Sentences with phrase «york gift of the artist»

Center: Felix Gonzalez - Torres, «Untitled» (Last Light), 1993 Light bulbs, plastic light sockets, extension cord and dimmer switch Overall dimensions vary with installation Edition of 24, 6 APs Published by A.R.T. Press, Los Angeles and Andrea Rosen Gallery, New York Gift of the artist to Julie Ault, 1993

Ellsworth Kelly (American, 1923 — 2015) Colors for a Large Wall 1951 Oil on canvas, sixty - four panels The Museum of Modern Art, New York Gift of the artist, 1969.

Not exact matches

Melding the category strengths and bestselling authors of both imprints, TarcherPerigee's core publishing areas include: Self - improvement (such as the runaway successes Start Where You Are by Meera Patel, The Power of Kindness by Piero Ferrucci, Attached by Dr. Amir Levine, and A Mind for Numbers by Barbara Oakley); Creativity (including interactive books like Adam J. Kurtz's 1 Page at a Time and Me, You, Us by Lisa Currie as well as the multi-million-copy bestsellers Drawing on the Right Side of the Brain by Betty Edwards and The Artist's Way by Julia Cameron); Parenting (the New York Times bestseller Brainstorm by Dr. Daniel Siegel, Carol Kranowitz's go - to guide The Out - of - Sync Child, and Peaceful Parent, Happy Kids by Dr. Laura Markham); Spirituality (including bestselling titles like Transcendence by Dr. Norman Rosenthal, Goldie Hawn's 10 Mindful Minutes, The Science of Mind by Ernest Holmes, and I Am the Word by Paul Selig); and Gift / Inspiration (such as the Wall Street Journal bestseller Chasers of the Light by Tyler Knott Gregson, the New York Times bestseller Catification by Jackson Galaxy and the James Beard Award - winner Imbibe by David Wondrich).

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

«A Point of View: Selected Gifts from the Laurence A. Rickels Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 13 — March 11 2012 «Blues for Smoke,» Museum of Contemporary Art, Los Angeles, October 21 — January 7, 2013; traveled to the Whitney Museum of American Art, New York, NY, February 7 — April 28, 2013, and Wexner Center for the Arts, Columbus, OH, September 21 — January 5, 2014 «Group Face,» Paradise Garage, Venice, CA, September 22 — October 24, 2012 «DECADE: Contemporary Collecting 2002 - 2012,» Albright - Knox Art Gallery, Buffalo, NY, August 21, 2012 - January 3, 2013 «Prima Materia,» Gladstone Gallery, Brussels, Belgium, March 30 — April 28, 2012 «Intimate Immensity: The Susan and Larry Marx Collection,» Hammer Museum, Los Angeles, CA, February 14 — May 6, 2012 2011»... there is a crack in everything,» Michael Janssen, Berlin, Germany, November 12 - December 20, 2011 «Under Destruction,» Swiss Institute, New York, NY, March 15 — May 28, 2011 «Paul Clay,» Studio 94 Bowery, New York, NY, June 23 — July 30, 2011 «De-Building,» Christchurch Art Gallery Te Puna O Waiwhetu, Christchurch, New Zealand, February 5 - 22 2010 «The Artist's Museum,» Museum of Contemporary Art Los Angeles, Los Angeles, CA, October 31, 2010 - January 31, 2011 «Under Destruction,» Museum Tinguely, Basel, Switzerland, October 15, 2010 — January 23, 2011; traveled to the Swiss Institute, New York, NY, April 6 — May 8, 2011 «The Jewel Thief,» Tang Museum at Skidmore College, Saratoga Springs, NY, October 9, 2010 — February 27, 2011; catalogue «Immaterial,» Ballroom Marfa, Marfa, TX, October 1 — February 20, 2011 «The Artist's Museum,» Museum of Contemporary Art, Los Angeles, September 19 — January 31, 2011 «Selections from the Hammer Contemporary Collection,» Hammer Museum, Los Angeles, July 3 - January 30, 2011 «Collecting Biennials,» Whitney Museum, New York, January 16 - November 28, 2010 2009 «Collection: MOCA's First Thirty Years,» Museum of Contemporary Art, Los Angeles, CA, November 15, 2009 - July 12, 2010 «Collecting History, Highlighting Recent Acquisitions,» Museum of Contemporary Art, Los Angeles, CA, July 12 — October 19, 2009 «Abstractionists Unite!»

