Sentences with phrase «york gallery building»
Vernita Nemec has been the director of Viridian Artists since 2001 when the gallery was still located on 57th Street in the New York Gallery Building.
https://viridian-artists.squarespace.com/ Not exact matches
NEW YORK CITY: Friday, September 11, 2015 at 10:00 AM Adam Clayton Powell State Office Building, 2nd Floor Art Gallery 163 West 125th Street New York, New York
I wan na have sexy Outside view Gallery of the Bedrooms Of A word BUTTERFACE, A man and spend in Western Australia on her Queensland brothel in New York to have to Langtrees VIP Companions BEAUTIFUL SPA AND SEX AUNTYS PH SEX for average build a sexy busty full service sent a bar with FlingFinder - Kisses (on Tuesdays only).
Gallery eight features articles on some of «freedom's people», those who built the black community into a thriving part of New York City's daily life.
Also on show at the 2014 New York Auto Show is the first look at the all - new MX - 5 — due in 2015 — with a bare SKYACTIV chassis (in the photo gallery above) teasing what's to come from the most successful roadster ever built (940,000 sold, and counting).
Independent New York March 3 - 6 Having left its longtime location in the old Dia building on West 22nd Street, Independent will inaugurate a new space in Tribeca, featuring work from 40 international galleries and not - for - profits.
These displays, held in the penthouse gallery of MoMA's original building, were designed to call attention to artists not represented by a gallery in New York.
The Saatchi Gallery, London, reopened in its latest location, the 70,000 - square - foot Duke of York Headquarters building on King's Road in Chelsea, late last year.
The UBS Art Gallery is located in the UBS Building at 1285 Avenue of the Americas (between 51st and 52nd Streets) in New York City.
Consistently in love with landscape — and the idea of landscape as an abstraction — Wolf Kahn has lovingly built a very vivid and beautiful oeuvre since first exhibiting his paintings at the Hansa Gallery, one of New York's first co-op galleries, nearly sixty years ago.
In 1968, Judd bought a five - story building in New York that allowed him to start placing his work in a more permanent manner than was possible in gallery or museum shows.
Recent solo exhibitions include «We'll Not Carry Coals,» Kunsthaus Bregenz, Austria (2003); «Recent Sculptures», Lincoln Center, New York (2004); Vancouver Art Gallery (2005); MAK, Vienna (2008); and «To Build A House You Start with the Roof: Work, 1972 - 2008», Baltimore Museum of Art (2008 - 2009, traveled to Los Angeles County Museum of Art and the Foundation Beyeler in 2009); and «Franz West: Autotheater» the Museum Ludwig, Cologne (2010, travelled to MADRE, Naples and the Universalmuseum, Graz, Austria in 2011).
2014 «Liz Larner,» Regen Projects, Los Angeles, CA, January 11 — February 15, 2014 2011 «Liz Larner,» The M Building, Miami, Florida, November 30 — December 10, 2011, presented by Regen Projects «Liz Larner,» Tanya Bonakdar Gallery, New York, NY, February 10 — March 19, 2011 2010 «Liz Larner,» Regen Projects, Los Angeles, CA, April 24 — May 22, 2010 2008 «Liz Larner: Selected Sculpture from the Early 1990s,» Regen Projects, Los Angeles, CA, January 29 — February 23, 2008 2006 «Liz Larner: 2001,» Doris C. Freedman Plaza in Central Park, New York, NY, November 29, 2006 — May 1, 2007, presented by Public Art Fund 2005 «Liz Larner,» Regen Projects, Los Angeles, CA, July 1 — 31, 2005 2003 «Liz Larner: East of What?
START is held at the Saatchi Gallery in the 70,000 sq. ft. Duke of York HQ building on King's Road in the heart of Chelsea, London:
g Count at the Walter De Maria Building, New York (2014); Psychic Slayer at the Herning Museum of Contemporary Art, Denmark (2015); Shake the Elbow at the Albright - Knox Art Gallery, Buffalo (2015); and Oil Painting at the Dallas Contemporary (2016).
2002 Building Structures, PS1, Long Island City Brewster Project, curated by Mari Spirito, Brewster NY Second Sight: Hunter College MFA Alumni Exhibition 1991 — 2001, Hunter College Time Square Gallery, NY Lucky DeBellevue, Wade Guyton, Richard Hawkins, Jeff Ono, PHIL, Los Angeles Retrofit, curated by Lauri Firstenberg, Lombard - Freid Gallery, New York City
2008 The B - Sides, Curated by Edwin Ramoran, Aljira Center for Contemporary Art, Newark, NJ Transformers, Curated by Derrick Adams, MICA, Baltimore, MD Summer Mixtape Sessions Volume One, Curated by Herb Tam and Lauren Rosati, Exit Art Gallery, New York, NY It's Not Easy, Exit Art Gallery, New York, NY Build A Fire, Plexus Art Gallery, Louisville, KY
The series showcases the vibrancy of artistic activity inside of Asia while building deeper bonds between ACAW's Asia and New York based Consortium Partner organizations and galleries.
