Sentences with phrase «york gallery notes»
Glueck, Grace, «New York Gallery Notes,» Art in America, New York, vol.
http://www.paulfeeley.com/ Not exact matches
«When someone is offered a new work by Johns,» notes Paul Gray, co-owner of the Richard Gray Gallery in New York and Chicago, «they don't often say no.»
1986 Art on Paper, Weatherspoon Art Gallery, UNC Greensboro, NC Romanticism & Cynicism in Contemporary Art, Haggerty Museum of Art, Marquette Univ., Milwaukee, WI First Impressions, Allan Frumkin Gallery, New York, NY Ten From The Drawing Center, Paine Weber Art Gallery, New York, NY Senza Paura, Wessel O'Connor Gallery, Rome, Italy Inaugural Exhibition, Curt Marcus Gallery, New York, NY Notes From the Underground, Allan Frumkin Gallery, New York, NY 57th Between A & D, Holly Solomon Gallery, New York, NY EL Arte Narrativo, PS 1, Long Island University, New York, NY Alumni Exhibition, Pratt Institute, Brooklyn, NY New Art, Modernism Gallery, San Francisco, CA New York, NY / Seattle, Seattle Center on Contemporary Art, Seattle, WA Outline, Cutout, Silhouette, Allan Frumkin Gallery, New York, NY Avenue C By The Sea, Tower Gallery, East Hampton, New York, NY East Village Collection, Palladium, New York, NY Summer Pleasures, Nancy Hoffman Gallery, New York, NY
New York - Cara Gallery is pleased to present Relevant Notes, a collective exhibition that presents a dialogue between the work of 11 artists to explore the boundaries of disciplines among installation art, land art and architecture.
Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973
Please note that the correct provenance for this lot is: Estate of Willem de Kooning, New York Thomas Ammann Fine Art, Zurich Private collection Matthew Marks Gallery, New York Private collection, New York L&M Arts, New York Acquired from the above by the present owner
The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery that was located on the Lower East Side in New York through correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; and printed materials.
Born in Omaha in 1943, Jay Milder became a noted abstract painter on the New York art scene in 1958 when he, Bob Thompson, and Red Grooms founded City Gallery.
Show Notes: Salomon Contemporary 526 West 26 Street, # 519 New York, NY 10001 Feature Inc. 131 Allen Street New York, NY 10002 Charlie James Gallery 969 Chung King Road Los Angeles, CA 90012 ATW info: Twitter: @artthisweek — Facebook: facebook.com/artthisweek — Tumblr: artthisweek.tumblr.com
Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.
In an intriguing turn, The Heart Is Not a Metaphor also notes Gober's significant curatorial work since the 80s; the exhibition brings together works originally shown at the Matthew Marks Gallery, New York, in the 1999 exhibition Anni Albers, Robert Beck, Cady Noland, Joan Semmel and Nancy Shaver: Black and White Photographs 1975 - 77, which Gober curated.
In March / April 1961, the Knoedler gallery in New York produced Symbols, an exhibition of Callery works; it included Composition, The Letter S. Christian Zervos, writing in the catalogue and making an argument for Callery as an artist equally in thrall to «reality, sign and technique,» noted that «For Callery the sign has the same power as a living model of creating tension in the depths of the unconscious, of provoking unexpected stimulations, of containing a host of formal combinations.»
In 2013, he received a John Simon Guggenheim Memorial Foundation Fellowship and presented a critically acclaimed solo exhibition, Notes on Social Justice, at Paula Cooper Gallery, New York.
The French - born, New York - based artist was noted for her forthright treatment of issues of the body and the mind; and in a series of little - known etchings now on view at the gallery - cum - country estate, she fuses the human body with botanical elements.