Frida Kahlo, Frieda and Diego Rivera, 1931; collection SFMOMA, Albert M. Bender Collection, gift of Albert M. Bender; © Banco de Mexico Diego Rivera & Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York; photo: Don Ross

Images: Jim Hodges, With the Wind, 1997, scarves and thread, Photo by Alan Zindman, © Jim Hodges; Jim Hodges, Untitled (Gate), 1991, steel, aluminum, copper, and brass chain with blue room, © Jim Hodges; Jim Hodges, Changing Things, 1997, silk, plastic, and wire, Dallas Museum of Art, Mary Margaret Munson Wilcox Fund and gift of Catherine and Will Rose, Howard Rachofsky, Christopher Drew and Alexandra May, and Martin Posner and Robyn Menter - Posner, © Jim Hodges; Jim Hodges, and still this, 2005 - 08, 23.5 K and 24K gold with Beva adhesive on gessoed linen, The Rachofsky Collection and the Dallas Museum of Art through the DMA / amfAR Benefit Auction Fund, © Jim Hodges; Jim Hodges, Untitled (one day it all comes true), 2013, denim fabric and thread, Courtesy the artist and Gladstone Gallery, New York and Brussels, © Jim Hodges; Jim Hodges in his Studio, Courtesy Dallas Museum of Art

(looped), Edition 3/3 and 2 AP, Fractional and promised gift to Tate, through the Tate America Foundation; Image: Musée d'Art Contemporain, Montreal, 2002, courtesy of the artist and Luhring Augustine, New York

John Gerrard, Cuban School (Sancti Spíritus), 2011; promised gift of Adriane lann and Christian Stolz; © John Gerrard; simulation still courtesy the artist and Simon Preston Gallery, New York

Whitney Museum of American Art, New York; gift of Howard and Jean Lipman 76.29a - c © 2009 Robert Morris / Artists Rights Society (ARS), New York

Increasingly, the Irish - born, New York - based Sean Scully is viewed as one of the most gifted artists of his generation.

Collection Museum of Modern Art, Gift of the Scaler Foundation and purchase, 133.1984 © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris

Bruce Conner, BURNING BRIGHT, 1996; San Francisco Museum of Modern Art, Accessions Committee Fund: gift of the Gerson and Barbara Bakar Philanthropic Fund, Collectors Forum, Diane and Scott Heldfond, Patricia and Raoul Kennedy, Phyllis and Stuart G. Moldaw, Byron R. Meyer, Madeleine H. Russell, Chara Schreyer, Elle Stephens, Norah and Norman Stone, and Phyllis Watts; © 2016 Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York

Inscribed on the stretcher» «GIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, regift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, regift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, repr.)

H. 11 x W. 98 x D. 72 ft., Gift of anonymous donor, © 2014 Yoan Capote, Courtesy of the artist and Jack Shainman Gallery, New York.

The Studio Museum in Harlem; gift of Peg Alston 2010.19.3 a — b Courtesy Alexander Gray Associates, New York © 2017 Lorraine O'Grady / Artists Rights Society (ARS), New York

Purchase, Emilio Azcarraga Gift, in honor of William S. Lieberman, 1987.2013 © The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York.

Under the heading «Rothko's Gift», The Times reported on the event noting the presence of Scott, «the first European artist to visit Rothko in New York in 1953, when he had seen only one work of his in reproduction, but had heard of his reputation among young American artists».

MoMA receives major gift of Latin American art New York's Museum of Modern Art has received a gift of more than 90 objects created by Latin American artists from the collection of Patricia Phelps de Cisneros.

Equivalent 1925 Gelatin silver print 4.65 x 3.62 inches (11.8 x 9.2 cm) Collection of George Eastman House (Part purchase and part gift from Georgia O'Keefe) ARG # STA1925 - 002 © 2014 Estate of Alfred Stieglitz / Artists Rights Society (ARS), New York

Bruce Conner, CHILD, 1959; the Museum of Modern Art, New York, gift of Philip Johnson; © 2016 Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York; photo: © 2016 The Museum of Modern Art, New York

Marcel Duchamp, Fountain, 1917/1964; collection SFMOMA, purchase through a gift of Phyllis C. Wattis; © Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp; photo: Ben Blackwell

Collection SFMOMA, purchase through a gift of Phyllis Wattis; © The Willem de Kooning Foundation / Artists Rights Society (ARS), New York

[38] In 2013, New York - based art collectors Thea Westreich Wagner and Ethan Wagner announced their intention to donate about 300 works by 27 European and international artists to the Centre Pompidou, thereby making one of the largest gifts in the institution's history.

Dorothea Tanning, Self - Portrait, 1944; collection SFMOMA, purchase, by exchange, through a fractional gift of Shirley Ross Davis; © Artists Rights Society (ARS), New York / VG Bild - Kunst, Bonn; photo: Katherine Du Tiel

One of the most technically gifted artists to come out of the New York School, Willem de Kooning was particularly well - versed in art history.

The New York Times's Randy Kennedy has news that the Menil Drawing Institute will be inaugurated with a gift of 110 works by major Postwar and Contemporary artists:

Whitney Museum of American Art, New York, Gift of the artist, 88.49.

Georgia O'Keeffe American, 1887 — 1986 Waterfall - No. 1 - Iao Valley - Maui, 1939 Oil on canvas Gift of Art Today 76.7 © Estate of Georgia O'Keeffe / Artists Rights Society (ARS), New York.