Until 2005, when Genzken joined the David Zwirner gallery, her most substantial New York show was «Fuck the Bauhaus (New Buildings for New York),» at an artist - run space, AC Project Room, in 2000.
Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York
2017 Abstract / Not Abstract, Moore Building, Miami, FL The Trick Brain, Curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon Trip of the Tongue, Simon Lee Gallery, Hong Kong, China Living Apart Together: Recent Acquisitions from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA Horror Vacui, or The Annihilation of Space, Misako & Rosen, Tokyo, Japan Whitney Biennial 2017, Whitney Museum of American Art, New York, NY Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, Birmingham, AL
A concurrent exhibition of the artist's letters, notebooks, journals and photographs will be on view at the Archives of American Art's New York Research Center and Gallery, also located in the UBS building.
He has had a recent solo exhibition at OK Harris Gallery, New York and has been featured at the Brooklyn Museum, Queens Museum of Art, Artists Space, and Safe - T - Gallery, all in New York; Smithsonian Building Museum, Washington, DC; and Staton - Greenberg Gallery, Santa Barbara.
No sooner had the gallery opened in London than Annabelle Selldorf (who by now had worked on several projects for the gallery over two decades) began designing a new five - story building at 537 West 20th Street in New York.
Established in 2011, MARC STRAUS is a contemporary art gallery in the Lower East Side of New York, occupying a fully reconstructed four - story historical building on Grand Street.
1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).
The gallery is located at The Fuller Building, 41 East 57th Street, Suite 1406, New York, NY.
The new gallery at 550 West 21st Street comprises over 6,000 square feet, occupying an entire freestanding building, and will be designed by Selldorf Architects, a renowned New York - based firm with particular expertise in cultural and art - related projects.
«Digital Print Exhibition» Decoration & Design Building 979 Third Avenue New York, NY 10022 Public Gallery Hours: Monday - Friday from 9 a.m. to 5 p.m.
In 1931, Matisse opened his own gallery in the Fuller Building at 41 East 57th Street in New York City.
Building on Frieze's long - term commitment to supporting galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the Focus section will join the main section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).
Designed by Bonetti / Kozerski Architecture — the same firm designing Pace's new flagship gallery opening in fall 2019 in Chelsea, New York — the new gallery will open on March 26, 2018 in the H Queen's building in the city's Central District.
Those who toured the Whitney Museum of American Art's new building before it opened saw what its fifth floor looked like as a single vast gallery — reputedly the largest column - free museum exhibition space in New York.
Woodward Gallery moved to the private building at 133 Eldridge Street in May 2007 on the Lower East Side of New York City.
Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.
Artists Space, the nonprofit gallery and pioneer of New York's downtown art scene that was forced to move from its SoHo home last year when its landlord planned to build a penthouse on the building, has found a place to put down roots: 80 White Street, in TriBeCa.
These works will be the first show in the East building of the Gallery in 2016 when it reopens and will be titled From Los Angeles to New York: The Dwan Gallery, 1959 - 1971.
2017 Trigger: Gender as a Tool and a Weapon, The New Museum, New York, NY Fictions, The Studio Museum in Harlem, New York, NY Still Human, The Rubell Family Collection, Miami, FL Abstract / Not Abstract, Presented by Gagosian and Jeffrey Deitch, The Moore Building, Miami, FL Reconstitution, LAX Art, Los Angeles, CA Appetitive Torque, Eastside International, Los Angeles, CA Critical Content, Pacific Design Center, Los Angeles, CA No burden as heavy, David Castillo Gallery, Miami Beach, FL Women Painting, Martin and Pat Fine Center for the Arts, Miami - Dade College, Miami, FL
Including: «Bell / Irwin / Wheeler,» Tate Gallery, London, England (1970); «Fractured Light — Partial Scrim — Eye Level,» Museum of Modern Art, New York (1970 - 1971); «Black Line Room Division + Extended Forms,» Whitney Museum of American Art, New York (1977/2013); «48 Shadow Planes,» Old Post Office, Washington DC (1983); «Two Running Violet V Forms,» Stuart Collection, UCSD, California (1983); «Ascending,» Musee d' Art Moderne deVille Paris, France (1994); «Double Diamond,» Musée d'Art Contemporain, Lyon, France (1997 - 1998); «1º 2º 3º 4º,» Museum of Contemporary Art San Diego (1997); «The Central Garden,» J Paul Getty, Los Angeles (1998); «Architecture and Grounds,» DIA Art Foundation, Beacon, New York (2003); «Primaries and Secondaries,» Museum of Contemporary Art San Diego (2007 - 2008); «Black on White,» J. Paul Getty Museum, Los Angeles (2011 - 2012); «Niagara,» Albright - Knox Art Gallery, Buffalo, NY (2012); «Hedge Wedge,» San Diego Federal Courthouse Building, San Diego (2012); «Double Blind,» Vienna Secession, Vienna (2013); «Miracle Mile,» Los Angeles County Museum of Art, Los Angeles (2013); «Primordial Palm Garden,» Los Angeles County Museum of Art (2010 - 2013).
