Sentences with phrase «york school attitudes»

Not exact matches

The New New have a New York attitude and might be called the «New York School Outside New York».
One can connect them with early historical modernist painting, and aspects of New York School paintings in the»50s, but there's a physicality, as I said earlier, a scruffiness, a kind of attitude present in your paintings that doesn't feel like anything else one has really seen within that mode of working.
Frank confirms that in contrast to the New York School: «The social and artistic attitudes prevailing among San Francisco school painters never emphasized individual career achievement, much less fetishized superficial distinctions of style.&School: «The social and artistic attitudes prevailing among San Francisco school painters never emphasized individual career achievement, much less fetishized superficial distinctions of style.&school painters never emphasized individual career achievement, much less fetishized superficial distinctions of style.»
1969 0 Objects, 0 Painters, 0 Sculptors, 4 Artists..., Seth Siegelaub at McLendon Building, New York, US One Month Exhibition, Seth Siegelaub Contemporary Art, New York, US Op Losse Schroeven / Situaties en Cryptostructuren (Square Pegs in Round Holes), Stedelijk Museum, Amsterdam, NL (Verborgene Strukuren), Folkwang Museum, Essen, DE When Attitudes Become Form, Live in Your Head, Kunsthalle Bern, Bern, CH; Museum Haus Lange, Krefeld, DE 18» 6» x 6» 9» x 11» 2 1/2» x 47» x 11 3/16» x 29» 8 1/2» x 31» 9 3/16», San Francisco Art Institute, San Francisco, California, US; traveled to Simon Fraser Center for Communication and the Arts, Simon Fraser University, Vancouver, CA No. 7, Art Workers Federation Benefit, organised by Lucy Lippard, Paula Cooper Gallery, New York, US May - June 1969, Center for Communication and the Arts, Simon Fraser University, Vancouver, CA Language III, Dwan Gallery, New York, US July, August, September 1969, Seth Siegelaub Contemporary Art, New York, US Conception, Perception, Eugenia Butler Gallery, Los Angeles, California, US 0 - 9, Issue # 6, New York, US Wall Show - Part 1, Ace Gallery, Los Angeles, California, US When Attitudes Become Form, Institute for Contemporary Art, London, UK Place and Process, Edmonton Art Gallery, Edmonton, CA; Kineticism Press, New York, US 557,087, Seattle Museum of Art, Seattle, Washington D.C., US Prospect 69, Stadtische Kunsthalle Düsseldorf, Düsseldorf, DE Project Class, Nova Scotia College of Art and Design, Halifax, CA Konzeption / Conception, Stadtisches Museum Leverkusen, Schloss Morsbroich, DE Groups, The Visual Arts Gallery, School of Visual Arts, New York, US Pläne und Projekte als Kunst (Plans and Projects as Art), Kunsthalle Bern, Bern, CH Art Without Space, WBAI - FM, New York, US Art in Process IV, Finch College Museum of Art, New York, US Mail Exhibition, Nova Scotia College of Art and Design, Halifax, CA
This idea of starting from scratch with only immediate experience parallels the attitude of the New York School artists to the act of painting.
Well, the prevailing attitude when I was in school was abstract expressionism, and especially the New York Sschool was abstract expressionism, and especially the New York SchoolSchool.
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