The totality equals a crash course in New
York choreographic history that reveals an ingenious symbiosis of dance and film.
Prior to the premiere, NYCB dancers perform excerpts from the work and Mr. Peck, Mr. Dessner, Mr. Dzama, and Mr. Baker discuss their creative process with moderator Ellen Sorrin, director of the George Balanchine Trust and managing director of the New
York Choreographic Institute.
Not exact matches
Her
choreographic work, Run Mary Run, was on The New
York Times» list of Best Concerts for 2012 and was most recently performed as part of Jason Moran and Alicia Hall Moran's BLEED at the 2012 Whitney Biennial.
Together they have been part of Lower Manhattan Cultural Council's Extended Life Dance Development program, the New
York City Center
Choreographic Fellowship, and have been artists in residence at EMPAC, Mount Tremper Arts, Wellesley College, and Jacob's Pillow and Pieter.
Christopher Williams (dancer) is a choreographer, dancer, and puppeteer devoted to crafting and performing
choreographic works in New
York City and abroad since 1999.
Mr. Stout is active in professional circles including the Association of the Bar of the City of New
York (Art Law Committee 1997 — 1999), and the American Bar Association (Patent, Trademark and Copyright Section: Committee for Pictorial, Graphic, Sculptural and
Choreographic Works).
J. Soto hails from New
York where his
choreographic works investigating the queer experience through an interigation of race and class.
Okpokwasili's residencies and awards include the MANCC
Choreographic Fellowship (2012, 2016); Baryshnikov Arts Center Artist - in - Residence (2013); New
York Live Arts Studio Series (2013); Park Avenue Armory (2013); New
York Foundation for the Arts» Fellowship in Choreography (2013); Danspace Project (2013, 2014); Lower Manhattan Cultural Council's Extended Life Program (2014 - 15); The Foundation for Contemporary Arts» Dance grantee (2014); BRIClab (2015); Wesleyan ICPP Artist in Residency; Artist in Residence at the Harkness Dance Center at the 92Y; 2016 LMCC President's Award for the Performing Arts; the Rauschenberg Residency (2015); Creative Capital (2016), MAP (2016) and NEFA / NDP.
J. Soto is a New
York - based artist, generating work in performance and text, whose
choreographic work investigates the queer experience through an interrogation of race and class.
A pioneering settler in downtown New
York's SoHo, Brown joined Robert Dunn's 1961
choreographic composition workshop, where John Cage's compositional methods were transmitted to choreographers.
The artist — who was born in Tbilisi, Georgia and now resides in New
York — produces complex sculptural installations, which bring together a wide variety of forms — shifting, rearranging, dislocating, and transforming these diverse materials through their combination.There is a strong
choreographic impetus evident in both the making, and the positioning of her work, which allows new and different sides to become visible as one walks around it.
A student of Anna Halprin, Brown participated in the
choreographic composition workshops taught by Robert Dunn — from which Judson Dance Theater was born — greatly contributing to the fervor of inter-disciplinary creativity that defined 1960s New
York.