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
New York — Pace Gallery is pleased to announce an exhibit of Alexander Calder's work at the Seagram Building, 375 Park Avenue, realized in collaboration with the Calder Foundation.
2002 Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL Miami Currents, Miami Art Museum, Miami, FL No Show, Fredric Snitzer Gallery, Miami, FL Parallel Zone, Buick Building (Dacra, Miami Design District), Miami, FL That Place, Mia Gallery, Miami - Dade Aviation Department Division of Fine Art & Cultural Affairs, Miami, FL Effexor 75, Kevin Bruk Gallery, Miami, FL The Cuban Poster Project, The Advertising Club, New York, NY The Miami Alphabet, A-Z, Miami - Dade Public Library, Miami, FL That Place, More and Buick Buildings, Miami Design District, Miami, FL Florida Landscape / Escape, Miami - Dade Public Library, Miami, FL
2006 Building Community: The African American Scene, Michael Rosenfeld Gallery, LLC, New York, NY American Perspectives: Highlights of Works by African American Artists from the Collection of the FIA, Flint Institute of Arts, Flint, MI
1998 Back Holiday, Former Key Bank Building, Skowhegan, ME Abierto 24 Horas, Festival de Fallas, Valencia, Spain Cuban Performance Art of the 80 ′ s (Chronology), InterAmerican Gallery, Miami Dade Community College, Miami, FL The Gramercy Fair, New York Ambrosino Gallery, Miami, FL Metaphors, American International College, Springfield, MA The Gramercy Fair, Miami Beach, Ambrosino Gallery, Miami, FL
2002 Queer Visualities, Cur Carl Pope and Jonathan Katz, Staller Art Center, Stonybrook Univ, NY Charlie, Cur Maurizio Cattelan, Ali Subotnik, and Bettina Funcke, PS 1, NY (catalog) Mango, Talwar Cur Melissa Chiu and Edwin Ramoran, Gallery, NY Slant, Diverseworks, Houston, TX Columbia MFA Thesis Show, Curated by Eungie Joo, Mink Building, NY Homegrown, Commons Gallery, Barney Building, New York University, NY Culture in a Jar, Longwood Arts Center, Bronx, NY SAVAC Annual Exhibition, Living Arts Centre, Ontario, Canada
Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers in spray - painted vase, ribbon, metal, mirror foil, synthetic polymer paint on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken
Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.
2014 Julie Langsam: Revisiting Paradise, Richard & Dolly Maass Gallery, SUNY Purchase, Purchase, NY (essay / brochure) 2013 Julie Langsam: Now (here), 532 Gallery Thomas Jaeckel, New York, NY 2013 Buildings & Blueprints, Espai 8, Barcelona, Spain 2012 Floor Plan Prototypes, Reykjavik Art Gallery, Reykjavik, Iceland 2008 Of Other Spaces, Frederieke Taylor Gallery, New York, NY (catalogue) 2005 From Here to Modernity, Michael Steinberg Fine Art, New York, NY 2002 Julie Langsam: House Paintings, Cleveland Center for Contemporary Art / MOCA Cleveland, Cleveland, OH 1999 Recent Work, Acme Art Co., Columbus, OH 1997 Julie Langsam, Clementine Gallery, New York, NY 1993 Recent Work, Brownson Art Gallery, Manhattanville College, Purchase, NY 1991 Julie Langsam: Recent Work, Fairleigh Dickinson University, Rutherford, NJ
For his New York exhibition, Althamer has arranged for street musicians to play in front of the New Museum building on the Bowery over the course of the show with the music being broadcast throughout the Third Floor gallery.
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris