Sentences with phrase «york as an illustrator»

During that time, she worked in New York as an illustrator and a book designer (1962 — 1966).
During that time, she worked in New York as an illustrator and a book designer.

Not exact matches

Throughout the 1950s Warhol had a highly active and lucrative career as a commercial illustrator in New York City, and made thousands of images derived from nature.
In addition to writing and directing the movie, Martin stars as the titular character, a New York - based illustrator who's fallen behind on his latest book in the wake of his mother's death.
Adriann Ranta has represented New York Times bestselling, award - winning authors, journalists, illustrators and graphic novelists, as well as actors, stuntwomen, makeup artists, and many other pioneering creative thinkers and leaders in their fields.
Kadir Nelson's paintings have been exhibited in many galleries and museums around the world, including the Simon Wiesenthal Center, the Museum of Tolerance, and the Academy of Motion Pictures and Sciences in Los Angeles; the Museum of African American History in Detroit; the Smithsonian Anacostia Museum in Washington D.C.; and the Society of Illustrators and the Studio Museum in Harlem in New York, as well as many others.
Jon Klassen is an award - winning illustrator and author of picture books such as I Want My Hat Back (2011 New York Times Best Illustrated Book of the Year), This Is Not My Hat (2013 Caldecott Medal winner) and We Found a Hat, the last of the trilogy.
The artist began his career as a magazine illustrator, from 1978 to 1993 drawing the Russell Baker Observer column for the New York Times Sunday Magazine.
Before her career as an illustrator, Anna was a designer at The Metropolitan Museum of Art and several children's book publishers in New York City.
She's worked as a freelance illustrator and photographer, taught art in the NYC Public Schools and continues to teach future art teachers at New York University.
He studied art at the Carnegie Institute of Technology from 1945 to 1949 and then went to New York City where he became an illustrator until 1960 when he began making paintings based on comic strip characters such as Popeye, Dick Tracy, and Superman.
Reilly served as apprentice to famed illustrator Dean Cornwell, his friend and neighbor, and assisted him on several murals, including the Los Angeles Library Murals and one in the Raleigh Room of the Warwick Hotel in New York City.
After living briefly in Philadelphia, in 1890 he opened a studio in New York, working for several years as a portrait painter, illustrator, and teacher.
She lived in New York City for several years after graduate school and gained experience teaching art and photography to a wide range of students as well as working in the Fashion and Publishing Industries as an illustrator and studio assistant.
Americans for the Arts Nashville Conference featured her work related to the Twin Towers in 2002 as well as additional works at Society of Illustrators in New York.
Jesse's client list as an illustrator, art director and collagist includes The New York Times, Target, Prince, Chelsea Wolfe, The Black Queen, Dazed & Confused, Dansk, and No Tofu.
Also on display: «A series of drawings runs through the entire exhibition as a parallel narrative: monsters, which the children's book illustrator Johan Olander, who lives in New York, developed for the work of Philippe Parreno — interpretations of an oeuvre — mutate to funny, threatening, shocking and amusing ogres.
Although White has worked as illustrator for prestigious publications such as the New York Times, and Village Voice, my generation might best remember him as the designer for Pee - wee's Playhouse.
After the war, both abandoned their careers as illustrators for higher artistic pursuits, joined the Art Students League in New York, and hung out with the Abstract Expressionists at the Cedar Tavern in Greenwich Village.
During the 1970s Rosemary worked for various companies in London as a designer, illustrator, and merchandiser, prior to returning to New York City in 1975 to work for Kasper for Joan Leslie.
Known for her unique style as an illustrator, recent clients include L'Occitane, London Transport Museum, New York Times and The Sunday Times.
A fabulously successful illustrator with clients such as Rolling Stone, The New York Times, Esquire, and Bonny Doon Vineyard, Taxali immediately began showing in exhibitions and galleries throughout North America and Europe as well as undertaking to return to his alma mater and assume an Assistant Professor at the renamed Ontario College of Art & Design.
There he took classes with George Luks, Guy Pène du Bois, Boardman Robinson, and John Sloan and subsequently he established himself as an illustrator and caricaturist in New York.
Tobey studied at the School of the Art Institute of Chicago and worked for a time as a fashion illustrator and portraitist in New York City.
Birren studied in Paris and Munich for two years before going to New York to start a career as an illustrator.
Ossorio speaks of his youth and education in England and the United States; attending Harvard; working as a medical illustrator for the Army; coming to New York and becoming acquainted with Jackson Pollock and other New York artists; a mural commission he received for a church in the Philippines; the difficulty of introducing new ideas into Catholic art; traveling to Paris; his association with Jean Dubuffet; changes in his technique; his work in collage; his affiliation with the Signa Gallery; abstract expressionism.
Hannah also works as a commercial illustrator for clients such as The Sunday Telegraph, The New York Times, English National Opera and Penguin books.
Her work has recently garnered recognition at the Society of Illustrators and also been shown at the Korea Society of New York, the Monmouth Museum, and as part of the Society of Illustrators gallery at MoCCaFest.
The first major retrospective exhibition of John Sloan's work since 1988, An American Journey explores all facets of the artist's long career: his work as an illustrator in Philadelphia, his famous depictions of New York City, his lively views of Gloucester, Massachusetts, and his fascinating studies of Santa Fe, New Mexico.