1995 Kaslow, Amy, Hirshhorn Museum Presents Whimsical German Sculptor, Christian Science Monitor Shaw - Eagle, Joanna, Affection and Delight Enliven Latest Exhibition at Hirshhorn, The Washington Times Lewis, Jo Ann, Whittle Wonders, The Washington Post Kent, Sarah, Stephan Balkenhol: Stephen Friedman Gallery, Time Out, No. 1321, 13 - 20 December Hall, James, Shades of the Prison House, The Guardian, 12 December Searle, Adrian, Try to Figure it Out, The Independent, 12 December Mullins, Charlotte, Stephan Balkenhol, Galleries, December Karmel, Pepe, Stephan Balkenhol exhibition review, Barbara Gladstone Gallery, New York, New York Times, Weekend Section, C23, 23 June Glueck, Grace, Mutant Materials (but No Rogue Genes); Notes, Letters and Typographic Wackiness, New York Observer, 19 June Richie, Matthew, Still Life: Exhibition review, Flash Art 28, Barbara Gladstone Gallery, New York, No. 181 March - April, p. 65
All images courtesy of Allen Jones Studio and Michael Werner Gallery, New York and London unless otherwise noted
Saltz was putting into words what anyone walking around an art fair (not just the big ones, it should be noted; the worst offenders seemed to be hipster galleries showing at the likes of Independent, New York, or Liste, Basel) during the last couple of years might have noticed: an abundance of abstract painting that seems to have no value other than a decorative one.
Images copyright Tony Feher, courtesy of Pace Gallery, D'Amelio Gallery, and Lucien Terras Inc., New York, and Anthony Meier Fine Arts, San Francisco, ACME, Los Angeles, and Hiram Butler Gallery, Houston, unless otherwise noted.
Divided and renamed last year for a double helping of New York, it still has no local galleries of note.
Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings
Of particular note were the moving image photos by Leslie Thornton at the Winkleman Gallery from Chelsea, New York.
2014 Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY Beyond the Spectrum: Abstraction in African American Art, 1950 - 1975, Michael Rosenfeld Gallery LLC, New York, NY RISING UP / UPRISING: Twentieth Century African American Art, Michael Rosenfeld Gallery LLC, New York, NY The Harmon & Harriet Kelley Collection of African American Art: Works on Paper, Pennsylvania Academy of Fine Arts, Philadelphia, PA African American Art: Harlem Renaissance, Civil Rights Era and Beyond, Crocker Art Museum, Sacramento, CA Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby Jr., Smithsonian National Museum of African Art, Washington, DC Prospect.3: Notes for Now, New Orleans Museum of Art, New Orleans, LA
Sam Anderson» Cookie Butcher: Antwerp Boolen, Christopher, «Interview with Andrew Russeth», www.interviewmagazine.com 2013 Russeth, Andrew, «The Year in, and Beyond, the Galleries», Gallerist NY, December Russeth, Andrew, «Sam Anderson: Flowers and Money», Gallerist NY, December Blagojevic, Bosko, «Sam Anderson: Flowers and Money», Critic's Picks, Artforum, November Saltz, Jerry, «To Do», New York Magazine, November Russeth, Andrew, «Sam Anderson, Shuffle Puck Cafe Bed - Stuy Love Affair», 16 Miles of String, July 2012 Carroll, Brendan S., «A Blank Slate and Some Curious Matter», Hyperallergeric, September Winant, Carmen, «First Among Equals», Critic's Picks, Artforum, May 2011 Tuck, Geoff, «Touchy Feely at Human Resources», Notes on Looking, September «Heads With Tails», The New Yorker, September Lieberman, Harris, «West Street Gallery Closes Out the Summer, NY Observer, August Hudnutt, Jesse, «Proposal for a Floor: An Art Show and Unlikely Reason to Visit Times Square», Opening Ceremony, March Osburn, Chris, «Zabludowicz Collection: Six Weeks in New York», Whitehot Magazine
Chase's work is represented in the permanent collections of a number of noted museums — the Whitney Museum of Art, New York; the Museum of Modern Art, New York (MOMA); the Metropolitan Museum of Art, New York; The National Gallery of Art, Washington, D.C.; the Brooklyn Museum; The Walker Art Center, Minneapolis, Minnesota; the Albright - Knox Art Gallery, Buffalo, New York; the Baltimore Museum of Art; the Butler Institute of American Art, Youngstown, Ohio; and the Nelson - Atkins Museum of Art, Kansas City, Missouri.
On this tape we see four recent exhibitions at the Mary Boone Gallery in New York, a 1984 interview with Fischl by noted art critic Peter Schjedahl as well as an interview conducted by Paul Tschinkel in 2002 at the artist's NY studio.
