers the artist's elliptical yet biting aphorisms about race and color.

It was a fitting gesture considering the restorative origins of the first dOCUMENTA in 1955, which reintroduced modern art to Germany after years -LSB-.....]

It was a fitting gesture considering the restorative origins of the first dOCUMENTA in 1955, which reintroduced modern art to Germany after years of banishment under the Nazi regime.

The work stems from 1992: a pivotal year that saw Richter's breakthrough retrospective at the Tate Gallery, London and his landmark exhibition at Documenta IX.

Last year, Theaster Gates and a team of collaborators took over a run - down building in Kassel, Germany called Huguenot House, renovating the space for performances and creative interventions as part of 12 Ballads for Huguenot House, the artist's contribution to dOCUMENTA (13).

(Chittaprosad's work was included in Documenta in Kassel, Germany, last year in a section titled «Hunger.»)

Recommended reading Pope L has received a lot of attention this year for his contributions to Documenta and the Whitney Biennial, and is now the subject of an exhibition at Manhattan's Mitchell - Innes & Nash gallery.

In the same year she took part in Documenta 7th.

His contribution to Documenta 14, the prestigious international exhibition in Kassel, Germany — and this year also in Athens — is the slyly subversive «Whispering Campaign,» featuring performers who walk the streets of both cities, confiding in strangers the artist's elliptical yet biting aphorisms about race and color from his word - based «Skin Set» drawings.

Summer tends to be a relatively quiet season art-wise, but this year major international events — Venice Biennale, Documenta 14, and Art Basel — are coinciding with compelling gallery and museum exhibitions featuring works by black artists.

Calderara's work was included in the Venice Biennale in 1948 and in 1969, in Documenta 4 in 1968, and a retrospective the following year at Kunstmuseum Lucerne confirmed his status as an artist of international importance.

2016 looks to be a relatively low - key year for art tourism; there's no Whitney Biennial (postponed to 2017), no Venice Biennale, no Pacific Standard Time, and no dOCUMENTA.

Of the prestigious pool of nearly 70 leading thinkers who nominated artists for the survey, there were nine sitting museum directors (among them the heads of the Pompidou, Tate Modern, Palais de Tokyo, and Haus der Kunst); the philosopher - critics Boris Gorys and Theirry de Duve; the director of Frankfurt's influential Städelschule art school; the art critic Dave Hickey, Frieze editor Jennifer Higgie, and Texte zur Kunst editor Isabelle Graw; and the curators of that year's dOCUMENTA, Gwangju Biennial, and following year's Venice Biennale.

The highest new entry, at 21, is the Polish curator Adam Szymczyk, who will be in charge of the next Documenta, the hugely influential contemporary art show which is held in Kassel, Germany, every five years.

Also given prominent spaces are Channa Horowitz, who died last year, with large - scale, intricately constructed ink drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf) in Doha coming up later in March.

Her work has also been featured in such international surveys as the Biennale of Sydney (1976); Documenta 6, Kassel, Germany (1977); the Venice Biennale (1978, 1980, 2001), and more recently The Last Freedom: From the Pioneers of Land Art of the 1960s to Nature in Cyberspace, Ludwig Museum, Koblenz, Germany (October 16, 2011); Systems, Actions & Processes: 1965 - 1975, PROA Foundation, Buenos Aires (through September, 2011); Erre: Variations Labyrinthiques, Centre Pompidou, Metz (September 12, 2011 - March 5, 2012); and Light Years: Conceptual Art and the Photograph: 1964 - 1977, Art Institute of Chicago (December 11, 2011 — March 11, 2012).

Over the past five years, the artist's large sculptures, often built from repurposed materials found in blighted urban neighborhoods, have featured in a rash of major surveys that gather the world's most progressive work — 2010's Whitney Biennial, 2013's dOCUMENTA, and 2015's Venice Biennale.

His work was included in the Whitney's 1959 traveling exhibition Nature in Abstraction, and that same year, his work was shown at Documenta II in Kassel, Germany.

Hauser's most recent signing is Geta Bratescu, the 91 year - old Romanian artist who showed at Documenta and represented Romania at the Venice Biennale this year alone.

