Sentences with phrase «york as a young artist»

Best known for her «plastic portraits» of dolls and dollhouses, the photographer Laurie Simmons has been making psychologically probing tableaux since moving to New York as a young artist in the late 1970s.

Not exact matches

In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.

What we do know, however, is that this «Greater New York» won't focus on young, emerging artists, as it had in the past three versions.

Bennett is also the art director for the New York based band, Skaters, with whom she directed her first music video, and was recognized by BULLETT magazine as ``... an exciting young visual artist.»

As one of the only remaining open calls in New York City, In Practice serves as an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careerAs one of the only remaining open calls in New York City, In Practice serves as an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careeras an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careers.

In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

We have talked with him about his drive to work from life, the painting challenges that come with diminished vision, how to use the inspiration you get from other painters, and what it was like coming to New York City as a young artist in the nineteen fifties.

During the early 1950s, Richard Diebenkorn was known as an abstract expressionist, and his gestural abstractions were close to the New York School in sensibility but firmly based in the San Francisco abstract expressionist sensibility; a place where Clyfford Still has a considerable influence on younger artists by virtue of his teaching at the San Francisco Art Institute.

In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

Rose and Christopher Y. Lew, the Whitney's associate curator who gave the young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen as if agitating a new cosmos.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

As a young artist who arrived in New York in the late 1970s, Moffett was inspired by more - established colleagues, including Alice Aycock, Lynda Benglis, and Elizabeth Murray, whose post-Minimalist work resonated with what he calls his «fractured formalist impulses.»

It also brings together artists working in New York in the 1980's, such as Jean - Michel Basquiat, Felix Gonzaelz - Torres, Jeff Koons, and Cady Noland; «Young British Artists» like Tracey Emin and Damien Hirst; and Chinese and Japanese artists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspartists working in New York in the 1980's, such as Jean - Michel Basquiat, Felix Gonzaelz - Torres, Jeff Koons, and Cady Noland; «Young British Artists» like Tracey Emin and Damien Hirst; and Chinese and Japanese artists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspArtists» like Tracey Emin and Damien Hirst; and Chinese and Japanese artists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspartists including Gu Wenda and Takashi Murakami, for a gathering of late - 20th - century art that is stellar in quality and distinctively international in perspective.

First Floor Gallery Engages New York Artist NewsDay, November 3, 2012 As part of its educational programme designed to address the challenges facing young visual artists in Zimbabwe, First Floor Gallery has invited a senior New York - based artist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local arArtist NewsDay, November 3, 2012 As part of its educational programme designed to address the challenges facing young visual artists in Zimbabwe, First Floor Gallery has invited a senior New York - based artist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local arartist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local artists.

«SoHo was like this nirvana that as a young artist I wanted to go to,» says Robert Longo, whose first studio in New York was further downtown, near the South Street Seaport, a space he shared in the late»70s with his then - girlfriend, Cindy Sherman.

In contrast to other prominent midcentury art critics — like the New York Times's John Canaday, who warned him against fraternizing with artists for fear of impairing his critical distance — Sandler purposefully immersed himself in his subjects» milieu, first in his days as a young reviewer for Artnews and later as an art historian.

A Decade of American Drawings Whitney Museum of American Art New York, NY Young Americans — 35 Artists under 35 Whitney Museum of American Art New York, NY 1964 Painters and Sculptors as Printmakers The Museum of Modern Art New York, NY 14th Annual Print Exhibition Library of Congress Washington, D.C. 1963 National Prints Exhibition Brooks Memorial Gallery Memphis, TN 19th Annual Print Exhibition Library of Congress Washington, D.C.

Group Activities - New York Artist Union, the WPA, and the Art Workers Coalition Teach - in - Working Conditions Seminar with Precarious Workers Brigade (London), UKK (Young Art Workers, Copenhagen) and a representative of the Chilean Ministry of Culture - Ongoing discussions with representatives from local unions and working centers such as UWA, IWW, Teamster, Writer's Guild of America East, New York Taxi Workers Alliance, and others - Monthly book club on labor law, organizing, workplace occupations, and radical history - End Sotheby's Lockout Solidarity Action at the Whitney Biennial with Occupy Museums, Occupy Sotheby's and Arts & Culture - Joining other OWS labor affiliated working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance cluster

During this year's Frieze London Week, the New York - based couple — who also help raise up younger artists through their Rema Hort Foundation, dedicated to the memory of their late daughter — toured through the main contemporary art event in Regent's Park as well as the scrappy Sunday art fair, which the two found particularly impressive this year.

