Sentences with phrase «years of change exhibition»

Not exact matches

Artist and 2008 Woman of the Year Ghislaine Howard's exhibition is a response to this onslaught, questioning «whether we are over-exposed to images of conflict, and if the way images are produced and published changes our way of looking at them».

One thing didn't change was my annual date with Raffles College of Design and Commerce — I attended the college's graduate exhibition and runway show in December, and boy, there were so many cute things I wanted to wear for the New Year!

To visit the house you need to time it right as it's only open to the public three months out of the year to display a changing exhibition.

Imagine walking through this exhibition and seeing over a hundred humanoid robots that represent, in different periods over the last 500 years, what we thought of the world, what we valued, how technology would change our lives, how we dreamt the future would look.

QWest will be bringing it to the show at the ExCeL Exhibition Centre, a change of venue designed to house more people after 25,000 people visited the show at Battersea Evolution last year.

«The Power of Reading» is the message to Taiwan's consumer base at this year's Taipei International Book Exhibition, while Frankfurter Buchmesse's professional program there examines changes in business, markets, and sales.

As well as the historic rooms, where the central focus is on the life story of Anne Frank, an interactive exhibition and a temporary exhibition which is changed each year are also on display in the Anne Frank House.

A short description of this year's show says that this major change in the exhibition's form is in response to «a city and art community that has changed dramatically since the first version of the survey.»

In keeping with the Greater Reston Arts Center's mission to enrich community life by promoting involvement and excellence in contemporary art, GRACE offers and series of changing exhibitions each year designed to present a diverse array of themes and media.

One hundred years ago, Dada artist Marcel Duchamp forever changed the nature of art by anonymously submitting Fountain in 1917, a porcelain urinal signed «R. Mutt» as an artwork to the exhibition of the Society of Independent Artists in New York.

This exhibition revisits the most intoxicating four years in modern cultural history, from 1966 to 1970, when some of the best rock music of all time was recorded and it seemed that youth and love were about to change the world.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

frieze reports from this year's Skulptur Projekte Münster — the once - a-decade exhibition started in 1977 — and explores the changing meaning of sculpture in public space today

One hundred years ago, Dada artist Marcel Duchamp forever changed the nature of art when he submitted Fountain, a porcelain urinal signed R. Mutt for the Society of Independent Artists exhibition in New York (April 9, 1917).

A year later, in April, 1954, the Institute changed its name to the Pasadena Art Museum and concentrated its efforts on the acquisition and exhibition of modern art.

Most of the work in this exhibition predates this year's unrest in the region, but a sense of change and instability permeates much of the work.

After several years in which the plinth stood empty, the new Greater London Authority assumed responsibility for the fourth plinth and started its own series of changing exhibitions: Marc Quinn (2005), Thomas Schütte (2007), and now Antony Gormley (July 6 — October 14, 2009).

Held every four years, this survey exhibition provides a critical overview of artistic activity in Houston and thus reflects changing issues and concerns in the cultural community.

Now, Mr. Stella's 60 - year trajectory as an artist, which developed as he traveled the world, is on display in an exhibition, Frank Stella: Experiment and Change, at the NSU Art Museum Fort Lauderdale, in Florida; the show will run from Nov. 12 to July 8, 2018, and includes approximately 300 of his paintings, sculptures and drawings spanning from the late 1950s to the present.

His exhibitions include bold themes such as Peer Gynt and Ibsen's Women in the Ibsen Year; Apocalypse incorporating the nature bleeds expressing the warming of climatic changes and «the Mother of all women», resembling a Madonna - like figure.

In our iconic building we host a year - round changing programme of historical, modern and contemporary exhibitions presenting sculpture from across the world.

For his exhibition for the Artist of the Year prize in 1998, at the National Museum of Modern and Contemporary Art, in Gwacheon, Kwon underscored this change in his practice, showing mostly works that combine objects and pure, white paper.

With the nine oil paintings and three works on paper that comprise the exhibition, Miller continues to explore the narrative potential of the animal world by revisiting many of the themes that she has surveyed in her work for the past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.

His first South London Gallery (SLG) exhibition in 1998, entitled Changing Everything, brought together a body of work made in partnership with local residents over a two - year period.

