Sentences with phrase «years view abstract»

Not exact matches

Installation view February 26 — May 15, 2011 Marius Lut, Jan van der Ploeg, Esther Tielemans and Evi Vingerling How does the most recent generation of Dutch painters relate to the tradition — now stretching back a hundred years — of abstract painting?

In recent years, abstract painting has developed a rich complexity that, more than ever, rewards intensive viewing.

To celebrate nine excellent exhibitions spanning abstract to landscape from 2016, Susan Calloway Fine Arts will host an exhibition highlighting the dynamic artworks on view throughout the last year.

After viewing the «Colin Goldberg: Techspressionism» exhibition at Glenn Horowitz Bookseller in East Hampton, I was reminded of how much less attention has been paid to the influence of Japanese sensibilities on the evolution of surrealism, abstract expressionism and other non-objective approaches in the west since the early years of the 20th century.

And, in the adjacent gallery, Jasper Johns, now 87, is represented by over 30 years of his peripatetic late style, from «Between the Clock and the Bed» (1981), with its intimations of a figure and spreading light amid abstract hatch marks (its identically titled inspiration, by Edvard Munch, is on view at the Met Breuer) to «Regrets» (2013), a large, dark, dense work that circles back toward abstraction.

View of Dawn in the Tropics: Paintings, 1989 - 1990 is a dozen or so large abstract works, some billboard sized, from 25 years ago.

Steve Turner is pleased to present Portraits, a solo exhibition by Rafaël Rozendaal that will feature new Jacquard weavings that result from the artist's everyday use of the «abstract browsing» plugin that he created several years ago to view any website as an abstract composition.

On view at the Guggenheim Museum in New York, is a unique exhibition of abstract works taken from the museum's 20th century collection, intended to show the trends present between the years of 1919 and 1939, during which time a variety of abstract artists flourished, pioneering new techniques and creative philosophies across the mediums of painting, sculpture and drawing.

A view of how his style developed over the years is a fascinating look at the movement as he progressed from representational to pure abstract art.

The eleven abstract paintings on show, mostly made this year, appear to demarcate a highly romantic and honest view of painting.

In 1987, the year Mark Dagley's paintings currently on view at Minus Space were first exhibited at Tony Shafrazi Gallery, abstract painting was exploring its newfound relationship to the digital age.

The first major 20th century British sculpture exhibition at the Royal Academy of Arts for 30 years is set to take place early next year.The survey will be a chronological tour to» represent a unique view of the development of British sculpture» Works have been chosen to highlight the artists» figurative and abstract choices, comparing works such as Phillip King's Genghis Khan and Edwin Lutyens's Cenotaph.

The top lot, Newman's 1961 abstract canvas that until recently was on view at the Philadelphia Museum of Art, fetched $ 84.14 million, almost doubling the artist's previous auction record of $ 43.8 million set just a year ago.

Moses, a respected abstract painter who has been slugging it out on the Los Angeles art circuit for nearly 30 years, views himself as part magic man, part space cadet — but not an artist.

100 years since the Black Square may make 2015 a good year for viewing abstract painting, and for reflecting on contemporary abstraction.

In 2004, as they correctly point out, Harvard science historian Naomi Oreskes published an essay in Science magazine in which she examined the abstracts of 928 articles on the subject of «global climate change» published in scientific journals between 1993 and 2003, and «found that 75 % supported the view that human activities are responsible for most of the observed warming over the previous 50 years while none directly dissented.»

Although not a scientist, she concluded 75 percent of the abstracts either implicitly or explicitly supported the United Nations Intergovernmental Panel on Climate Change's view that human activities were responsible for most of the observed warming over the previous 50 years while none directly dissented.