Kara Walker, Gone: An Historical Romance of a Civil War as It Occurred b «tween the Dusky Thighs of One Young Negress and Her Heart, 1994, paper, 3.9 x 15 m. Courtesy: the artist and MoMA, New York

In 1999, when Rudy Giuliani was Mayor of New York, (Giuliani started his political career as Associate Attorney General under President Reagan, infamous for his ignorance and inaction during the AIDS epidemic, and his en masse firing of union air traffic controllers on strike in 1981) Giuliani sued the Brooklyn Museum for opening the much - hyped exhibit Sensation: Young British Artists from the Saatchi Collection, which included the work of then - emerging British artists such as Chris Ofili and DamienArtists from the Saatchi Collection, which included the work of then - emerging British artists such as Chris Ofili and Damienartists such as Chris Ofili and Damien Hirst.

As a young artist, Wool had seen these paintings of Reed's when they were first exhibited, at New York's Susan Caldwell Gallery in 1975, and they had marked him deeply.

In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

Nevertheless Robert Motherwell; Early Collages, which runs through January 5, is well worth seeing and these works, placed today in a small gallery on the Lower East Side, in the guise of having just come out of the studio of some young artist, would appear completely viable and credible as contemporary works because there are so many artists today, here in New York showing on the LES and Bushwick as well as elsewhere in the United States and Canada and perhaps globally, still working in the orbit of the aesthetic consensus of post-War formalism.

Young's decision to remove himself from the New York art world at a time when his paintings were included in such exhibitions as the Corcoran Biennial, Nine Young Artists / Theodoron Award at the Guggenheim, and a two - person show with David Diao at Leo Castelli, was the opposite of anyone who wished to embrace the limelight.

As a young African American artist from the segregated South, Whitten came to New York in 1960 where Abstract Expressionism still dominated the art world.

Cameron Rowland, a young New York artist, has recently mounted several exhibitions whose everyday objects conceal vicious economic realities, such as compulsory inmate labor, at well below minimum wage, in New York prisons.

As a young artist in 1940s New York, Robert Motherwell was introduced by the French Surrealists to the practice of «spontaneous» or «automatic» drawing, where the hand is allowed to move randomly across the paper as a means to expressing the subconsciouAs a young artist in 1940s New York, Robert Motherwell was introduced by the French Surrealists to the practice of «spontaneous» or «automatic» drawing, where the hand is allowed to move randomly across the paper as a means to expressing the subconsciouas a means to expressing the subconscious.

It also means that the few quotes that have been gleaned over a career spanning five decades — first as a young artist making his way in LA, where he was influenced by West Coast conceptualists Bruce Nauman and Chris Burden, then in New York, where he became involved in the avant - garde black art scene centered around the pioneering gallery Just Above Midtown — tend to get quite a bit of recycling.

Moving from art - school grad to accomplished young artist - his shows include Kavi Gupta gallery, Chicago's Museum of Contemporary Art, a recent attention grabbing appearance at Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialism).

As the premier showcase for Western contemporary art, the Ann Korologos Gallery proudly offers a wide array of Western artists working in a variety of techniques and representing diverse artistic traditions: Bold Post-Expressionist still lifes by Angus Wilson, delicate realism in the style of Chardin by Sarah Lamb, Plein Air landscapes by Dan Young, cutting - edge Macro Photography by Gayle Waterman and meticulous linocut prints by Sherrie York.

As Sally Morgan Lehman, Founder and Director at Morgan Lehman Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista PiranesAs Sally Morgan Lehman, Founder and Director at Morgan Lehman Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesas a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi.

The artist's previous exhibitions include a recent solo exhibition entitled Lovelady, at the University of Texas, Austin, TX (2014), as well as various other group exhibitions including Mote et Air du Temps, Paris, France (2011), Always the Young Strangers, Higher Pictures, New York, New York (2011), Post-Now, Marty Walker Gallery, Dallas, Texas (2010), and Perspectives 168, Contemporary Arts Museum, Houston (2009).

Jerry Saltz, «Photos of the Artists as Young Men,» New York Magazine, September 11, 2011, (ill.).

Join us for Multi-lane H.O.V, a new exhibition featuring four talented young artists from New York - based H.O.V Art as they present a diverse collection of visual, mixed media, and sculpture art that plays on themes of individuality, emotion, and the always changing, infinitely possible self.

Julia: I really see Made in Space as a counterbalance to all of the blockbuster museum shows happening in New York right now featuring heavyweight LA artists by showcasing some younger talent, several with little to no exhibition history in New York.