In his early 30s, Tobey brought with him from New York City success working as a magazine illustrator.
Leaving after two years, he found work as a fashion illustrator, first in Chicago and then in New York, where he settled in 1911.
Born in Centerville, Wisconsin, in 1890, Mark Tobey began his career in Chicago as an illustrator before moving to New York.
Feuerman began her art career as a designer and illustrator for Time Warner Records in New York, while still a student at the School of Visual Arts during the late 1960s.
Having lived in New York during the 1940s and 50s as an art student at Cornell University and the Parsons School of Design, and later as a fashion illustrator for the department store Bonwit Teller alongside Andy Warhol, she absorbed the art of the new, Abstract Expressionism.
Edward Hopper started his career as an illustrator, but soon switched to painting and studied with the artist Robert Henri at the New York School of Art.
He went on to become a leading artist in the children's book illustration field, as an eight - time winner of the New York Times Book Review Best Illustrated Book of the Year, two - time winner of the Boston Globe - Horn Book Award Honor Books, and winner of the Society of Illustrators Gold Medal and Silver Medal.
It is a dense and rich issue featuring among its many highlights exclusive photographic work by Dan Holdsworth, a visit to the workshop of sculptor and large scale levitation master Ron van der Ende, the eyebrow - raising imagery of Hong Kong illustrator Tore Cheung, a study of art inspired by maps, satellite pictures and geography, as well as a guide to one of the world's most vibrant art capitals: New York — which includes intense, intimate and candid interviews with the likes of Marina Abramovic, Grisha Bruskin, Gregory Crewdson and Robert Longo.
The pieces were originally created for a group show at the Stedelijk Museum Kampen called Grenzeloos which translates as Boundless wherein illustrators were invited to showcase self - initiated art projects, and for the past month Merijn's contributions have been on show at the Beginnings gallery in New York.
In 1911, Tobey has moved to New York City and started working as a fashion illustrator for McCall's.
After working for four years in New York City as an illustrator for such popular periodicals as Harper's Weekly and Scribner's Magazine, Dove traveled to Europe, where his works were included in the progressive 1908 and 1909 Salon d'Automne exhibitions in Paris and where he studied the work of the impressionists and the fauves, notably Henri Matisse.
He then moved to New York and worked as a commercial illustrator for publications such as Time, Forbes, and Newsweek.
Timothy Goodman (BFA 2007 Graphic Design) Art director for his own studio; previously senior designer for Collins and a designer for Apple Inc.; creator with Jessica Walsh of the 40 Days of Dating blog for which the rights have been purchased by Warner Bros.; designer for several book covers; illustrator for magazines, including The New York Times and Time; winner of Art Directors Club Young Guns award (2013); listed in Graphic Design USA, People to Watch (2013); selected as Print magazine's New Visual Artist (2009); clients include Airbnb, J. Crew, Ace Hotel and The Museum of Modern Art, NYC.
He considered a career as a naval architect, but after leaving school chose instead to study art in New York, while working part - time as a commercial illustrator.
As a result, Darragh turned to commercial graphics to augment his income, becoming a freelance illustrator for publications like the New York Times Book Review.
Andrés Vera Martínez (MFA 2007 Illustration as Visual Essay) Author and illustrator; comics and illustrations have been published by Scholastic, Simon & Schuster, CBS / Showtime, ESPN, Lerner Books, and The New York Times.
He went on to study commercial art and worked as a freelance cartoonist and illustrator in New York and Los Angeles during the 1940s.
Brendan Leach (MFA 2010 Illustration as Visual Essay) Cartoonist and illustrator; his comics have been published by Secret Acres, Top Shelf Comics, Retrofit Comics and the Best American Comics 2011 anthology; won an Ignatz Award for Outstanding Comic for The Pterodactyl Hunters: Om the Gilded City (2012); Xeric Foundation grant (2010); illustration work recognized in 3x3 magazine; clients include The New York Times, Time Out New York, Time Out New York Kids, The L Magazine, Moleskine, Xbox and SportsCenter ESPN.
Nora Krug (MFA 2004 Illustration as Visual Essay) Illustrator and writer; clients include The New York Times, The Guardian and le Monde Diplomatique; animations featured at Sundance (2003); work included in Best American Comics and Best American Non-Required Reading; included in the Library of Congress; awards include American Illustration and gold and silver medals from the Society of Illustrators and the Art Directors Club; Sendak Fellowship (2014), Guggenheim Foundation Fellowship (2013), Pollock - Krasner Foundation grant (2012), Fulbright (2002); associate professor of Illustration, Parsons The New School for Design
Stephen Savage (MFA 1996 Illustration as Visual Essay) Editorial and children's book illustrator; Little Tug (Roaring Press 2012); Polar Bear Night (Scholastic, 2004) The New York Times Best Illustrated children's book, ALA Notable Book and best book of 2011 by Publisher's Weekly; clients include The New York Times, The New Yorker, Newsweek, Entertainment Weekly, The Wall Street Journal, Vibe
Jonathan Bartlett (MFA 2009 Illustration as Visual Essay) Illustrator and designer; chosen as designer for the Art Wall Project for the facade of Ralph Lauren's Denim & Supply store, NYC (2013); poster design selected for New York City Metropolitan Transit Authority's Arts for Transit program (2012); Art Directors Club Young Guns winner (2011); 3X3 Magazine Annual cover art; illustrator for Saks Fifth Ave. displays; designer of several book covers; clients include The New York Times, Los Angeles Times, Wired, The Atlantic, Playboy and Mother Jones.
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