The inaugural exhibition at Hauser Wirth & Schimmel new complex in Los Angeles «Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016» presents 100 works by 34 artists over the past 70 years, this ambitious undertaking traces ways in which women have changed the course of art by deftly transforming the language of sculpture since the postwar period.

This exhibition unravels how technological advancements of the last ten years have changed not only how we conceive of site, but also how we perceive it.

Now that 10 years have passed from his first solo exhibition, the work of Hideaki Kawashima is again changing.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

Ryan Mosley (b. Chesterfield, UK, 1980) is included in the group exhibition Walls Have Ears: 400 Years of Change at Aston Hall, Birmingham, open until 30 September 2018.

Creating a variety of spaces, the gallery's aim is to have three to five exhibitions on view at any given time, changing several times a year.

In addition to maintaining a distinguished permanent collection of more than 30,000 objects spanning nearly 5,000 years of history, the Chrysler Museum offers a comprehensive program of changing exhibitions and education activities for visitors of all ages.

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or -LSB-...]

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale.

This exhibition celebrates the full breadth and legacy of this four - year project, characteristic of the changing relationship to images in the 1980s.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

The year 2003 is the exhibition's point of departure, representing for Tillmans the moment the world changed, with the invasion of Iraq and anti-war demonstrations.

This multi-voiced exhibition and series of events explores interpretations of «cultural diversity», reflecting the times we live in and changes to the social and cultural landscape since Iniva was founded 15 years ago.

In the nearly 50 years that have elapsed since that exhibition was deemed inappropriate, society's perception and acceptance of the nude has changed.

Although based on the personal collection of its founder, the Saatchi Gallery's main activity is developed through semi-permanent and thematic temporary exhibitions, which during the last years reflected the changing composition of the collection.

Featuring around 240 works spanning Adams's 45 - year career, the exhibition casts a forensic eye over the rapidly changing geography of the American West.

The exhibition, which extends on over 1,000 square meters, presents pieces made by the Swiss artist in over forty years, from her early works of the»80s to the installation Pixelwald, expressly conceived for the Kunsthaus Zurich, a dreamlike constantly - changing forest composed by 3000 LED lamps suspended on wires, a «screen exploding in space» as Rist herself defined it.

Indeed, while we tend to think of conceptual art as belonging very much to now, this challenging exhibition views it as a tightly defined historical phenomenon, whose heyday was 40 years and more ago, a period during which, the show claims, British artists changed the very nature of art.

In a follow up to the gallery's critically acclaimed group show «UPRISE / ANGRY WOMEN,» which opened during the week of the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past yeaof the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past yYEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past yeaOF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past yearyear.

This year's exhibition, «Renoir: Between Bohemia and Bourgeoisie: The Early Years» completely changed by opinion on Renoir, a painter whom I had previously deemed a bit too pink, saccharine and nostalgic for me surprisingly did some of his best work from the mid 1860s to the early 1870s, including a stunning Japonais Still Life with Bouquet and almost abstracted, breathing landscape L'Allée au Bois.

Comprising 40,000 square feet of exhibition space, the display changes every six months and is open all year round to the public.

Reciprocally, the education of architects, from the first drawing classes of 1859 to the full five year undergraduate professional degree program and post-professional master's program, has been informed and structured within the careful design and re-design of its buildings.The exhibition Architecture at Cooper 1859 - 2009 traces the history of architecture and architectural education at The Cooper Union and examines how the evolving pedagogy of the program has been embodied and reflected in the changing architecture of the institution itself.

The three artists included in this year's residency exhibition extend this notion to explore how communities themselves can influence the ways in which art is produced, whether through incorporating images that document change and progress, questioning the contexts of cultural and physical representation so as not to repeat history's mistakes, or archiving materials from a community's past in order to benefit future generations.

Works will be changed out over the course of the year - long exhibition, reflecting both the dilemma of storage and, in the curators» words, «the view that there are countless ways to explore the history of modern art.»

The exhibition is organized in sections that run from her early years, when O'Keeffe crafted a signature style of dress that dispensed with ornamentation; to her years in New York, in the 1920s and 1930s, when a black - and - white palette dominated much of her art and dress; and to her later years in New Mexico, where her art and clothing changed in response to the surrounding colors of the Southwestern landscape.

As RISD's primary venue for exhibiting graduate student work, this inviting space downtown hosts a series of ever - changing exhibitions throughout the academic year.