Berkson: Well, probably the best manifestation of the New
York School ethos is the one that quite a few people find most telling, and it amounts to a dialectic.
Rothko and Clyfford Still (1904 - 1980), who left 35 paintings to the San Francisco Museum of Modern Art, personified the Bay Area influence of the New
York School ethos.
Not exact matches
To make improvement a matter of routine may have been Bloomberg's and Klein's greatest contribution to New
York's public
school ethos.
The Tibor de Nagy Gallery marks its 60th anniversary with «Tibor de Nagy Gallery Painters and Poets,» an exhibition celebrating the gallery's pivotal role in launching the New
York School of Poets and fostering a new collaborative
ethos among poets and painters in post-War New
York.
From the time of his arrival in New
York in 1942, Cage was engaged in a deep intellectual exchange with artists in this circle — particularly Robert Motherwell (1915 — 1991)-- and participated in discussions and presented lectures at the Subjects of the Artist
school and later at the Club.22 However, by the time Cage and Rauschenberg began work on Automobile Tire Print, Cage had articulated a sharp turn away from the
ethos of the Club, specifically rejecting what Caroline A. Jones has described as the model of «the artist as a masculine solitary whose staunchly heterosexual libido drove his brush.»