From the mid-1960s until Ossorio's death in 1990, his work was included in numerous exhibitions in the United States and abroad, including Documenta III in Kassel, Germany (1964); Contemporary American Sculpture at the Whitney Museum of American Art, New York (1966); Dada, Surrealism, and their Heritage, atraveling exhibition organized by the Museum of Modern Art in New York (1968); 30 Years of American Art at the Whitney Museum (1977); and Alfonso Ossorio 1940 - 1980 at the Guild Hall Museum in East Hampton (1980).

The year 2007 was packed with major art events: Venice Biennale, Documenta, Sculpture Projects.

Both a five - channel video installation for Documenta 2012, and a live music piece for the Festival d'Avignon that same year, REFUSE THE HOUR — narrated by Kentridge and composed by his longtime collaborator Philip Miller — begins with the myth of -LSB-...]

She is shortlisted for an exhibition in California and her participation in this year's Documenta contemporary art festival.

It is of course the year when the Venice Biennale, Documenta and the Muenster Sculpture Project are all taking place.

In this year's Documenta, an entire room in Kassel was devoted to the work of Annie Sprinkle, the sexual activist who 15 years ago was seen as fodder for exploitation TV such as Eurotrash.

This month, fans will have the chance to see his impressively oppressive handiwork at On Stellar Ray's first group show of the year, «Rotrixagatze,» albeit at a scale suited for the Lower East Side and not, say, dOCUMENTA.

Based in the German city of Kassel, this year's edition of Documenta directed by Adam Szymczyk was held across both Kassel and the Greek capital of Athens — a controversial and expensive decision that is now being blamed for the deficit.

That year, he outlined an entire gallery in ultraviolet light at Documenta 4 in Kassel.

The Documenta show in Germany this year included many historic works, ranging from ancient stone figures to still lives by the 20th - century Italian painter Giorgio Morandi.

The Documenta exhibitions in Kassel, for instance, have been held since 1955 at four - or five - year intervals.

Banu Cennetoğlu was a highlight for me at last year's documenta 14 in both Athens and Kassel.

When Frieze Masters opened two years ago it was a very of - the - moment event, combining contemporary and classical art in a single setting in a way that has become increasingly voguish among curators — just look at the last Venice Biennale or dOCUMENTA, for example.

Selected group exhibitions include the Venice Biennale in 2003, the Lyon Biennale in 2005, Geo - graphics, A Map of Art Practices in Africa, Past and Present, Bozar, Brussels, 2010, The Future of Tradition — The Tradition of Future, Haus der Kunst, Munich, 2010, Liverpool Biennale, 2012, Documenta (13), Fridericianum Museum, Kassel, 2012, Performing Histories (1), MoMA, New York, 2012 and After Year Zero, Haus der Kulturen der Welt, Berlin, 2013.

Artists call for new supervisory structure for Documenta Artists including Christian Boltanski and Hans Haacke have signed a petition calling for an end to the «profit obsession'they perceive as having dogged this year's financially troubled edition of the quinquennial event.

Anyone who visited this year's Documenta learned that.

While the traditional model is a biennial — occurring every two years — other exhibitions occur over varying time frames such as every three (like the schedule Prospect New Orleans has since adopted), five (documenta), or even ten years (Skulptur Projekte Münster).

The world's most important series of contemporary art exhibitions that takes place every five years, documenta 14 was held this year in Kassel and Athens, but not without controversies.

This year Ndikung was elected curator - at - large for Documenta 14 in Athens and Kassel, which has already garnered a reputation for its experimental, conceptual and intentionally deceiving curatorial techniques — a reputation Ndikung is sure to uphold.

She also coordinated and facilitated gallery exhibitions, solo exhibitions at institutions, artist presentations at Documenta and biennales, and the production of various publications, in addition to representing the gallery for 11 years at major art fairs around the world.

In Friedrichsplatz, Argentinean artist Marta Minujin has recreated a life - sized Parthenon out of banned books, while in the city's former underground train station Nikhil Chopra's film and painted panorama records the vicissitudes of his recent overland odyssey from Athens (where Documenta had another incarnation earlier this year) to Kassel.

One is a slim yet potent pamphlet titled The Cost for Love We Are not Willing to Pay, which was number six in dOCUMENTA (13)'s terrific series of 100 tiny notebooks, none more than 50 pages long, which were published separately in the years and months running up to the exhibition opening and have since been collated as The Book of Books.