Critics have often noted that his collages rank among his highest achievements, and few of the works at the Parrish or the late paintings at Ameringer McEnery Yohe in Chelsea compare with collages or the small collection of assemblages that appeared at New York University's Grey Art Gallery under the exhibition title «Concrete Improvisations.»
This month, it launches a New York gallery with an installation by Mexican artist Abraham Cruzvillegas — a new addition to his Autocontusión series which uses locally - sourced materials in sculptures and a site - specific mural noting the artist's favorite places around New York.
In 1964, the Krasner Gallery in New York mounted Grossman's first solo exhibition, and in 1968, her leather - covered sculpture heads for which she is most noted first appeared at Cordier and Ekstrom Gallery, New York.
As Elizabeth Baker noted in her April 1968 review for ARTnews, «The fact that he [Judd] previously had had only two one - man shows in New York galleries does not indicate how influential he has been for the past five years.»
2010 Cactus Craze, KW69, Berlin BigMinis, CAPC Musée d'Art Contemporain, Bordeaux End Note, Tanya Leighton Gallery, Berlin Welcome to HYPERLINK «http://www.girlkarl.com», Mehringdamm 72, Berlin Je Ne Travaille Jamais, Moderna Museet, Stockholm Untitled, NGBK, Berlin The Last Museum, Centre George Pompidou, Paris At Home, Galerie Giti Nourbakhsch, Berlin Poetry Park, Frieze Projects, London Constitution for a Temporary Display, Manifesta 8, The European Biennial for Contemporary Art, Murcia, Spain Moderna Utställningen, Moderna Museet, Stockholm Hem och Ursprung, Bukowskis, Stockholm Plus One, Perry Rubinstein Gallery, New York 27 Senses, Chisenhale Gallery, London It Is Written, Centre Pompidou Metz, Metz Queer Bucharest Biennale, Bucharest Foreigners Everywhere, T293, Naples maybe a kiss in the garden, Circus, Berlin Non-Solo, Non-Group Exhibition, Zurich Kunsthalle, Zurich
-LSB-...] Noted self - taught artist Thornton Dial dies at 87 — WXIA - TVWoman strangled in pair of overnight Lafayette robberies — wlfi.comArtsBeat Boesky Gallery to Represent Thornton Dial — New York Times (blog) Why Big Auction Houses Want In On The Growing Outsider Art Craze — Huffington PostAfter His Work Enters Met Museum Collection, Thornton Dial Joins New York Gallery — Culture Ty... -LSB-...]
The lyrical collages and polychrome sculptures by noted Abstract Expressionist painter Esteban Vicente are paired for the first time in a major American museum exhibition, on view through March 26, 2011, at New York University's Grey Art Gallery.
«Frieze New York continues to evolve, and this year galleries are bringing presentations of greater breadth and quality than ever before, reflecting the diverse cultural interests of our audience,» noted Victoria Siddall (Director, Frieze Fairs).
Please note all details including featured works, display / exhibition dates and hours are subject to change, and tickets are subject to availability and access, for all confirmation please contact York Art Gallery, UK.
Josée Bienvenu Gallery 529 West 20th Street (between 10th & 11th Avenues) New York, NY 1001 Show Notes: Originally recorded in June 2012 at Josée Bienvenu Gallery, New York.
Undercutting that success, a knowledgeable trade source noted that the same painting had gotten a $ 3 million offer from Pace Gallery in New York just months ago, and that the consignor of tonight's picture rejected it as too low.
Notes towards a Sculpture Cycle, NOMAS Foundation, Rome Bloody English, OHWOW, Los Angeles If this is left, what about right, Kate Werble, New York Hey, I'm Mr Poetic, Wysing Arts Centre, Cambridge Rx for Viewing, Ana Cristea Gallery, New York (with Grant Foster) Tossed Salads and Scrambled Eggs, Cactus, Liverpool (with Glen Pudvine) Pleasure Principles, Fondation d'Enterprise Galeries Lafayette, Paris
New York City (October 12, 2010)-- The lyrical collages and polychrome sculptures by noted Abstract Expressionist painter Esteban Vicente are paired for the first time in a major American museum exhibition, opening January 11, 2011, at New York University's Grey Art Gallery.