Georgia O'Keeffe American, 1887 — 1986 Oil on canvas Collection of Jan T. and Marica Vilcek, Promised Gift to the Vilcek Foundation Collection © Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Vito Acconci, Theme Song, 1973 Video, black and white, sound, 33:15 minutes The Museum of Modern Art, New York, Gift of the artist © 2018 Estate of Vito Acconci, Courtesy Electronic Arts Intermix (EAI), New York

Richard Avedon (American, 1923 — 2004) Polly Mellen, Fashion Editor, New York City, 8/21/75, August 21st 1975 Gelatin silver print Gift of the artist to mark the retirement of Gudmund Vigtel, 1991.59 © The Richard Avedon Foundation

2016 The Color Line: African American Artists and the Civil Rights in the United States, Musee du Quai Branly, Paris, France Expansive Visions: GW Collections Past, Present, Future, George Washington University Museum and The Textile Museum, Washington, DC 2017 Soul of a Nation: Art in the Age of Black Power, Tate Modern, London, England The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY The Last Ten Years: In Focus; Selections from the David C. Driskell Center Collections, David C. Driskell Center Gallery, University of Maryland, College Park, MD 2018 Hopes Springing High: Gifts of Art by African American Artists, Crocker Art Museum, Sacramento, CA Something to Say: The McNay Presents 100 Years of African American Art, McNay Art Museum, San Antonio, TX Histórias Afro - Atlânticas, Museu de Arte de São Paulo (MASP) and Instituto Tomie Ohtake, São Paulo, Brazil

Jackson Pollock, Cathedral, 1947, Dallas Museum of Art, gift of Mr. and Mrs. Bernard J. Reis © Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Frank Stella Ahab, 1985 — 88, from the series The Waves screen print, lithograph, linocut with hand - coloring, marbeling, collage on T. H. Saunders wove paper 73 5/8 x 54 5/8 inches Gift of J. Peter and Barbara J. Gattermeir, 2002.32.1 © Frank Stella / Artists Rights Society (ARS), New York

Dora Maar, Double Portrait, 1930s; collection SFMOMA, gift of Carla Emil and Rich Silverstein; © Artists Rights Society (ARS), New York / ADAGP, Paris

«Independent, intuitive, technically gifted, Paul Jenkins embodies many of the strengths of the New York School... Still, unlike the other artists and art - world inhabitants who, at the time, sided with one or the other painter, Jenkins remained a bit outside the fray.

1983 New Acquisitions and Promised Gifts, The Studio Museum in Harlem, New York, NY The Art Mobile, Skowhegan Series, Miami - Dade Public Library, Miami, FL Jus» Jass: Correlations of Painting and Afro - American Classical Music Celebrating Contemporary American Black Artists, Fine Arts Museum of Long Island, Hempstead, NY

The gift of nine prints was made possible by The American Foundation for The Courtauld Institute of Art and was given by Barbara Bertozzi Castelli, the widow of the New York dealer Leo Castelli who was closely associated with the artist.

Leon Mnuchin, New York, gift of the artist, 1963 Harriett Mnuchin Weiner, New York Her sale; Christie's, New York, 10 May 1983, lot 10 Collection of Franz Meyer, Zurich Collection of Pia Meyer Federspiel, Zurich Thence by descent to the present owner

Duane Michals, Rene Magritte, 1965; collection SFMOMA; gift of Van Deren Coke; © Duane Michals; photo: Courtesy of the artist and DC Moore Gallery, New York

(born in New York) lives in Liberty Literary Bird, 2009 Assemblage and artist made paper, 8 x 8 x 3.5 inches Gift of the artist, 2017

Max Ernst, Bauta, 1964; collection SFMOMA, gift of Peggy Guggenheim; 2009 Artists Rights Society (ARS), New York / ADAGP, Paris

National Gallery of Art, Washington, D.C. Anonymous Gift, 1981.86.1 © 2014 Estate of Helen Frankenthaler / Artists Rights Society (ARS), New York

Art Institute of Chicago, gift from the Mary and Earle Ludgin Collection; © The Willem de Kooning Foundation / Artists Rights Society (ARS), New York

The work establishes a congenial link with the history of the New York School, whose presence persists in gifted contemporary artists determined to add to the tradition.

Eva Hesse, Studiowork, 1968 Courtesy of University of California, Berkeley Art Museum & Pacific Film Archive, gift of Helen Hesse Charash, 1979 Photograph by Abby Robinson, New York August 5 — October 25, 2009 Curated by Briony Fer and Barry Rosen The Fruitmarket Gallery's 2009 Edinburgh Art Festival exhibition is a solo presentation of the work of German - born American artist Eva Hesse, a major figure in post-war art.

Henri Matisse, Interior at Nice, 1919; oil on canvas; the Art Institute of Chicago, gift of Mrs. Gilbert W. Chapman; © Succession H. Matisse / Artists Rights Society (ARS), New York

Henri Matisse, Notre Dame, A Late Afternoon, 1902; oil on paper mounted on canvas; Collection Albright - Knox Art Gallery, Buffalo, New York, gift of Seymour H. Knox, Jr; © Succession H. Matisse / Artists Rights Society (ARS), New York