Sentences with phrase «years program exhibition»

Not exact matches

The theme of this year's exhibition and technical program — resource efficiency — will be showcased through topics such as optimizing production processes, reducing energy and water consumption, and minimizing food loss through ingredient, process and package technology.
«It's a combination of 2 things which makes FML such a good exhibition for TEA REX 2 years running: Firstly, thought - leadership and a truly inspiring program of events which attracts the type of visitors for us to meet.
The ICA offers a robust variety of exhibitions, music, dance, film, talks, tours, family activities, and teen programming throughout the year.
Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.
Senckenberg will celebrate its 200 - year success story with a colorful program consisting of numerous events, specially designed exhibitions and a grand museum party in the fall.
In addition to the annual Academy Awards — in which the members vote to select the nominees and winners — the Academy presents a diverse year - round slate of public programs, exhibitions and events; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history.
The final special award was given to the «For the Love of Film» program and Fandor in conjunction with the National Preservation Foundation for their work this year to raise money for an exhibition of the restoration of one of Alfred Hitchcock's oldest works, The White Shadow.
About the California Film Institute The non-profit California Film Institute celebrates and promotes film as art and education through the presentation of the Mill Valley Film Festival, year - round exhibitions at the Christopher B. Smith Rafael Film Center, film distribution by CFI Releasing, and the CFI Education program, building the next generation of filmmakers and audiences.
«Last year we witnessed students undertake amazing activities under the program, ranging from the development of an exercise class for senior citizens to the creation of an art exhibition based on the theme of empowering women.»
In the cases of both Phillips and Parker, separated by more than two hundred years, each school received broad but specified authority from the state, with diplomas granted on the basis of public «exhibitions» and with the expectation - the trust - that the details of the program and its assessment would be creatures of the schools» immediate community, subject, as deemed necessary, to the inspection by the state or, in the case of Phillips, the local superintendent of (public) schools.
«The Power of Reading» is the message to Taiwan's consumer base at this year's Taipei International Book Exhibition, while Frankfurter Buchmesse's professional program there examines changes in business, markets, and sales.
For more than 25 years, Cheryl Haines has developed site - specific exhibitions and public programs that have exposed new audiences to contemporary art and advanced discourse on art about place.
As a reflection of the mentorship program itself, this exhibition will feature a diverse array of media including alternative process photography, old masters oil painting, plein air painting, creative writing, stainless steel sculpture, drawing and mix - media; all art forms taught in this year's spring and summer mentorships.
Many events or programs like art exhibition, small business conference, movement or dance therapy and yoga retreat are held in this studio all year round.
The annual fund continues to make possible the presentation of the permanent collection, special exhibitions, year - round public programming, education classes, and the artist - in - residence and internship programs.
Each year, The Baltimore Museum of Art welcomes more than 25,000 students and teachers to its galleries, and proudly introduces its extensive collection and special exhibitions through school tours, educational programs, and workshops.
As a privately funded organization, the Wadsworth Atheneum relies on members, as well as generous friends and supporters to meet the costs of producing exhibitions, educating children and adults, and providing public programs throughout the year.
All proceeds enable the Museum to continue offering free public programs, Free Admission, internationally recognized exhibitions, and arts education programs to over 16,000 Bronx youth each year.
Gray Matters is the first exhibition organized by Michael Goodson since he assumed the role of Senior Curator of Exhibitions at the Wex, and the survey enriches a calendar year of programming in which every artist featured in our galleries is a woman.
Event programs and brochures for current exhibitions will be sent to libraries throughout the year.
The exhibition revives the «spirit of defiant provincialism» which, in merely 10 years, propelled the program to be recognized as one of the most courageous and wildly inventive communities of artists working in the world.
Albers hoped his recruitment efforts would be, as Robert Mattison states in the exhibition catalogue, Audrey Flack: The Abstract Expressionist Years, «a way of enlivening the program and revolutionizing the school.»
The Voice of the Artist: Hurricane Sandy interview program was a joint effort with VoCA and the Dedalus Foundation in conjunction with the exhibition «Come Together: Surviving Sandy, Year 1» held at the Dedalus Foundation offices in Industry City from October to December, 2013.
Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.
Sla307 produces a number of contemporary art exhibitions throughout the year as well as a series of public programming which include lectures, performances, and film screenings.
In the last five years, the gallery's presence has evolved to reach beyond its physical spaces and exhibition programming, exploring new avenues in publishing and philanthropy, while also expanding into both digital and international landscapes.
Five exhibitions curated by second - year students in the graduate program in curatorial studies and contemporary art.
This is the third year of the Commons Collaboration project, which seeks to engage audiences through innovative art and programs inspired by the adjacent Imagining Home exhibition.
For nearly fifty years, The Studio Museum in Harlem has presented a wide range of public programs that bring the Museum's mission and exhibitions to life.
The National Gallery of Iceland begins its exhibition program in the new year with an exhibition that brings together four contemporary artists: Gauthier Hubert (1967), Chantal Joffe (1969), Jockum Nordström (1963) and Tumi Magnússon (1957).