Many of these young poets and artists had moved to New York in the late 1940s to learn from older downtown painters such as de Kooning, Pollock and Kline, who had worked for decades in isolation and penury.

Others, such as Jack Bush, and younger artists such as Oscar Cahén, Walter Yarwood, Harold Town and William Ronald, were by the end of the 1940s actively developing more radical solutions, looking to European and, in particular, New York painting.

Mitchell studied at The Art Institute of Chicago before moving to New York in the late 1940s where she became the youngest member of the Abstract Expressionist movement, enjoying the support of artists such as Willem de Kooning and Franz Kline.

Linwood's work has been exhibited in venues such as the Alternative Museum and Artists Space in New York City; the Center for Photography in Woodstock, New York; Randolph Street Gallery in Chicago, Illinois; the Institute of Contemporary Art in Boston, Massachusetts; Diverse Works in Houston, Texas; Intersection for the Arts, SF Cameraworks, the de Young Museum, and Yerba Buena Center for the Arts in San Francisco, the John Thomas Gallery and Highways Exhibition Space in Santa Monica, and the Palm Springs Art Museum, in California.

6, 1 August, pp. 44 - 45 Johnson, Ken, Linger, The New York Times, 28 June, p. E34 Johnson, Ken, Jim Hodges, The New York Times, 31 May, p. E39 Demarest, Marty, Subterranean Sounds, The Inlander Online Horodner, Stuart, Jim Hodges, Bomb Magazine, Issue No. 79, Spring, pp. 100-101 2001 Mahoney, Robert, Jim Hodges, Time Out New York, 9 August, Issue 307 Levin, Kim, Short List, Village Voice, 7 August Smith, Roberta, Quick as a Shutter, Group Shows Shatter Conventional Wisdom, The New York Times, 6 July Schmerler, Sarah, James Graham and Sons, through August 3, Time Out New York, 19 - 26 July, Issue 304 2000 Musgrave, David, Natural Dependency, Art Monthly, November - December, p. 232 Benjamin, Marina, One sensation after another, Evening Standard, London, 5 November, p. 62 Rugoff, Ralph, Beauty bites back, Harper's Bazaar, October, pp. 234 - 235 LaBelle, Charles, Review, Frieze, September - October, pp. 119 - 120 The New Yorker, Museum of Modern Art, 11 September, p. 18 Moreno, Gean, Interview: Jim Hodges, New Art Examiner, June, p. 13 - 15 Baker, Kenneth, San Francisco Chronicle, 22 April, p. E1 & E10 Jowitt, Deborah, Amour, Sex, and All That Jazz, The Village Voice, 29 February, pp. 61 - 62 Keats, Jonathon, Letters to a young Artist, San Francisco Magazine, February, pp. 56 - 57

Jonas (b. 1936, New York) is regarded as a pre-eminent figure in contemporary performance who continues to influence a younger generation of artists.

As a student, she was associated with the Art Students league as a young woman in 1892 and in 1913 began a serious role in the New York art scene and at the Art Students League as a Secretary Treasurer and member of the Board of Control along with her husband, the artist Thomas FurlonAs a student, she was associated with the Art Students league as a young woman in 1892 and in 1913 began a serious role in the New York art scene and at the Art Students League as a Secretary Treasurer and member of the Board of Control along with her husband, the artist Thomas Furlonas a young woman in 1892 and in 1913 began a serious role in the New York art scene and at the Art Students League as a Secretary Treasurer and member of the Board of Control along with her husband, the artist Thomas Furlonas a Secretary Treasurer and member of the Board of Control along with her husband, the artist Thomas Furlong.

Both as a young artist living in New York and throughout his career, LeWitt acquired work by practitioners he admired and who were often his friends.

She first saw their collage - oriented work at the Museum of Modern Art in New York when she lived in the city as a young artist.

Andy Warhol always made himself available and accessible to younger emerging artists, and in the vibrant New York art scene of the 1980s, Jean - Michel Basquiat and Francesco Clemente forged particularly close friendships with Warhol — even becoming something of a triumvirate, as this new publication on the three artists shows.

Moving to New York as a youngster, Cenedella studied at the Art Students League with German satirical artist George Grosz, whose cartoonish, Weimar - era style had a big influence on the younger man.

After moving to New York in 1964, he quickly rose to fame, as among a group of young artists who were reviving painting during a time that minimalism was prevalent.

As these young artists succeeded, the spotlight moved from Paris to New York, setting the stage for America's post-war prominence in the international art world.