«We are very pleased to collaborate with the Williams College Museum of Art in providing a New York venue for this innovative show which rewrites the history of American art,» notes Lynn Gumpert, director of the Grey Art Gallery.
At the vernissage for «Structures of Existence,» Howard Read, whose gallery represents Bourgeois in New York, noted that the show had shrunk since it debuted at the Haus der Kunst in Munich.
Jude Tallichet, C Note, 2006 Aluminum sculpture; 6 × 5 × 5 inches (shipped in a special wooden display box) Signed and numbered edition of 100 Courtesy of the artist and Sara Meltzer Gallery, New York Can be chosen as a gift for donations of $ 500 or more (plus shipping)
Note: Many New York museums and galleries offer special programs during Frieze week.
Solo exhibitions include: What Remains, Green Cardamom Gallery, London (2011); Notes from the Desert, shown at Nature Morte Gallery, New Delhi, Matthieu Foss Gallery, Mumbai, Focus Gallery, Chennai, and Urmul Setu, Lunkaransar (2010 — 2011); and The Americans, shown at Nature Morte Gallery, New Delhi, Thomas Welton Art Gallery, Stanford University, Chicago Cultural Center, Chicago, Bose Pacia Gallery, Kolkata and New York, and Mississauga Central Library, Mississauga (2008 — 2011).
Solo exhibitions include: «Balika Mela», Nature Morte Gallery, New Delhi; «What Remains» at Green Cardamom Gallery, London (2011); «Notes from the Desert» at Nature Morte Gallery, New Delhi; Matthieu Foss Gallery, Mumbai; Focus Gallery, Chennai; Urmul Setu, Lunkaransar (2010 - 11); «The Americans» at Nature Morte Gallery, New Delhi; Thomas Welton Art Gallery, Stanford University; the Chicago Cultural Center, Chicago; Bose Pacia Gallery, Kolkata and New York; Mississauga Central Library, Mississauga (2008 - 2011).
Noted Chilean Artist Andres Duran Davila recently presented a new body of work in an exhibition titled Edited Monument: Avenue of the Americas at Y Gallery in New York City.
Recent solo exhibitions include: There's No Place Like Home, CGP, London (2017), My biggest fear is that someone will crawl into it, SPAACE, London (2017), Love Life: Act 2 (touring 2 person show with Emma Hart), The Grundy, Blackpool (2017), Jonathan Baldock, OneWorkGallery, Vienna (2017) and The Skin I Live in, Nicelle Beauchene, New York (2016), SUCKERZ, (two person show with Emma Hart), L'Etrangere, London (2015), Notes from the Orifice, VITRINE Gallery, London (2014) and The Soft Machine, Chapter Gallery, Cardiff (2014).
Group exhibitions includeSympathy for the Devil: Art and Rock and Roll Since 1967 Museum of Contemporary Art, Chicago (2007); In the darkest hour there may be light Serpentine Gallery, London (2006); Post Notes Institute of Contemporary Art, London (2005); Lyon Biennial of Contemporary Art France (2005); Turner Prize Tate Britain, London (2005); 54th Carnegie International, Carnegie Museum of Art, Pittsburgh (2004, catalogue); and Drunk vs. Stoned Gavin Brown's Enterprise at Passerby, New York (2004).
Among them, of note are: Fondation Cartier pour l'art contemporain and Galerie Emmanuel Perrotin, both in Paris; Museum of Contemporary Art, Tokyo; Museum of Fine Arts, Boston; P.S. 1 Contemporary Art Center, New York; Gagosian Gallery, New York; Fondazione Sandretto Re Rebaudengo, Turin, Italy; Blum & Poe, Los Angeles; Tomio Koyama Gallery, Tokyo; Marianne Boesky Gallery, New York.
A retrospective of Kitaj's work — complete with his explanatory notes on the various paintings — at the Tate Gallery (now Tate Britain) in 1994 drew harsh criticism, though it was praised when exhibited in New York and Los Angeles.
Left: Marilyn Fish - Glynn; Right: Photograph from the series «Blue Note» © Marilyn Fish - Glynn / Courtesy of SohoPhoto Gallery, New York