Later that year, the Center piloted a local emerging studio program which included ten artists from the New Orleans community, culminating with «Convergence: [email protected]», a Prospect New Orleans satellite exhibition curated by Deborah Willis, Ph.D..
2016 United States Artists Award, USA Francie Bishop Good & David Horvitz Fellow 2013 - 14 Lower Manhattan Cultural Council Workspace Artist in Residence 2013 Louis Comfort Tiffany Foundation Grant 2013 Art Matters Grant 2013 Recess Art, Sessions Residency 2012 - 13 Fine Arts Work Center Fellowship 2nd Year 2012 Headlands Center for Arts — Artist in Residence 2011 - 12 Fine Arts Work Center Fellowship 1st Year 2011 Electronic Television Center Finishing Funds Grant 2011 Center for Photography, Woodstock 2011 Van Lier Grant, Jamaica Center for Arts and Learning, Studio LLC Program 2011 Queer Arts Mentorship Fellowship 2010 - 11 Harvest Works Artist In Residence 2010 Toby Devan Lewis Fellowship 2007 Grand Prize winner for Driven Exhibition at the Smithsonian Institute's S. Dillon Ripley Center
The exhibition is curated by Elise Chagas, a second - year student in the Williams College Graduate Program.
Her recent exhibitions include «Foon Sham: Escape» (American University Museum, Katzen Center), «Barbara Liotta: Tower in Three» (Glen Echo Park), the «National Drawing Invitational» (Arkansas Arts Center), «CSA: Forty Years of Community - Sourced Art» (Arlington Arts Center, VA), «Frances Gallardo: Meteorology» (Torpedo Factory, VA), «Wilmer Wilson IV: the FOREVER Aftermath» with the programming «Performance: Aftermath» (Artisphere, VA), and «Sculpting Outside the Lines» in Foggy Bottom.
The Suzanne Deal Booth Art Prize at The Contemporary Austin is a biennial, unrestricted international art award of $ 100,000 to be given to an artist selected every two years, which also includes a solo exhibition, a scholarly publication, and related public programming.
This year's Fine Art Program will finish its season with a Student Exhibition in the Fine Arts Gallery, scheduled to open on May 6th from 10 am to 1 pm.
As a key program in the 2016 Qatar - China Year of Culture, the exhibition has received generous support from China National Arts Fund, Beijing Municipal Bureau of Culture, and Shanghai International Culture Association.
Since its inception 87 years ago, UMOCA has challenged and delighted visitors through its delivery of the contemporary arts in the form of compelling exhibitions, vital educational programs and community enrichment.
With its eventual sculpture garden, the new building will connect to CHRISpark, the one - acre public green space Pace built in memory of her son in 2005, as well as SPACE, which presents special exhibitions and programming throughout the year.
The exhibition features works of 270 children who have completed this year's program.
After her two - year fellowship in the Core Program, she participated in San Antonio's Artpace International - Artists - In - Residence program, which resulted in the 2013 exhibition of Brasília, Cars, Pools, and other ModerProgram, she participated in San Antonio's Artpace International - Artists - In - Residence program, which resulted in the 2013 exhibition of Brasília, Cars, Pools, and other Moderprogram, which resulted in the 2013 exhibition of Brasília, Cars, Pools, and other Modernities.
As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.
I first discovered VAN HORN «s program in this way, through research I was doing for a review of Wendy White's exhibition at ANDREW RAFACZ in September of last year.
After the move, the Metropolitan Museum of Art will present exhibitions and educational programming there for eight years, according to the Whitney.
This exhibition features works completed over the past two years from twenty - four artists in Tyler School of Art's nine MFA programs: Ceramics, Fibers and Material Studies, Glass, Graphic and Interactive Design, Metals / Jewelry / CAD - CAM, Painting, Photography, Printmaking, and Sculpture.
-- In light of a potential merger with their local neighbor LACMA, MOCA is reportedly considering a five - year agreement with D.C.'s National Gallery of Art wherein the two institutions would collaborate on programming, research, and exhibitions — though the arrangement would not provide the beleaguered Los Angeles institution with any financial or fund - raising assistance, two areas in which the museum needs the most help.
In addition to a foundation of exhibitions throughout the year, the gallery participates in a number of international art fairs, continuing to expand its exhibition program by introducing cutting edge contemporary artists to Los Angeles and
The school's annual deFINE Art Festival is another perk, bringing a program of lectures and exhibitions to town; previous year's iterations have introduced the student body to critics (Jerry Saltz) and artists like Xu Bing and Jack Whitten.
Armory programming includes: free year - round community arts programs, serving 6,500 people annually; in - school artist residencies and a gallery fieldtrip program, serving 4,500 students annually; studio programs offering visual and media arts classes for all ages, serving 3,700 people annually; professional development training for teaching artists and public school teachers; and contemporary visual art exhibitions and performance based work.
This year the public will see the launch of a program called High Line Commissions with the opening of the first ever group exhibition Lilliput to be held on The High Line.
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